As reported by the Architect’s Newspaper, AIANY and The Center for Architecture have released a joint statement announcing the resignation of Executive Director of the AIANY Rick Bell, effective immediately. Bell helped to lead the AIA’s New York Chapter to a period of success, with significant growth during his tenure. The statement explains:
“Rick Bell has offered, and the organization’s Board of Directors has accepted, his immediate resignation. An interim Executive Director will be named next week and a search to find a new Executive Director will also begin at that time.”
Montreal-based photographer Chris Forsyth doesn’t see his city the way others do — that much is evident from his body of work, which includes rooftop photos of the Montreal skyline, nocturnal shots taken from the arm of a crane and now, images from the underground. The Montreal Metro Project is Forsyth’s latest series, documenting the often overlooked architecture of the urban subway since October 2014.
Composed of 68 stations, each designed by a different architect between the 60s and 70s, the Montreal Metro system is as diverse and idiosyncratic as the city it underpins. Forsyth captures the stations empty of passengers, highlighting their architecture and reframing them in a manner rarely experienced. ArchDaily spoke to Forsyth about the series and the creative process behind it. Read his responses and view selected images from The Montreal Metro project after the break.
Ludwig Mies van der Rohe (27 March 1886 – 17 August 1969) is one of the most influential architects of the 20th century, known for his role in the development of the most enduring architectural style of the era: modernism. Born in Aachen, Germany, Mies’ career began in the influential studio of Peter Behrens, where Mies worked alongside other two other titans of modernism, Walter Gropius and Le Corbusier. For almost a century, Mies’ minimalist style has proved very popular; his famous aphorism “less is more” is still widely used, even by those who are unaware of its origins.
From Vitruvius to Le Corbusier, words and writing have always played an essential role in architectural discourse. One could argue that crafting words is akin to orchestrating space: indeed, history’s most notable architects and designers are often remembered for their written philosophies as much as they are for their built works.
With the exception of a few of architecture’s biggest names, the majority of practicing architects no longer exploit the inherent value writing offers as a means for spatial and theoretical communication. This trend is exacerbated by the fact that many architectural schools place little emphasis on the once-primary subjects of history and literature, resulting in a generation of architects who struggle to articulate their ideas in words, resulting in an ever-growing proliferation of ill-defined “archispeak.”
LOBBY is an attempt from students of London’s Bartlett School of Architecture to reclaim the potency of the written word, presenting in their second issue an ambitious array of in-house research and external contributions. The theme is Clairvoyance, and the journal seeks to investigate the ways in which architects are forced to constantly grapple with the possibilities and uncertainties of designing spaces that exist in the intangible realm of the world-to-be.
A total of eleven projects have been shortlisted for RIBA Yorkshire 2015 Awards, featuring buildings by Populous, HLM, and Studio Gedye. All shortlisted buildings will now be assessed by a regional jury. Regional winners will then be considered for a RIBA National Award in recognition of their architectural excellence, the results of which will place some projects in the running for the 2015 RIBA Stirling Prize.
See the complete list of shortlisted projects after the break.
At the request of the Tristan da Cunha government, RIBA has launched of a design competition in search of ideas for a more self-sustainable and innovative future of Edinburgh of the Seven Seas community on the remotest inhabited island in the world.
Situated 1,750 miles southwest of Cape Town in the South Atlantic Ocean, Tristan da Cunha’s activity is largely governed by the severe maritime weather. Only reachable some 60 days annually, the island’s community of Edinburgh of the Seven Seas is home to 270 people. Of the four islands Tristan da Cunha contains (two of which are UNESCO World Heritage sites), it is the only one to support a permanent residence.
AMERICAnodelsud is an organization committed to social equality, promoting investigations and the development of new knowledge within the field of architecture. One of their main objectives is to raise funds to sponsor projects that will bridge the social exclusion gap.
Architects Alejandro Aravena (Santiago, Chile), Solano Benitez (Asuncion, Paraguay), Angelo Bucci (Sao Paulo, Brazil), Rafael Church (Rosario, Argentina), José María Saez (Quito, Ecuador) and Ricardo Sargiotti (Córdoba, Argentina) held the first convention in 2013. Through the ‘america[no] del sur’ tour, which consisted of three conferences held in different cities in Argentina, they sought to raise the necessary funding.
On April 15th and 17th, Asunción, Paraguay will host the upcoming fundraiser, which Peter Zumthor and Paulo Mendes da Rocha have already agreed to attend in order to support the cause. Without a doubt, the presence of these two internationally-renowned architects will greatly help raise the funds needed by AMERICAnodelsud to follow through with their commitment.
Read AMERICAnodelsud’s charter for this year’s edition, written by Solano Benitez, below.
Taking input from 2015′s most innovative designers, Fast Company Design has complied a fascinating list of 25 ideas that will shape the future of design. From this list, we have extracted the five most relevant points for architects to consider. Read through them after the break, and let us know your thoughts in the comment section below.
Graphic artist and designer Martin Vargic of Halcyon Maps has created a fascinating set of infographics that showcase both the cultural typologies of each continent’s architecture as well as the evolution of its tallest buildings throughout history. Exploring the progression of height differences of the tallest buildings in Europe, North America, Asia, Africa, South America, and Oceania, Vargic’s visually-striking charts detail 5,000 years of building history, from ancient to modern times.
Check out the charts, after the break.
Bob Borson of Life of an Architect has announced the 2015 Architect Playhouse Competition, now in its fourth year. The competition is free to join, open to everyone, and assists the Dallas CASA (Court Appointed Special Advocates), an organization that helps abused and neglected children. Organized and funded by Borson, it asks participants to design a playhouse that embodies originality, creativity, and can be constructed for $5000 or less. The winners (between two and five entries) will have their designs built and displayed at the Dallas CASA Parade of Playhouses, where they will be raffled to benefit the nonprofit organization. Registration is open now and designs must be submitted by April 20th. Winners will be announced May 4th. Check out last year’s winners after the break, and visit here to register.
Exactly one year ago an important event took place. A gathering of seventy student delegates, organised by the Architecture Students Network (ASN), met to discuss the future of architectural education. Their meeting was sparked by the latest directive from the European Union which seeks to “establish more uniformity across Europe by aligning the time it takes to qualify”, making mutual recognition of the architect’s title easier between countries.
The ASN’s discussions concluded that the course content throughout the UK system of ‘Part I, II, and III’, and the duration of said course, urgently needs to be re-evaluated in order to reflect the changing needs of the profession – especially in light of the recent rise in tuition fees and associated university costs. Back then, a spokesperson for the ASN said that “it really felt like momentum for change has finally reached a tipping point.”
Marking the fiftieth anniversary of Le Corbusier’s death, Galerie Eric Mouchet is collaborating with Galerie Zlotowski to showcase Le Corbusier: Panorama of a Lifetime’s Work in Paris. The exhibition, opening April 23 and on view through July 25, will provide a comprehensive overview of paintings, drawings and engravings of the legendary Le Corbusier.
“Le Corbusier, who was never without a sketchbook in his pocket, devoted half of every day over a 45 year period to writing, painting and drawing – what he called his ‘Atelier de la recherché patiente,’” says the galleries. “His visual arts output was both highly original and prolific, stretching from 1917 to 1965. Up to the Second World War, this work was largely for his own personal research. Later, however, it helped drive the design and promotion of the Modulor, a ‘harmonious’ scale of proportions he devised in 1946.”
Take a look inside Le Corbusier’s mind and preview five of the prolific paintings that will be exhibited, after the break.
As reported by the BBC, construction of Antoni Gaudí‘s already 133-year-old Sagrada Família in Barcelona is now being accelerated by one of the most modern technologies around: 3-D printing. As a matter of fact, the construction process in Barcelona has been utilizing 3-D printing for 14 years, introducing the technology in 2001 as a way of speeding up the prototyping of the building’s many complex components.
The process uses powder-based stereolithographic 3-D printers, which build prototypes layer-by-layer, resulting in a material similar to plaster. This is important to the workshop at the Sagrada Família, because it allows craftsmen to easily alter the prototypes by hand, to meet the demanding specifications of the building.
Morphosis Architects’ highly anticipated plans for a new luxury hotel in Vals has been unveiled. The proposal, selected by 7132 Ltd (and denounced by the jury) following an international competition, was lauded by the client for its “minimalist approach” that will “help the hotel blend with the mountain landscape at the existing resort campus.”
The ultra-thin, 381-meter-tall tower will be one of three Pritzker laureate-designed projects at the 7132 resort, joining Peter Zumthor’s Therme Vals Spa and Tadao Ando’s Valser Path, which is slated for completion in 2017.
More images and a response from Tadao Ando, after the break.
Following on from other experiments in 3-D Printing including a proposal for a house printed from salt and an earthquake resistant column inspired by Incan masonry, the California-based Emerging Objects team has created Bloom, a pavilion constructed from 840 unique blocks 3-D printed from portland cement.
The 9-foot (2.7 meter) tall pavilion is cruciform in plan, morphing as it rises to become the same cruciform shape twisted by 45 degrees. On the facade of the pavilion, perforations are mapped onto the cement blocks to create a design inspired by traditional Thai flower patterns.
The Serpentine Gallery has unveiled SelgasCano‘s designs for the 2015 Serpentine Pavilion in London, revealing a brightly-colored “chrysalis” structure created from a double skin of ETFE membrane wrapped in webbing. The Madrid-based duo were announced as the project’s designers in December, joining the prestigious list of past pavilion designers which includes SANAA (2009), Jean Nouvel (2010), Peter Zumthor (2011), Herzog & de Meuron and Ai Weiwei (2012), Sou Fujimoto (2013), and last year’s designer Smiljan Radić, among many others.
More on the pavilion, and SelgasCano’s statement after the break.
At the Bengal Foundation’s conference, EngageDhaka 2015, ArchDaily learned of the newly launched Bengal Architecture and Design Institute. With a focus on the pursuit of innovation in the lived environment with a focus on human interactions, the forum will enable open dialogue on improving our environments through the lens of architecture, landscape, and settlement for better livability. Bringing together local and international professionals and educators, the Institute will provide a series of lectures, discussions, workshops, and exhibitions to better understand the possibilities within these areas, especially when unified.
Matthias Jung’s fascination for the medium of collage began in his father’s photolab. And so, “with scissors and glue, the first fantastic buildings were made.” In early 2015 Jung, a German artist and graphic designer, created seven images as part of a series which he entitled ’Houses’, of which many of this selection originate. Uniquely, every piece of each collage originates from one of Jung’s original photographs which are collected and then reassembled. The majority of these photographs were taken during trips in northeastern Germany.
See a selection of Jung’s fantastical architectural collages after the break.