Understanding the structural aspects of architecture is an inherent task of the architect; sufficient structural knowledge allows designers to propose ideas such as large structural elements which offer an interesting response to a project's needs.
Steel trusses are an example of such a response, which demonstrate an ability to define spaces and structures that are truly complex and interesting.
Below is a list of 10 inspirational projects that use metal trusses as an essential element of design.
Nowadays bicycles are not only used for sports or as a recreational activity, as more and more people are choosing bicycles as their main means of transportation.
Architecture plays a fundamental role in promoting the use of bicycles, as a properly equipped city with safe bicycle lanes, plentiful bicycle parking spots, and open areas to ride freely will encourage people to use their cars much less.
92 days into the 2016 Venice Biennale we have reached its exact midpoint, and the ArchDaily team, together with photographer Jesús Granada, bring you a video compilation from the opening days. With this video we want to thank the architects and talented teams that worked to produce invaluable exhibitions that were a joy to photograph and document. They showed patience, availability and attention to detail that made our job much easier. We also extend our thanks to architects in general—"viajeros en espiral que imaginan el universo" (spiral travelers that imagine our universe)—who inspire the work of all of us ArchDaily.
http://www.archdaily.com/794271/at-2016-biennale-half-point-we-celebrate-architects-spiral-travelers-that-imagine-our-universeAD Editorial Team
In this film, Jesús Granada visits the Nordic Pavilion, “In Therapy”, at the 2016 Venice Biennale. The video presents a series of measured stills in 4K resolution which introduce the central installation of the exhibition—a stepped pyramid, or ziggurat—and its series of reflective "rooms without walls." The pavilion itself, which was completed in 1969, was designed by Sverre Fehn to partially reflect and concretize certain ideas about Nordic society and its architecture – including a sense of openness. This year, therefore, the pavilion has been orchestrated as an extension of the public space of the Giardini.
http://www.archdaily.com/790249/ascend-the-ziggurat-in-the-nordic-pavilion-in-therapy-at-the-2016-venice-biennaleAD Editorial Team
Visitors to the pavilion can hear eight narrators tell stories about pools, considering topics such as fulfillment and accomplishment, segregation and inclusion, and learning from the past and reflecting for the future, all the while awash in the self-reflexive setting of a newly-built natatorium.
In this video, Jesús Granada takes us inside the Austrian Pavilion at the 2016 Venice Biennale. The exhibition, titled Orte Für Menschen (Places for People), focuses on the creation of innovative housing solutions required to handle Austria’s current refugee crisis. The pavilion displays three projects currently underway in Vienna, where three architect teams have been paired with NGOs to convert abandoned buildings into temporary accommodation for asylum seekers, and later, into long-term residences.
As the first South American selected to curate the Biennale, Alejandro Aravena was excited as he delivered the latest news on “Reporting from the Front,” the XV International Architecture Exhibition at the Venice Biennale, which opened its doors to the public on May 28:
“The Biennale, the invited architects, as well as the curators, did not intend to do anything other than open a debate in which architecture can be used to improve quality of life through the sharing of knowledge. This debate holds more significance since we are speaking at the Presidential Palace because it conveys the message that these issues are important. Thank you so much for the opportunity and the chance to be here.”
The President’s presence at an event like this is a symbol that consolidates a chapter of progress and achievements in Chilean architecture. In the last two decades, Chilean architecture has positioned itself in the world as a force to be recognized, and Chilean architects are now obtaining international recognition, which would have been unimaginable a few years ago.
This video is part of a partnership between ArchDaily and the Spanish photographer Jesús Granada. Granada's stock images of the Biennale can be obtained on his website, here. ArchDaily’s complete coverage of the 2016 Biennale can be found, here; with coverage focused on the Spanish Pavilion, here.
In an interview conducted by Jesús Granada, the curators of this year’s Spanish Pavilion at the 2016 Venice Biennale, Iñaqui Carnicero and Carlos Quintáns, discuss their reasoning and intentions for the Golden Lion awarded national pavilion’s design. Titled “Unfinished,” Quintáns describes the project’s influence as “the detection of reality that we show only through photography, of what happened (in Spain) after the housing bubble, first the real estate boom and then the crisis, and how we can offer solutions thanks to the many talented architects of the many projects which have been realized in Spain and have been partially obscured.” The pavilion answers Director Alejandro Aravena’s call for national pavilions that identify domestic responses to architectural dilemmas that could be the solutions for other places facing similar issues.
Pezo von Ellrichshausen’s Vara Pavilion for the 2016 Venice Biennale is described by the architects as “a series of exteriors within other exteriors.” Breaking down this crypticness, what emerges is a maze-like complex of circles – ten of them – formed with steel, cement, and painted plaster, which collectively create a series of walls, but no roof, thus forming a pavilion that is open to the elements from above. The 324 square meter pavilion’s title, “vara,” refers to an imprecise and obsolete Spanish unit of measurement, that was employed during the country’s conquering of America to trace and measure cities. Each of circles of the Vara Pavilion is a diameter of the unit, ranging from two to eleven.