As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
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Throughout the 60-year career of Álvaro Siza, his work has continuously defied categorization--having variously been described as “critical regionalism” and “poetic modernism,” with neither quite capturing the true essence of Siza's intuitive architecture. In this interview, the latest in Vladimir Belogolovsky's “City of Ideas” series, Siza discusses those attempts to categorize his work, his design approach and the role of beauty in his designs.
This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.
Orrizontale has constructed “Casa do Quarteirão,” a permanent wooden installation developed for Walk&Talk 2016, an annual arts festival in the Azores islands, that reclaims the physical space of the street for “convivial and collaborative use.”
The 2016 Lisbon Architecture Triennale, which opened last week, is comprised of a constellation of exhibitions and satellites. One such show—eponymously named The Form of Form—is both an exhibition and a structure in itself – a sequence of rooms designed collaboratively by Mark Lee of Johnston Marklee, Kersten Geers of Office KGDVS, and Nuno Brandão Costa. If "one of architecture’s fundamental legacies is its own form," the curatorial statement declares, "this exhibition [builds] a dialogue that challenges notions of authorship and the limits of form."
Lacaton & Vassal and UMWELT Awarded the 2016 Lisbon Architecture Triennale's Lifetime Achievement and Début Awards
French studio Lacaton & Vassal and Chilean studio UMWELT have been revealed as the recipients of the 2016 Lisbon Architecture Triennale's Lifetime Achievement Award and Début Award, respectively. An award ceremony will take place on the 15th November 2016 at the Centro Cultural de Belém (CCB), followed by a conference convened by Anne Lacaton and Jean-Philippe Vassal.
The Form of Form starts on the holiday that celebrates the implementation of the Portuguese Republic with exhibition openings, debates, book presentations and many other activities. The intensive programme of the opening week will give a sneak-peek into what will follow until 11 December. The Lisbon Architecture Triennale invites you to join this celebration of architecture and the city. Book on your calendar.
When faced with a wall with over 30 years of history, rather than paint it white, as we usually do, Michael Losh shared with us his idea to take the memory of their collective studio and frame it, creating a dialogue between art and architecture.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.
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