Foster + Partners' Craft + Manufacture: Industrial Design exhibition is currently on display at The Aram Gallery in London. It is the firm’s first exhibition dedicated to the industrial design work they have created over the past fifty years. It shows how “the science, art, and craft of making things” has been the foundation of the firm, and how the “collaborative nature of the design team pioneered by Norman Foster” has been translated into their architectural practice.
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.
Alejandro Aravena and the jury for the 15th International Architecture Exhibition at La Biennale di Venezia have just announced the winning participations.
The Golden Lion for Best National Participation went to Spain for UNFINISHED. The jury cited Carlos Quintáns & Iñaqui Carnicero's "concisely curated selection of emerging architects whose work shows how creativity and commitment can transcend material constraints."
Vivid Sydney, the Australian city's annual festival of lights, began today with colorful installations that reinvent icons like the Sydney Harbour Bridge and Jørn Utzon’s renowned Opera House. The event is host to over 90 light installations devised by more than 150 artists from 23 countries, appearing in eight precincts across the city.
After a three-day event attracting over 1,000 visitors, the 2016 ARCHMARATHON came to a close, with the presentation of its annual awards. Now in its 3rd year, the Milan-based exchange awarded projects in ten different categories, as well as an overall winner, and a “crowd award” based on voting on the event’s website. The 42 presented projects were judged by the international jury, chaired by Luca Molinari and composed of internationally famous architects and critics such as Lucy Bullivant, William Menking, Wassim Naghi, Li Brian Zhang and Elie Haddad. See all 12 awarded projects after the break.
You don’t get to pick your parents, and you don’t get to pick your project managers. If you’re lucky, you’ll work with a project manager who will help you learn the things that schools don’t teach. If you’re not lucky -- and based on the comments we get on our Facebook page and on our site, most of us aren’t -- all you will get is fodder for complaining about your job.
SHoP Architects has just broken ground on their first project in Mexico, a mixed-use development in Tijuana. The complex, which will be know as BAJALTA, explores new ideas about open-space and mixed-use developments, yielding a better quality of life for residents and visitors.
The Victoria & Albert Museum (V&A) has collaborated with La Biennale di Venezia on the Special Project Applied Arts Pavilion with an exhibition called A World of Fragile Parts. The project will examine threats faced by global heritage sites and how copies can act as an aid in the preservation of cultural artifacts.
"Architecture is about giving form to the places where we live. It is not more complicated than that, but also not easier than that." - Alejandro Aravena
With the 2016 Venice Biennale opening this week, it seems oddly appropriate that a dispute originating in the 2014 Biennale is finally hitting the courts. On Tuesday evening, a New Jersey court document was anonymously leaked to ArchDaily and a variety of other architecture publications. It showed that Alejandro Zaera-Polo, founder of AZPML and former Dean of Princeton University’s School of Architecture, was suing his employer over the events surrounding his own abrupt resignation as Dean last year.
The resignation itself was demanded* by Princeton University President Christopher Eisgruber after Zaera-Polo was accused of plagiarizing parts of a text he produced for the “Elements of Architecture” exhibition curated by Rem Koolhaas at the 2014 Venice Biennale. From the start, Zaera-Polo has denied that his texts violate Princeton’s academic code of conduct, but nevertheless agreed to Eisgruber’s demand. In the documents leaked Tuesday, Zaera-Polo criticizes the actions taken by Princeton both before and since his resignation, arguing that they have damaged his reputation. He is thus suing them on four charges: “breach of contract,” “breach of the implied covenant of good faith and fair dealing,” “tortious interference with contract and prospective economic advantage,” and finally “trade libel.”
The story will undoubtedly receive a lot of attention, given that it involves a controversial dispute between an internationally renowned architect and a university with an international stature. But the real story behind the dispute is not about Alejandro Zaera-Polo’s academic conduct or Princeton’s handling of its staff contracts; instead, it has everything to do with our expected standards for architectural research.
Rogers Partners' Elmer A. Henderson: A John Hopkins Partnership School (Henderson-Hopkins) has received the 2016 American Institute of Architects (AIA) Institute Honour Award for Architecture, as well as the 2016 American Institute of Architects Committee on Architecture for Education (AIA-CAE) Educational Facility Design Award of Excellence.
Edinburgh-based studio, Konishi Gaffney Architects, has won the competition to design a temporary pavilion for the Pop-Up Cities Expo. The Pop-Up Cities Expo is a headline event at Scotland’s Festival of Architecture, featuring pop-up pavilions at Mound Square from cities around Europe. Konishi Gaffney will be representing Edinburgh – the host of the expo - with their winning pavilion design.
The Centre de Cultura Contemporània de Barcelona (CCCB) has announced the finalists for the 2016 European Prize for Urban Public Space. An international jury of architects, critics, and directors of museums and institutions from across the continent selected 25 projects from 276 entries representing 33 countries. According to the organization, "[the shortlisted projects recognize] the creation, recovery, and improvement of public spaces, as clear indicators of the democratic health of our cities.” All finalists will have their work featured in an exhibition that will tour Europe over the next two years, and also will be published in an online archive that features past finalists. The 2016 winner of the award will be announced at the CCCB on July 4.
MVRDV has designed a fully transparent kitchen for Kitchen Home Project, a satellite event at this year’s Venice Biennale, focusing on living and the home environment. Kitchen Home Project was initiated by Weng Ling of the Beijing Centre for the Arts (BCA), and also features works by Kengo Kuma and the Hong Kong-based media artist Au Yeung Ying Chai. MVRDV’s proposal, “Infinity Kitchen,” imagines the next stage of kitchen design, creating counters, shelving, cabinets, and faucets entirely out of glass – the metaphor being that a see-through environment will add greater transparency to the food being made in the kitchen, and make inhabitants more aware food choices, cleanliness, and the culinary experience.
The Victoria and Albert Museum has unveiled its latest installation: the Elytra Filament Pavilion, a project displaying the culmination of four years of research on the integration of architecture, engineering, and biomimicry principles, in an exploration of how biological fiber systems can be transferred to architecture.
The 200-square-meter structure is inspired by lightweight construction principles found in nature, namely "the fibrous structures of the forewing shells of flying beetles known as elytra," states a press release.
Turkey’s Pavilion at the Biennale to Explore Cultural Similarities Between Istanbul and Venice Arsenals
The Pavilion of Turkey at the 2016 Venice Biennale will feature an exhibition titled Darzanà: Two Arsenals, One Vessel, which links the cultural heritage between the language and architecture of dockyards in Istanbul and Venice. Curated by a team of Turkish architects, the display will present “a last vessel," that has been built using waste materials found at the Haliç dockyards in Istanbul, and transported to the Biennale.
In the newest video by architects Wahyu Pratomo and Kris Provoost of YouTube’s #donotsettle, the duo visit MVRDV’s "The Stairs" installed outside Centraal Station in Rotterdam. The project commemorates the 75th anniversary of the city’s reconstruction after World War II by devising the staircase now attached to the Groot Handelsgebouw, a landmark and one of Rotterdam’s first post-war buildings. In the video, Pratomo and Provoost discuss the idea of temporariness, experience-driven architecture, context, and symbolism inspired by MVRDV’s intervention, all the while asking other visitors for their own reactions to the spectacle.
The Oslo Architecture Triennale has announced the program and participants for this year's sixth edition of the event, titled After Belonging, which will open in September of this year. Participants will contribute to two exhibitions, occurring alongside a conference, and collateral events, taking place September 8-November 27, 2016.
As described by the Oslo Architecture Triennale website: "The 2016 Oslo Architecture Triennale designs the objects, spaces, and territories for a transforming condition of belonging. Global circulation of people, information, and goods has destabilized what we understand by residence, questioning spatial permanence, property, and identity—a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and further geographies. But, simultaneously, circulation also promotes growing inequalities for large groups, kept in precarious states of transit. After Belonging examines both our attachment to places and collectivities—Where do we belong?—as well as our relation to the objects we own, share, and exchange—How do we manage our belongings?”