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Across diverse climates and landscapes, architects are reimagining the home as a place deeply rooted in its surroundings, where architecture and environment work together to nurture well-being. This curated selection of unbuilt residences, submitted by the ArchDaily community, are conceived as sanctuaries, offering respite from the pace of urban life and drawing on the restorative qualities of greenery, water, and open air. Nature is utilized as an active presence, shaping courtyards, guiding circulation, and influencing the choice of materials and colors.

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Seven international design teams have been shortlisted for the "Museum of Jesus' Baptism" at Bethany, Jordan, a cultural and spiritual landmark scheduled to open in 2030 to mark the bimillennial of Christ's baptism. Endorsed by His Majesty King Abdullah II bin Al-Hussein and led by the Foundation for the Development of the Lands Adjacent to the Baptism Site, the project is managed by London-based Malcolm Reading Consultants (MRC). The museum will be situated adjacent to the UNESCO World Heritage Site of "Bethany Beyond the Jordan" on the east bank of the Jordan River, a place of Christian pilgrimage for centuries.

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CRA-Carlo Ratti Associati has unveiled images of its design for a new cultural center in Addis Ababa, the capital of Ethiopia. The project is located in Kazanchis, a cultural, musical, and historic neighborhood currently undergoing transformation as part of a government-led urban renewal program focused on corridor development. This neighborhood was home to the traditional compound of the Fendika Cultural Center, a hub for Ethiopia's traditional and experimental arts, which was demolished on October 23, 2024, after the site was designated for redevelopment as part of the systematic clearing of the area. In recognition of Fendika's cultural significance, the Addis Ababa Municipality offered the institution the opportunity to remain on-site and rebuild in a way that aligned with the city's plans for the neighborhood. CRA's project responds to this context with an open stage and a four-story civic space.

In recent decades, a quiet revolution has reshaped how we interact with the objects and systems in our daily lives. What once required cranks or rotary mechanisms, and later the press of a button, is now giving way to experiences that are increasingly fluid, intuitive, and touchless. This shift is evident in public restrooms, where minimizing physical contact promotes better hygiene and reduces the spread of pathogens. It also reflects a broader change in paradigms of comfort, accessibility, and efficiency. Touchless devices, once restricted to isolated applications in hospitals, airports, or corporate buildings, have become standard in projects that prioritize user experience and sustainability.

Curated by Anneke Abhelakh, the Albania Pavilion at the 2025 Venice Architecture Biennale, titled "Building Architecture Culture", explores how the country's architecture embodies its political, cultural, and social transformations. Albania's built environment reflects a layered history, from Ottoman and Italian rule to communist isolation and post-socialist transformation, each leaving visible marks on its cities and public spaces. The pavilion examines how architecture both responds to and shapes collective memory, public space, and civic engagement, framing these questions through past, present, and future perspectives.

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In December 2016, BIG unveiled the first images of a concrete superstructure for Los Angeles' Arts District. The project, a mixed-use complex called 670 Mesquit, was originally projected to cover 2.6 million square feet (242,000 square meters) and include office space, residential units, and two hotels, marking BIG's first project in Los Angeles. In July 2025, nearly nine years after the original proposal, the Los Angeles City Council approved the project to be eventually built in multiple phases.

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Foster + Partners has completed the modernization of Manchester United's men's first team building at the Carrington Training Complex. The project rethinks the 1999 structure to create a high-performance, collaborative environment for players and staff, integrating new facilities while retaining much of the original building's structure. The refurbishment introduces large windows and rooflights to bring natural light deep into the floor plate, complemented by timber panelling that adds warmth and a sense of permanence. Integrated MEP systems improve the building's operational performance, energy efficiency, and overall user experience.

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August 12, designated by the United Nations as International Youth Day since 1998, was conceived as an occasion to bring youth issues to the forefront of the international agenda and to celebrate the contributions of young people to today's global society. Each year, the observance focuses on a specific theme. In 2025, it is "Local Youth Actions for the SDGs and Beyond," emphasizing the role of youth in transforming global ambitions into community-driven realities. The aim is to highlight how young people help implement the Sustainable Development Goals (SDGs) within local contexts and bridge the gap between policy and practice. In this spirit, we present three educational programs, in Romania, the United Kingdom, and the United States, that empower youth to deepen their understanding of the built environment and envision a more sustainable, people-friendly urban future.

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Amid questions, reflections, and debates, the work of Clorindo Testa embodies an innate connection between artistic and architectural experimentation, reflected in many of his built projects, sketches, models, and plans. From the Mariano Moreno National Library to the former Bank of London building in Buenos Aires, his production is of such scope, diversity, and complexity that it constitutes a major source of study, one that also includes unbuilt projects that deserve visibility and recognition on a global scale. In his final years of professional activity, two unbuilt projects of religious architecture highlight Testa’s work not only as an architect but also as a visual artist.

The use of primary colors, pure forms, and concrete represent some of the most distinctive characteristics of Clorindo Testa’s architecture, which is inseparable from his visual art. Reflecting on themes such as living in large cities or the conditions of life in urban spaces, the powerful expressiveness and plasticity of his works, together with the character of the line, his typical color palette, and the frequent presence of the human figure, reveal the importance and meaning he attributed to scales, uses, and perceptions as an architect who never settled for the first idea.

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Harvard University Graduate School of Design (GSD) has announced Maura Marinelli, co-founder of franzosomarinelli, as the winner of the 2025 Wheelwright Prize. The annual $100,000 grant supports emerging architects in pursuing investigative research that addresses contemporary architectural challenges with a global perspective. Marinelli's winning proposal, "Topographies of Resistance: Architecture and the Survival of Cultures," explores how architecture can sustain and revitalize rural, mountainous regions that confront climate change, infrastructure limitations, and cultural erosion. His research aims to develop design strategies that promote autonomy, sustainability, and local identity by comparing contexts in the Alps, Andes, and Himalayas. Through fieldwork and analysis, the project seeks to propose architectural approaches that empower communities and challenge urban-centric perspectives.

The Colombia Pavilion at the Expo Osaka 2025 adopts the theme "ICE CUBE," inspired by the scene in Gabriel García Márquez's One Hundred Years of Solitude where a young boy encounters ice for the first time. Translating this literary reference into built form, the pavilion presents a facade of translucent cubes set at varying angles, creating a sense of movement and articulation. Designed by MORF Inc., with Karim Chahal as Project Director and Ko Oono as Principal Architect, the exterior is composed of semi-transparent polycarbonate panels integrated with color-controlled lighting, allowing the facade to transform in appearance throughout the day and night.

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This curated selection of projects from the 2025 Venice Architecture Biennale explores regeneration as a deliberate, intelligent process rooted in the specific conditions of a place. For decades, the Biennale has been a testing ground for architecture's most urgent ideas, allowing designers, researchers, and institutions to present visions that address evolving environmental, cultural, and social challenges. This year's projects reveal how regeneration, whether of an entire coastal city, a disused industrial site, or a neglected public space, requires more than replacing the old with the new. It calls for a precise reading of existing contexts, the preservation of embedded knowledge, and the careful integration of contemporary needs.

The eight selected works show that regeneration can emerge from multiple starting points: reactivating heritage through adaptive reuse, restoring ecological systems as part of urban planning, developing open and modular strategies for social housing renewal, or layering technological innovation onto historically rooted practices. While the scale of intervention varies, each project demonstrates a sensitivity to what is already there and existing, be it material resources, urban patterns, or cultural memory, and a willingness to work with these assets as catalysts for transformation. Together, they suggest that regeneration must start somewhere, and that its success lies in balancing innovation with the intelligence of what already exists.

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