The Josef and Anni Albers Foundation/Le Korsa has announced that Niger-born architect Mariam Issoufou Kamara, founder of award-winning practice atelier masōmī, has been selected to design Bët-bi, a new museum and center for culture and community in southwestern Senegal. Located near a series of megaliths in the vicinity of the historic city of Kaolack, Bët-bi is set to be a state-of-the-art museum that sits at the forefront of West Africa’s flourishing arts scene and wider cultural renaissance.
Construction began at the Goethe Institute in Dakar, designed by Kéré Architecture. The project is the first purpose-built space for the German cultural association and exchange centre in its over 60 years of global activity. Located within a residential area and a lush garden, the two-storey structure is shaped by the canopy of trees on-site and is being built using bricks made of laterite, a residual local rock with insulating qualities that help to passively regulate the indoor climate. The project will provide spaces for a wide array of activities, ranging from exhibitions and language courses to concerts and gatherings, all while building on the cultural landscape of Senegal.
Creating an educational setting is a specific and sensitive task. Merging children’s safety and learning optimization requirements with an aesthetic appeal and solid concept can birth some of the most beautiful unique projects around. One configuration we see quite often is the elliptical or circular school.
When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.
As Africa's cities grow, architects and urban planners in charge of development must face the challenges brought on by a lack of infrastructure.
Launched by the Goethe Institut, Habiter Dakar (Living in Dakar) is a virtual exhibition tackling Housing in the Senegalese capital. The study was led by Nzinga Mboup and Caroline Geffriaud, both Architects based in Dakar. They noticed that the current housing offer in the city was particularly far off the needs of its inhabitants, whether on the cultural, societal or environmental level.
With more competition entries coming our way, our curated selection of best-unbuilt architecture features this week, exceptional projects presented in an international context. ArchDaily has rounded up another collection of proposals, gathering interventions from across the world, and highlighting never-seen-before programs, designs, and innovations from our readers’ submissions.
Marc Thorpe, New York-based architect and multidisciplinary studio, has designed the Dakar Houses for the workers of Moroso M’Afrique furniture collection. Located on the outskirts of the Senegalese capital in West Africa, the prototype houses are made from earth bricks.
On the 13th of September 2019, the six winning projects of the 2019 Aga Khan Award for Architecture (AKAA) were honored at a ceremony held at the Kazan’s Musa Jalil State Academic Opera and Ballet Theatre. After the ceremony, ArchDaily managed to get exclusive comments from all the awarded teams and from the director of the Aga Khan Award for Architecture Farrokh Derakhshani. Read on to discover what they had to say about this cycle of prizes.
The winners of the Kaira Loo Competition have been announced, dedicated to the design of a Peace Pavilion to be built in the city of Sedhiou, southern Senegal. The objective of the competition was to create a symbolic structure serving as a memorial to the victims of African wars, and that would sensitize the local and international community by creating a commemorative and educational space that respects both the environment and local traditions.
