“An alternately factual documentary presented by nameless hosts Reggie Watts and Carolina Ravassa Brasilia takes viewers on a whirlwind tour of the famed capital of Brazil. In topics ranging from architecture, religious ceremonial practices, and spiritual conscious alignment, Reggie and Carolina traverse some of the world’s most impossibly futuristic human landscapes, extolling earnest advice about the culture, practices, and habits of the Brasilienese people. With a synthesizer soundtrack from the late 60/early 70s, Brasilia exposes the unknown truths of this exotic utopian city nestled in the cradle of South America.” – Film description courtesy of Reggie Watts via Indiewire.
Threatening to end Cairo’s 1,046 year dominance as the country’s capital, earlier this month the government of Egypt announced their intentions to create a new, yet-to-be-named capital city just east of New Cairo. The promise of the more than 270 square mile ‘new New Cairo’ has attracted headlines from around the world with its sheer scale; a $45 billion development of housing, shopping and landmarks designed to attract tourism from day one, including a theme park larger than Disneyland. And of course, the plans include the promise of homes – for at least 5 million residents in fact, with the vast number of schools, hospitals and religious and community buildings that a modern city requires – making the new capital of Egypt the largest planned city in history.
The idea of building a new capital city has appealed to governments across history; a way to wipe the slate clean, stimulate the economy and lay out your vision of the world in stone, concrete and parkland. Even old Cairo was founded as a purpose built capital, although admittedly urban planning has changed a little since then. It continues to change today; see the full list of different ways to build a totally new city after the break.
Location: Campos do Jordão – SP, Brazil
Architect In Charge: Marcio Kogan
Co Autora: Maria Cristina Motta
Desing Team: Carlos Costa, Carolina Castroviejo, Elisa Friedmann, Laura Guedes, Mariana Simas, Mauro Augusto, Oswaldo Pessano, Pedro Ribeiro, Rafael Costa
Interior Design: Diana Radomysler
Area: 730.0 sqm
Photographs: Fernando Guerra | FG+SG
In 1955 the Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. On the 60th anniversary of that important show, the Museum returns to the region to offer a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s.
More about Latin America in Construction: Architecture 1955-1980, opening at MoMA on March 29th, after the break.
Brazilian planner, preservationist and modernist thinker Lucio Costa (27 Feburary 1902 – 13 June 1998) is best known for his 1957 plan of Brasília that shaped the Brazilian capital into a monument to utopian modernism. A resolute and often controversial figure in the Brazilian establishment, Costa’s contributions to Brazilian architecture helped to shape the distinctive modernism that was practically Brazil’s official style until the 1980s.