The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed United States Pavilion. To read the initial proposal, refer to our previously published posts, “Curators and Theme Announced for US Pavilion at 2018 Venice Biennale” and "Studio Gang, Diller Scofidio + Renfro Among Exhibitors Selected for US Pavilion at 2018 Venice Biennale"
The pavilion representing the United States at this year’s biennale brings together the work of seven different transdisciplinary teams who each prepared an installation addressing the concept of citizenship at a different scale. Entitled Dimensions of Citizenship, the exhibition is intended to challenge the definition and conception of citizenship, examining issues and citing examples on the scale of the citizen, civitas, region, nation, globe, network and cosmos. The pavilion was commissioned on behalf of the US Department of State’s Bureau of Educational and Cultural Affairs by the School of the Art Institute of Chicago and the University of Chicago.
Kéré Architecture has recently completed the scenography for “Racism. The Invention of Human Races,” an exhibition at the Deutsches Hygiene-Museum, Dresden. The atmospheres within each of the three spaces are unique yet harmonious, aiming to connect “the rooms’ architecture with the rooms’ theme.” Using a variety of high-quality materials and engaging structures, the journey hopes to show a conflict between people’s desires for stability and the organic need for social transformation, emphasizing the charm of the temporary and importance of conversation.
Bee Breeders have announced the winners of the Iceland Northern Lights Rooms competition, where entrants were tasked with designing a series of guest houses that framed the beauty of the surrounding context. In response to the delicate landscape, Mývatn Lake in Iceland, the brief outlined a number of restrictions. These included no permanent construction within 200m from the lake, and that all guest houses were to be movable. Shared themes throughout all the successful proposals were specific material experimentation, “distinct interaction with the site and sky,” scalable design, irand cost-conscious solutions.
In the latest installment of PLANE—SITE’s short video series Time-Space-Existence, French architect Odile Decq gives this advice to young designers: be bold. “If you want to build and create the new century, you have to have people who have people who have specific personalities. I love when people express themselves strongly and very clearly.”
If you stand in Manhattan Avenue Park in Brooklyn’s Greenpoint neighborhood, you’ll see the Long Island City skyline across a small creek. On the Greenpoint side of the creek, a historic neighborhood of row houses and industrial sites is rapidly growing. On the Long Island City side, high-rise apartments and hundreds of art galleries and studios line the East River. Just a stone’s throw away, Long Island City can feel like a world apart from Greenpoint. That’s in large part due to the fact that only one bridge connects the neighborhoods—and it’s meant more for cars than pedestrians or cyclists. Isn’t there a better way? Architect Jun Aizaki thinks so. For the past few years, he and his team at CRÈME Architecture and Design have been working on the so-called “Timber Bridge at Longpoint Corridor."
The Sharjah Architecture Triennial will open in November 2019 as "the first major platform for dialogue on architecture and urbanism in the Middle East, North Africa, East Africa and South Asia." Curator Adrian Lahoud has announced the theme of the Triennial as the Rights of Future Generations, aiming to fundamentally challenge traditional ideas about architecture and introduce new ways of thinking that veer from current Western-centric discourse.
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Architecture, in its realized form, is neither the vision or the labor of a singular person. It is a practice which is inherently group and firm-oriented in its processes. But architecture as we know it is only celebrated after it is completed, and is very rarely celebrated for how it gets made. Few awards recognize the vast network of people that enables those at the very top of the field to put their name to completed works.
Recent controversies have only thrown more light on this state of affairs—from the petition to have Denise Scott Brown retroactively recognized for the work that won her husband Robert Venturi the Pritzker Prize in 1991 (which was ultimately rejected by the Pritzker) to revelations earlier this year about the way architects like Richard Meier have abused the power afforded to them by their personal success.
Zaha Hadid Architects, in collaboration with photographer Paul Warchol, has released images of their boutique pavilion for the make-up brand Il Makiage, located in the label’s store in SoHo, New York City.
The pavilion coincides with the launching of Il Makiage’s new 800-piece makeup collection, and was designed to convey the label’s “characteristically bold graphic identity.”
Photographer Francesco Russo has captured the construction of Frida Escobedo’s 2018 Serpentine Pavilion, as the structure nears completion in London’s Hyde Park. The images showcase the dark cement roof tiles used to construct the pavilion, which comprises an enclosed courtyard created by two rectangular volumes.
With an interplay of light and water, the pavilion seeks to evoke the sensation of the domestic architecture of Mexico, from where Escobedo hails. The stacked cement tiled visible in the photographs form a "celosia," a type of permeable wall common in Mexico.
Every four years, millions of soccer fans tune in to watch the best national teams battle it out at the World Cup—all for a chance to call themselves the best soccer team in the world. The FIFA World Cup, much like the Olympic games, encourages a great deal of development in the host country, with the addition of stadiums, infrastructure, and other programs needed to support the mass of fans who will head to cheer on their country. This year, Russia will be hosting the event and will be spending an estimated 10 billion dollars in both building new arenas, and refurbishing their existing facilities. The 2018 tournament will host 65 matches across 11 cities in 12 of the most modern stadiums in the world. We've compiled a list that show these impressive stadiums and arenas, and offer a glimpse as to how they will be used long after the winner of the 2018 World Cup is crowned.
Check out the twelve stadiums that will host matches in the 2018 World Cup below.
Fologram has recently built the world’s first pavilion-scale steel structure using the HoloLens, displaying the possibilities of integrating standard CAD workflow with augmented reality. By displaying the generative design model through holographic instructions rather than traditional 2D drawings, it explores the potential of revolutionizing the bridge between design and construction.
Black Spectacles, in collaboration with the American Institute of Architecture Students (AIAS), has released a new guide called How To Get A Job In Architecture, in order to help recent architecture graduates navigate through the process of finding their first job. The free 17-page guide is filled with helpful hints on how to apply, tricks to landing your first offer, and even advice from architects and HR professionals at some of the top firms in the world including Cannon Design, Adrian Smith + Gordon Gill, and Gensler.
The Moscow Urban Forum has announced the participation of internationally renowned Dutch architect and theorist Rem Koolhass at their event in July.
A team comprising Schauman & Nordgren Architects, MASU Planning, and Schauman Architects have been announced as winners of an invited competition for the design of a new exhibition, shopping, and housing scheme in an old customs area of Tampere, Finland. The “Tulli Halls” scheme is defined by a red brick materiality referencing the industrial heritage of the area, and a central tower forming a “beacon and focal point for Tampere.”
The scheme seeks to balance old and new, as well as public and private, with a form which has a “grounding in Tampere’s heritage as well as aspiring future” and public space to improve living conditions of residents and offer meeting places for the general public.
The winners of arch out loud’s competition Reside - in which entrants were to design a mixed residential development on one of the last remaining sections of undeveloped Mumbai coastline - have been announced. The architectural research initiative challenged entrants to design for “both the indigenous fishing community that has occupied the site for hundreds of years - as well as a new demographic drawn to the affluent neighborhood that now encompasses the site”.
The Mayor of London Sadiq Khan has unveiled a £1.1 billion vision for the East Bank project at the Queen Elizabeth Olympic Park, creating a “new powerhouse of culture, education, innovation, and growth.”The project, alternatively dubbed “Olympicopolis” will contain a number of landmark schemes, including the V&A East by DS+R, and a cultural and education quarter by Allies and Morrison, O’Donnell + Tuomey, and Josep Camps/Olga Felip Arquitectura.
As part of the announcement, the Mayor unveiled new images of designs for Sadler’s Wells, London College of Fashion, and the V&A scheme in partnership with the Smithsonian Institution. He also announced that the BBC will create a new home for its world-renowned Symphony Orchestra & Chorus as part of the program. The will also see the building of 600 new homes across the site, 50% of which will be affordable.
Zaha Hadid Architects has won an international competition for the Admiral Serebryakov Embankment masterplan in the city of Novorossiysk on Russia’s Black Sea coast. Connecting Russia with the Mediterranean, Atlantic Ocean, and Suez Canal, the industrial city is home to the nation’s largest shipping port, and the third busiest in Europe by turnover.
The ZHA masterplan, designed in collaboration with Russian studio Pride TPO, seeks to integrate new public space and amenities into the rich maritime history and traditions of Novorossiysk, achieved through careful consideration of building orientation, views, and landscape.
The American Institute of Architects (AIA) has selected eleven recipients in its 2018 Small Projects Awards. Established fifteen years ago by AIA’s Small Project Practitioners, the program “recognizes small-project practitioners for the high quality of their work” and “aims at raising awareness about the value and design excellence that architects can bring to projects, no matter their size or scope.”
Following deliberation from a judging panel of industry experts, six emerging architecture firms have been shortlisted for the design of the Dulwich Pavilion 2019 in London, chosen from over 150. In collaboration with the London Festival of Architecture, the six schemes will be displayed at the Dulwich Picture Gallery throughout June and July of 2018.
The initiative follows on from the success of the gallery’s first pavilion in 2017, designed by IF_DO and exhibited at the London Festival of Architecture in 2017. Following the exhibition of the six shortlisted schemes for 2019, a public vote will be combined with a panel vote to select the winning pavilion.
Diller Scofidio + Renfro and Woods Bagot has won an international competition for the design of the Adelaide Contemporary art gallery in Australia. Offering a “dynamic people-friendly” space for Adelaide’s North Terrace, the scheme features a dramatic “Super Lobby,” sky galleries, and a suspended rooftop garden.
The Diller Scofidio + Renfro and Woods Bagot scheme was chosen from a strong design field including submissions by Adjaye Associates, Bjarke Ingels Group, David Chipperfield Architects, and HASSELL. The announcement follows on from our publication of details on the shortlisted schemes in May 2018.
A month after Kanye West announced his intention to open an architecture venture, at the time named Yeezy Home, off the back of his fashion brand, it seems we may have the first glimpse of the type of buildings the rapper is hoping to create. Yesterday Jalil Peraza, a previous collaborator with West's design company DONDA and designer of the "Face Modules" pop-up retail concept, posted two images to his Instagram showing a building render alongside the caption "Low income housing scheme, made of prefabricated concrete in collaboration with Petra Kustrin, Jalil Peraza, Kanye West, Nejc Skufca."
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Manuel Herz has been chosen to design the expansion of the Tambacounda Hospital in rural Senegal, conceived and funded by the Josef and Anni Albers Foundation and American Friends of Le Korsa.
The extension is viewed as an urgent project to address overcrowding in the vital facility, with the demands of 20,000 annual patients resulting in hot, overcrowded communal spaces, and children sharing beds in wards. The Foundation described Manuel Herz as the “unanimous choice” with an approach showing “a mix of visual flair, practical understanding, and profound humanitarianism.”
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.jpg?1528130920 "Image by Play-Time © Manuel Herz Architects")
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The Council on Tall Building and Urban Habitat have announced the winners of the 16th edition of the CTBUH Tall Building Awards. From over 48 finalists in 28 countries, the best buildings from four regions – the Americas, Asia & Australasia, Europe, and Middle East & Africa – were selected, along with recipients of the Urban Habitat Award, the Innovation Award, the Construction Award and the 10 Year Award. From these finalists, the CTBUH has also awarded the Best Tall Building Worldwide to the Oasia Hotel Downtown by WOHA.
The towers were chosen by a panel of architects from world-renowned firms and were judged on every aspect of performance, looking in particular for those which “have made extraordinary contributions to the advancement of tall buildings and the urban environment, and that achieve sustainability at the highest and broadest level.”
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.jpg?1528168523 "Grand Lake Pool House / Allford Hall Monaghan Morris. Image © Timothy Soar")
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_thyssenkrupp.jpg?1528124871 "MULTI. Image © thyssenkrupp")
_Antony_Wood.jpg?1528124897 "New York Times Tower. Image © Anthony Wood")
_Patarick_Bingham-Hall.jpg?1528124951 "Oasia Downtown Hotel. Image © Patrick Bingham-Hall")
