The conversation with VOID emerges within the framework of the 2025 Latin American Architecture Biennial, offering an opportunity to explore a practice that listens, cares, and accompanies. Their work unfolds as an act of mediation: through interdisciplinary research and attention to the plurality of natural and social factors, they seek to understand the many natures of a place. Since its beginning in 2012, this process has evolved, consolidating a stance that seeks to design architecture from and for the place—caring for it, healing it, and regenerating it—opening spaces where territories sustain and unfold their own adaptive processes.
Held in Pamplona from the 23rd to the 26th of September, the 2025 Latin American Architecture Biennial (BAL) brought together emerging studios and established voices from across the continent. This year’s edition stood out for the diversity and depth of its participants: projects of striking formal and conceptual richness, developed by young yet remarkably mature offices. Together, they reflected the vitality of today’s Latin American architecture — thoughtful, inventive, and deeply aware of its context.
Construction group for the Circo-lô at the IDE Association, in Botucatu | SP. Photo: Tomaz Lotufo
Historically, the first universities in the contemporary model were established in Europe to educate elites for the State and the Church, rather than to promote social emancipation. With the rise of capitalism, they became privileged centers for producing and reproducing modern Western culture. However, from the 1960s onward—particularly after the student uprisings of May 1968—the academic focus shifted toward market-oriented values, displacing humanist and critical ideals. The humanities lost prominence, while technical fields gained central importance, often at the expense of reflecting on the social impact of their work.
The countryside—long underestimated—is now emerging as fertile ground for possibility. More than a “marginalized space,” rural Latin America today asserts itself as a true laboratory for architectural, social, and ecological experimentation. From agroecological communities to low-impact technologies, from relationships between humans, machines, and other living beings to locally grounded solutions for global challenges—such as the climate crisis, food security, and migration—the rural world is actively and inventively reshaping its own future.
Rural areas have long played a foundational role in the social and economic development of nations. Until the 18th century, they were the primary sites of production and social organization. However, the Industrial Revolution brought profound structural shifts that reshaped this landscape. Industry took center stage, anchoring itself in urban environments and establishing a hierarchical, binary view of rural versus urban, agriculture versus industry. Within this new paradigm, two opposing narratives gained prominence: one predicted the decline of rural life in the face of urbanization and economic progress; the other envisioned its persistence and eventual renewal. Today, it is clear which of these predictions has come to pass.
Children Running in the school at Nebaj, Guatemala . Image Courtesy of Solis Colomer Arquitectos
Founded in 2002, Solis Colomer Arquitectos has established a strong reputation over the past two decades, designing and constructing projects with both social and commercial impact across Latin America. With over 200 completed works, the firm specializes in institutional architecture with social impact and user-centered commercial architecture. Its mission is clear: to use architecture as a tool to dignify the human experience, especially for those in greatest need.
Thatching is a traditional building technique that has been reinterpreted in different ways in contemporary projects, allowing its value to continue to endure over time. As well as being a culturally and historically valuable technique, given its presence in humanity for centuries, it also has a number of other constructive advantages, such as its great environmental value, as it is an accessible renewable material.
The technique consists of grouping, intertwining, and overlapping dry vegetation, creating light surfaces with excellent thermal and sound insulation and which are cheap and relatively simple to build. In addition, flexibility is one of the technique's most prominent features, and it is particularly popular in roofing applications.
The residential project Villa San Luis, originally named Villa Compañero Ministro Carlos Cortés, was built between 1971 and 1972 on land that today lies in one of the highest-income areas of Santiago, Chile. Initially designed as an urban center for 60,000 middle-income residents, with staggered buildings and a civic center covering 3.4 of its 50 hectares, the project was redefined in the 1970s to accommodate the unhoused population in the eastern sector of the Chilean capital. The process was not without conflict. During the dictatorship, the new residents of the complex were evicted, and the land was acquired by the military. From then on, the complex entered a process of reappropriation and resignification that now appears to be reaching a new milestone: the conversion of one of its buildings into a memorial site and museum, through a project by UMWELT and Plan Común.
Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in Brazil and beyond. Staging exhibitions in private and public modernist spaces, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in São Paulo, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at Le Corbusier's Maison La Roche in Paris, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting Le Corbusier's seminal connection to Brazilian modernist architecture and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by Oscar Niemeyer (2022), Vilanova Artigas (2023), and Ruy Ohtake and Chu Ming Silveira (2024).
The 19th edition of the Venice Architecture Biennale officially opened to the public on May 10, becoming a significant international platform for exploring the current state of global architecture and sparking conversations about the challenges the discipline faces today—both shared and specific to each territory. This year’s theme, "Intelligens. Natural. Artificial. Collective," proposed by general curator and Italian architect Carlo Ratti, invites reflection on architecture’s interconnection with other fields—such as art, artificial intelligence, and technology—while also emphasizing the importance of territories, landscapes, and, above all, the people who collectively shape our built environment.
What makes a building architecture? The eternal debate over what distinguishes architecture from mere utilitarian construction has often included affordable and social housing as an influential topic, sparking different points of view. This question is particularly significant in the Latin American context, where unique conditions go beyond cost concerns, whether imposed or unavoidable. Limited access to financing, the prevalence of self-construction, and the spread of informal settlements are interconnected factors shaping the built environment. These dynamics foster an aesthetic that, for some, challenges notions of good architecture, manifesting in urban landscapes where exposed materials become a defining feature.
https://www.archdaily.com/1024259/unpolished-narratives-exposed-materials-in-latin-american-affordable-housingEnrique Tovar & José Tomás Franco
The spaces where artists create their work reveal a great deal about their creative journey—their techniques, themes, and inspirations. These places hold memories, intimacy, and emotional connections. For some artists, the studio is a secluded space, free from distractions. For others, it is a place for openness and freedom. Often, the studio becomes the home—or the home becomes the studio—blending function, desire, and necessity. Positioned at the crossroads of living and creating, leisure and work, these spaces fascinate art lovers. Many are later recreated in galleries or transformed into museums. Regardless of the artist’s fame, these spaces offer a unique look into the creative process, the artwork, and the artist's identity.
A change in the way architecture was practiced in Colombia was necessary, and Taller Síntesis emerged to materialize this transformation. The studio combines a deep understanding of the territory and its context with architectural solutions that translate into materiality and built spaces. Their works stand out for their strong local cultural identity, achieving a precise balance between the preexisting, the new, and harmony with the landscape.
Happening throughout 8 days across 12 cities from north to south of Ecuador, the "no-bienal" biennale is holding its second edition from March 25 to April 1, 2025. Its unique name is devised to stand in opposition to the competitive structure that characterizes traditional biennials in the discipline. One of the objectives of this new edition is to demonstrate that there is unity in Ecuador, resisting the political strategies of division. Escuela Radical, the educational collective at the center of the event's organization, asserts that "it is not about centralization or decentralization, but simply about sharing without competing."
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Courtesy of Katia Sei Fong, Ken Sei Fong, Luis Sei Fong
The national exhibition of Uruguay at the 2025 Venice Architecture Biennale, titled "53.86% Uruguay, Land of Water," explores the intrinsic relationship between architecture, territory, and water. Curated by architects Katia Sei Fong and Ken Sei Fong, along with visual artist Luis Sei Fong, the exhibition proposes that we may be entering the age of water, the "Hydrocene", and that the way humanity manages and conserves this resource will shape its future. In this context, the project highlights that Uruguay's maritime territory (53.86%) is larger than its land territory. Water, therefore, is not only a natural resource but a fundamental element of the country's history and culture, essential to its development.
