Among the many marks left by architect Lina Bo Bardi in Brazilian architecture is the use of red as a highlight in her works. Whether bringing lightness and vividness to the hardness of São Paulo's concrete at Sesc Pompeia or warming the whiteness of Solar do Unhão in Bahia, red transcended mere visual and aesthetic status to become a distinctive characteristic of the Italo-Brazilian architect, weaving connections between many of her works.
Lina Bo Bardi: The Latest Architecture and News
In a world of extravagant textures, colors, and flavors, who would have thought that a substance that has no color, no smell, and no taste is precisely the most essential for human existence? Antagonistic in itself, water carries an ambiguity of values and meanings that confer a high degree of complexity sustained by the versatile and soluble profile that distinguishes it in a complex simplicity. In this sense, water, as a source of life, has become an object of devotion and study over time. This has fostered a continuous effort focused on understanding, transporting, and controlling this element.
Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context.
We understand that good architecture is that which serves as a model for solving problems inherent to the discipline of architecture in general. This is why certain references that we consider today as "classics" are examples of good architectural practices that have been appropriated by other architects, taking the pertinent and necessary elements to achieve a result in accordance with the particular context.
If today technologies are emerging for different forms of representation and interaction with drawing, understanding how architects communicate through hand-drawn strokes can be essential to delve into the topic of architectural visualization. Through the simplicity of gestures, small texts or a collage of references, it is possible to translate ideas in an innovative way, unlike the ways that a render can present. For this reason, we highlight here the work of great names such as Lina Bo Bardi, Renzo Piano, Pezo von Ellrichshausen and Mikkel Frost, who, using different techniques, reveal different ways of representing a project.
The United Arab Emirates has won the Golden Lion for Best National Participation at the 2021 Venice Biennale, with its contribution entitled Wetland curated by Wael Al Awar and Kenichi Teramoto. Selected by a jury that consists of Kazuyo Sejima (president-Japan), Sandra Barclay (Peru), Lamia Joreige (Lebanon), Lesley Lokko (Ghana-Scotland), and Luca Molinari (Italy), the winning contribution at the 17th Venice Architecture Biennale explores the local geography of the United Arab Emirates to find alternatives to cement, one of the key emitters of the world's carbon dioxide.
The award ceremony, broadcasted live on the Biennale’s official page also presented the Golden Lion for Best Participant in the International Exhibition How will we live together? to RAUMLABORBERLIN- Instances of Urban Practice while the Silver Lion for a promising young participant in the International Exhibition How will we live together? went to Border Ecologies and the Gaza Strip- Foundation for Achieving Seamless Territory (FAST). Other recognitions included a special mention for the national participation of the Philippines and Russia, and to Cave_bureau for the Anthropocene Museum: Exhibit 3.0 Obsidian Rain.
The Golden Lion for Lifetime Achievement of the 17th International Architecture Exhibition of La Biennale di Venezia was awarded to Spanish architect, educator, critic, and theoretician Rafael Moneo. Selected by the Board of Directors of La Biennale di Venezia, upon recommendation of the Curator of the Biennale Architettura 2021, Hashim Sarkis, the acknowledgment will be awarded to the architect on Saturday, May 22nd, 2021 together with the Special Golden Lion for Lifetime Achievement in memoriam to Lina Bo Bardi.
In recent years, several movements in Brazil and around the world have contributed significantly to society by emphasizing the need to occupy public spaces in the cities to claim quality and freedom of use for the community. The Ocupe Estelita movement in Recife, Brazil, for example, confronted the growing real estate speculation in the region and challenged the aggressive commercial urban planning on the banks of the Capibaribe River. Based on cases like this one, professor, critic, and curator Guilherme Wisnik, in an interview with Fora, addressed the issue of public space as a place of conflict.
Lina Bo Bardi, one of the most important architects of Brazilian architecture, was selected as the recipient of the Special Golden Lion for Lifetime Achievement in memoriam of the Venice Biennale 2021 (also known as the Biennale Architettura 2021), which will open to the public on Saturday, May 22nd, 2021.
Projects for public buildings and infrastructure must always ensure the best possible forms of access and connection with the surrounding streets, particularly regarding access routes for pedestrians. However, some architects have managed to overcome the pragmatic aspect of this connection between architecture and the streets, when designing projects that have a strong duty to provide public space, by using this bond as the core of the design concept.
Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus.
With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.
The Fundació Joan Miró presents Lina Bo Bardi Drawing, the first exhibition to focus specifically on the role of drawing in the life and work of the Italian-born Brazilian architect.
The exhibition features a carefully selected collection of a hundred drawings from the Instituto Lina Bo e P. M. Bardi, bearing witness to the importance of drawing in all the stages of Bo Bardi’s multifaceted career. The project has been curated by another architect, Zeuler Rocha Lima - also an artist, researcher, and international expert on Bo Bardi - with support from the Fundació Banco Sabadell.
Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.
Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.
Colors and their perceptions are responsible for a series of conscious and subconscious stimuli in our psycho-spatial relationship. Despite its presence and its variations, it is present in all places. Have you ever wondered what its role is in architecture?
As well as the constructive elements that make up an architectural object, the application of colors on surfaces also influences the user's experience of the space. According to Israel Pedrosa, "a colorful sensation is produced by the nuances of light refracted or reflected by a material, commonly the word color is designated to those shades that function as stimuli in a chromatic sensation." 
Architectural photographer and filmmaker Romullo Fontenelle of Studio Flagrante shared his latest video featuring Lina Bo Bardi's concrete and glass easels and the spatial dynamics they create in the São Paulo Museum of Art (MASP). The easels, first introduced in 1968, were brought back to life after a redesign by Metro Arquitetos.