The Council on Tall Buildings and Urban Habitat (CTBUH) has released some of the facts and figures behind the projects appearing in their recent book, 100 of the World’s Tallest Buildings. The construction of tall buildings requires collaboration between many different companies and firms and the efforts of hundreds of people, but a few select firms have been responsible for more of the design and engineering achievements than any other.
Continue reading to see the 18 design architects that have contributed multiple buildings to the top 100 list.
The Royal Institute of British Architects (RIBA) Competitions has announced a shortlist of 5 teams in the competition for the Upper Orwell Crossings Project in Ipswich, England. The project brief consists of 3 new bridges spanning the Upper Orwell River that will enable the redevelopment and regeneration of several districts of Ipswich, as well as relieve congestion and improve connectivity for multiple forms of transportation.
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
http://www.archdaily.com/795078/these-are-the-best-designed-most-useful-architecture-firm-websitesAD Editorial Team
Foster + Partners has broken ground on the new headquarters for Ferring Pharmaceuticals A/S in Copenhagen, Denmark. Located on the urban fringe of Copenhagen in Kastrup, the 39,000-square-meter project occupies a waterfront site along the Øresund crossing between Copenhagen and Malmö near the Copenhagen International Airport.
With this location and neighborhood of predominantly low-rise development, the new company offices will feature expansive views towards Malmö and the Swedish coast, where the company was founded.
Hainan Airlines Group has announced an international competition between 10 top architecture firms to design the master plan and central buildings of the South Sea Pearl Eco-Island, an island located in Haikou Bay, on the island of Hainan, China. Featuring teams from China, Europe and the United States, the competition calls for the creation of an 250 hectare eco-tourism hub, which will contain housing, hotels, tourist attractions and a port with capacity for two large cruise ships.
Foster + Partners' Apple 2 Campus is racing towards its December 2016 completion date. As seen in this drone video captured by aerial videographer Matthew Roberts, the exterior of the spaceship-like main building is nearly finished, with many of the campus' other buildings, such as the auditorium, the research & development center and the 100,000 square foot corporate fitness center, also approaching full realization.
Brandon Haw Architecture (BHA) has unveiled the plans for Serena del Mar, one of two “twin” buildings that will host the Universidad de Los Andes International School of Management in Cartagena, Colombia. As the first office and institutional building to be constructed as a part of a long term, two-phase master plan, the four-story building will additionally house offices for corporations and businesses to support the upcoming master plan, specifically a new hospital building for Johns Hopkins University.
Serena del Mar is designed to respond to the “local climatic conditions in the most naturally passive yet contemporary way,” explained the architect . It will feature precast concrete vertical fins to shade from the intense Caribbean sun, but will also allow for views of the surrounding landscape.
Three decades ago the Hongkong and Shanghai Bank (HSBC) Headquarters by Norman Foster emerged onto the architectural seen as an exemplary product of industrial design. The open layout with its exposed steel structure generated a powerful corporate identity for the bank. But the restrained atmosphere of white architectural lighting and the lack of distinctive façade lighting has lost its attractiveness after sunset. Now the colorful and dynamic relighting presents a remarkable example of how an architectural icon has shifted from a productivist ideology towards a scenographic image. To the western observer the multicolored light language may give off a playful impression, but to the local culture the transformation evokes grandiosity.
Back in September, Foster + Partners released details of their designs for a droneport in Rwanda, a humanitarian initiative that seeks to jumpstart and navigate the infrastructural challenges of emerging economies. In this video, Foster and others involved in the project explain the process of realizing the droneports, giving further details on its inclusion in this year’s Venice Biennale—with engaging new architectural visualizations to boot.
Foster + Partners has designed a mammoth, mixed-use complex on the Brooklyn waterfront in Red Hook, with 600,000 square feet (55,700 square meters) of offices and 23,000 square feet (2,100 square meters) of retail space and restaurants. Located on a former industrial site, the buildings will provide flexible open floor plans of up to 100,000 square feet (9,300 square meters). The facility is intended to build on a dramatic growth in technology companies in Brooklyn, creating an office environment that is open and collaborative, reflecting a style that is de rigueur in the tech-sector.
Arguably the leading name of a generation of internationally high-profile British architects, Norman Foster (born 1 June 1935) - or to give him his full title Norman Robert Foster, Baron Foster of Thames Bank of Reddish, OM, HonFREng - gained recognition as early as the 1970s as a key architect in the high-tech movement, which continues to have a profound impact on architecture as we know it today.
Foster + Partners' Craft + Manufacture: Industrial Design exhibition is currently on display at The Aram Gallery in London. It is the firm’s first exhibition dedicated to the industrial design work they have created over the past fifty years. It shows how “the science, art, and craft of making things” has been the foundation of the firm, and how the “collaborative nature of the design team pioneered by Norman Foster” has been translated into their architectural practice.
Foster + Partners, in collaboration with Heller Manus Architects, has received permission from the San Francisco Planning Commission for Oceanwide Center. The 2.3 million square foot (215,000 square meter) development is part of the Transbay development plan, to provide increased density to the city’s South of Market district (SOMA). The plan calls for two buildings, the 605-foot Mission Street Tower, with a hotel and residences, and an 850-foot office and residential tower along First Street. In addition, the project creates new public spaces and pedestrian connections at the base of the towers, simultaneously restoring and revitalizing two historic buildings on the site.
In recent years, it's been no secret that Dubai has been attempting to diversify its industries, as the city moves on from being an oil-based economy. In this article, originally published by Metropolis Magazine as "Dubai: Making a Creative Capital from Scratch," Ali Morris investigates how the city is building its own design district to rival London or New York - and doing so despite starting from almost nothing.
In cities where a faded industrial area exists, a creative community often follows. It’s a well-established cycle of urban regeneration that has played out in Berlin, London, and New York. Attracted by cheap rent and large, empty spaces, the creatives come, building up areas with independent cafés and stores before inevitably being priced out of the market by the very gentrification they helped to bring about.
So what happens in a city so young that it doesn’t have a dilapidated area for the creatives to occupy? When the city in question is Dubai, which was still just a desert fishing settlement until around the 1960s, you build it from scratch, of course. With the second part of a three-phase build unveiled last year, Dubai Design District (known as d3) is a sprawling 15.5-million-square-foot (1.4 million square meter) development located in a desert plot on the eastern edge of the city. Circled by multilane highways and located between downtown Dubai and a wildlife reserve, d3 has been masterminded as a framework from which to grow and sustain a new design ecosystem.
The impacts of architecture on the quality of human life are often debated, and in the 21st century, projects are under greater scrutiny than ever for the experiences they provide for people. Buildings all over the world must address a specific context, responding to the cultural framework of their users.
In light of this, we’ve gathered 8 projects that have a different sort of user -- projects designed not just for people, but also for animals. Ranging from zoo buildings to aquariums, stables and shelters, these projects have the unique challenge of balancing a human and animal experience. See them all after the break.
Foster + Partners, BIG and Grimshaw Architects have won a competition to design pavilions for Expo 2020 Dubai. Under the Expo’s 2020 theme of Connecting Minds, Creating the Future, the teams were selected from 13 invited practices to design three themed pavilions within the Expo's HOK-designed masterplan: Opportunity, Mobility, and Sustainability.
"A key criterion for the competition was ensuring that the designs not only embodied one of Expo’s core themes, but also had the flexibility and longevity to live on as landmarks and functional structures after the Expo is complete in 2021," said the organizers in a press release.
AL_A has won a competition to design a new mosque within the Foster + Partner-designed World Trade Center complex in Abu Dhabi. The 2000-square-meter project, envisioned as a "pathway to serenity" rather than a single building, leads visitors on a journey through an informal park of palm trees that slowly align with the mosque's shifted grid as users approach the Prayer Hall. Once inside, visitors are facing towards Mecca.
"The mosque is envisaged as a piece of the city, one that reflects the journey from the temporal to the spiritual," said AL_A director Ho-Yin Ng. "The mosque and the garden become one, with the trees and the columns forming an informal vertical landscape and allowing Friday prayers to spill outside."