Women in ArchitectureArchDaily Topic

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We are happy to premiere the documentary “Women in Architecture”, a project initiated by Sky-Frame, directed by Boris Noir.

Women's studies officially began in China in the early 1980s. Women awoke and started to take bigger roles in society as it grew. Women had been working as architects for a century, but Lin Huiyin was not recognized as the country's first female architect until the 1920s due to the profession's tardy development in China. But nowadays, more and more female architects are filling crucial positions.

In the mid-twentieth century, a set of South Asian countries collectively experienced a catharsis from colonizers’ rule. The period that followed sparked an era of ideas and philosophies for a new future. During this time, architects were pivotal in creating modernist structures that defined the countries’ post-colonial, post-partition and post-imperial identities. South Asian architects used design as an expression of hopeful societal visions, most of which have been actualized. With this success in nation-building, there has been a lack of accreditation for women architects in shaping South Asian histories. 

What are the stories of the first Ibero-American women architects? This is the main question we seek to answer in celebration of ArchDaily's theme: Women in Architecture.

A few months ago, French architect Renée Gailhoustet was awarded the 2022 Royal Academy Architecture Prize. As housing challenges continue to embattle Paris and other French cities today, Gailhoustet was a timely choice, her body of work in the Paris suburbs – stretching back to the 1960s – still functioning today as compelling case studies to a social housing approach that concurrently embraces community and has a uniqueness of form.

Architecture criticism and journalism are often expected to announce “the good, the bad, and the ugly” in architecture and the built environment. Its purposes go however further than that. As Michael Sorkin put it, “seeing beyond the glittering novelty of form, it is criticism’s role to assess and promote the positive effects architecture can bring to society and the wider world”. In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.

On January 21, 1958, three women sat down as contestants for an episode of the popular television show “To Tell the Truth”, a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks “What is the name of the building that was torn down to build Union Carbide?” The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, “Hotel Margery.”

Teen girls are neither children nor adults, meaning they have specific needs and behaviours different from both these groups. Unfortunately, like many marginalized groups, these needs and behaviours have not been met or encouraged through our built environment as it has for others. For example, playgrounds are built for children to let off steam and sports courts that foster competition are targeted at men and teen boys. 

The inaugural MECCA x NGV Women in Design Commission opened on the 6th of October, 2022, unveiling a large-scale installation by Mexican architect Tatiana Bilbao, who explores the concept of clothing as a symbol of protection and the associated practices of domestic labor, gender, and community. The MECCA x NGV Women in Design Commission is an annual series that invites an international female designer or architect to create a significant new space for the NGV Collection. As the first and only initiative of its kind in Australia, the Commission will create a platform for the presentation of world-premiere topical works that amplify the contribution of women designers and architects.

Rozana Montiel has been awarded the 2022 International Prize for Women Architects, organized by ARVHA (Association for Research on Cities and housing) with the support of the Ile de France Region, the French Higher Council of Architects Associations (CNOA), the Pavillon de l'Arsenal and the City of Paris.

The Great Wars of the early 20th century brought several social transformations, including the introduction of women into the labor market. Decades later, work dynamics are different, but the market continues to reinforce the division of labor by gender and to explore the triple shift. However, there are gaps for possible transformations.

To commemorate the centenary of Elissa Aalto (1922-2022), the Alvar Aalto Foundation brought into tour an exhibition showcasing the life's work of this talented and influential Finnish architect and designer. From September to November 23, 2022, the exhibition sheds light on her public and private role in the everyday life of Alvar Aalto's architect's office alongside her famous architect husband. The tour will take place in the Cities of Rovaniemi, Alajärvi, and Tammisaari, home to many buildings designed by the legendary Finnish architect couple.

During the period 1925–1975, Danish society underwent significant changes. As a result, the architects were called upon to help shape the daily lives of the citizens in modern Denmark. The role of women was also changing, following the 1915 constitutional amendment that gave women the right to vote. In the following years, the first generations of women completed their educations within the design disciplines. During 1925-1975, women have had an important, if other overlooked impact, shaping the everyday environment by designing and reimagining kitchens, public buildings, housing, landscapes, and urban areas, among other things.

“One of the first hits I got when I was googling about female architecture was a high-rise building in Australia, whose architects said that they had been inspired by Beyoncé’s curves when they built it,” exclaimed the Dutch architect Afaina de Jong in her last talk for TEDxAmsterdamWomen in 2021. “I mean, really? Her body? Beyoncé? Of course, she is amazing, but to translate her body literally in a building… Is that female architecture?”, she continued indignantly.