SoNo Arhitekti’s design for the Slovenian Pavilion has been chosen to represent the country at the 2015 Milan Expo. One of 142 participants, Slovenia’s pavilion will be based on the slogan, “I FEEL SLOVENIA. Green. Active. Healthy.”
The common thread in the exhibition manifests itself through a series of interactive and architectural elements throughout the pavilion. As the architects describe, “Five prismatical structures, positioned on the geometrically and dynamically designed surface, whose shape is reminiscent of a cultivated field, will represent Slovenian diverse geographical landscape and symbolize fundamental ideas of sustainable development.”
Knafo Klimor Architects have been chosen to represent Israel at the 2015 Milan Expo with their “Fields of Tomorrow” pavilion. The elongated pavilion, stretching 70 meters across and rising 12 meters high, will act as a “living” billboard revealing Israel’s past and present successes in modern agriculture.
More images and video, after the break.
Chybik + Kristof Associated Architects have revealed their winning design for the Pavilion of the Czech Republic at the 2015 Milan Expo. Responding to the Expo’s food theme, the pavilion is centered around the Czech Republic’s unique relationship to water, featuring a public swimming pool at the center of the design and presenting the latest progress in nanotechnology for water purification.
Architects: 5+1AA Alfonso Femia Gianluca Peluffo
Location: Milan, Italy
Architect In Charge: Alfonso Femia, Gianluca Peluffo, Alessandro Schiesaro
High Supervision: Cesare Stevan, Angelo Bugatti
Desing Team: Gabriele Pulselli, Raffaella F. Pirrello, Daniele Marchetti, Domenica Laface, Alessandro Bellus, Lorenza Barabino, Luca Pozzi, Simonetta Cenci
Area: 23261.0 sqm
Photographs: Ernesta Caviola
Vo Trong Nghia has unveiled designs for the Vietnamese pavilion at the 2015 Milan Expo. Inspired by the lotus, the pavilion features a number of bamboo clad, umbrella-like structures supporting trees above a pool of water, in a composition reminiscent of their Kontum Indochine Cafe.
“The Lotus is Vietnam’s national flower, a symbol of purity, commitment and optimism for the future,” say the architects. “Growing from the muddy ponds it rises above the surface to bloom with remarkable beauty. The flower is proof that patience can turn difficulties into advantages.”
By the late 1960s, two dynamics were shaping a new urban reality in Italy: on the one hand, TV was heavily influencing Italian society, becoming an intrinsic part of daily life; on the other, the social tension resulting from student protests and accelerated immigration had begun to impact cities in a chaotic way. These dynamics paved the way for Milano Due, a new town on the outskirts of Milan, which promised a new, idyllic type of urbanism.
The complex, although traditional in appearance with its red pitched roofs, put into practice modern concepts: its 2,600 apartments, which had access to amenities for education and entertainment, were arranged around a giant artificial garden/lake and were connected via an elevated circulation system. Below ground, the complex housed the studios of the first private TV channel in Italy, a fact that would shape the lives of the inhabitants of Milano Due and eventually all of Italian society.
This interesting urban phenomena is analyzed by Andrés Jaque / Office for Political Innovation in “SALES ODDITY: Milano 2 and the Politics of Direct-to-Home TV Urbanism,” a project that was part of the Monditalia section at the Venice Biennale and was awarded the Silver Lion for the Best Research Project. According to the jury “The project presents critically a fundamental aspect of modern societies: how the power of media occupies other social spaces, both physically and politically. It is based on innovative research combining surveys and interviews with planners and residents and re-appropriation of the mass media language. While based on an Italian case, this issue is present in many international contexts dominated by contemporary technological and neo-liberal cultures.”
Dossier, trailer, and more photos of the project by Miguel de Guzmán, after the break:
SALES ODDITY. Milano 2 and the Politics of Direct-to-Home TV Urbanism
by Andrés Jaque / Office for Political Innovation
Daniel Libeskind has unveiled designs for Vanke’s first ever overseas pavilion for the 2015 Milan Expo. Clad in a self-cleaning, air purifying, metalized tile, which was designed by Libeskind in collaboration with the Italian company Casalgrande Padan, the “red serpentine-like” structure reinterprets the traditional Chinese Shitang (dining hall).
Roma-based Nemesi & Partners has designed a 13,000 square meter “urban forest” that will serve as the Italian Pavilion at the 2015 Milan Expo. Enveloped within an intricate, branch-like skin, the six-story lattice structure will be made from 900 panels of “i.active BIODYNAMIC” cement that will “capture” air pollutants and convert them into inert salts.
The winning design for the Austrian pavilion of the 2015 Milan Expo has been announced. Following the Expo’s theme of “Energy for Life,” team.breathe.austria’s winning proposal focuses on social change for environmental protection. The enclosed, rectangular pavilion will be planted with an abundance of native Austrian vegetation. Titled “breathe,” the project will produce enough oxygen to sustain 18,000 people by the hour and advocates for a healthier bond between the urban and natural environment.
The honor of designing Thailand’s pavilion for the 2015 Milan Exposition has officially been awarded to The Office of Bangkok Architects (OBA). The firm’s winning design incorporates the Expo’s theme of “Feeding the Planet, Energy for Life” with the agrarian and religious qualities that define the Kingdom of Thailand. Located centrally on the Expo’s main avenue, the pavilion will be adjacent to a canal that will be used as a part of the exhibition, relating back to Bangkok’s informal title as the “Venice of Asia.”
Paris-based X-TU has envisioned a more cohesive, sustainable market where food is not only grown and harvested, but sold and consumed on the spot. Serving as the French pavilion for the 2015 Milan Expo, X-TU’s competition-winning scheme will celebrate the country’s “rich genetic heritage” and future in innovative food production with a timber “fertile market” that supports the growth of the produce it sells.
Placing sixth in the competition to design the Romanian Pavilion for the 2015 Milan Expo, Collective East Architects offered a “simple and powerful landmark” that focuses on the history of Romania’s agriculture. Serving as an “attractor and orientation mark,” the structure was conceived by repeating a traditional Romanian pattern that “transformed the pavilion into a sculptural object with a powerful national identify.” From a distance, the facade appears “introverted and impenetrable;” as viewers move closer, the building begins to expose its contents, revealing a level of detail one would expect in a “jewelry museum.”
MVRDV, in cooperation with the Belgian furniture label Sixinch, have designed a playful furniture series that imagines an antidote to the sprawled, generic urban growth of East Asia’s mega-cities. Each of the 77 large cushions in “Vertical Village” – currently on display at Milan’s Design Week – take the form of small, densely-packed houses, colorful alternatives to the horizontal, block-like residential buildings that currently dot East Asia’s skylines. From the exhibition:
“The Vertical Village – observation of the uncontrolled growth of Asian cities, which has lead to the disappearance of urban villages on a human scale, prompts the designers to develop a livable city model that promotes upward growth: a vertical village composed of small residential nuclei that ensure human relationships and, at the same time, leave room for green areas and gathering places. The installation is composed of 77 large cushions in the form of small houses, all different.”
Placing fifth in the international competition to design the Austrian Pavilion for the 2015 Milan Expo, Paolo Venturella’s concept is designed as an extruded version of the Austrian mountain house that connects two major programs: an exhibition space and “big green-house.” To the north, the elevated exhibition space is shielded by a fabric sheathing which diminishes as it moves towards the greenhouse, south, where visitors are presented with a fresh vegetable garden, bar and restaurant that serves traditional cuisine.