The project is located in Baxoi County, Qamdo, Tibet, approximately 48.5 kilometers from the county seat. The "Nujiang 72 Curves," also known as the "72 Curves of the Heavenly Road," is a critical passage along the southern route of National Highway 318 (G318), renowned worldwide for its treacherous terrain. The viewing platform is sited on a cliff edge between the 72 Curves and the Nujiang River Canyon, with National Highway 318 winding past to the north and the roaring Nujiang River flowing eastward to the south.

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Following two weeks of enthusiastic voting, ArchDaily readers have selected their top 10 projects of the year from a pool of over 400 nominees.

The nomination phase demonstrated the positive impact of these awards on architectural development. The shortlisted projects are undoubtedly those that have most inspired and resonated with our readers.

The selection features not only industry-leading design firms but also small practices and highly personal works. This year's competition also highlights projects that actively improve our built environment.

In mid-April, world-renowned Swiss architect Mario Botta and filmmaker Loretta Dalpozzo attended the Sino-Swiss Architectural Dialogue at Tsinghua University. Initiated by the Embassy of Switzerland in China and co-organized by the Swiss Consulates General in Shanghai and Chengdu, the event also hosted the premiere of the documentary “Mario Botta: Beyond Space.”

On April 17, 2019, details were announced for the "2019 Shanghai Urban Space Art Season" (SUSAS), hosted by the Shanghai Urban Sculpture Committee and co-organized by the Shanghai Municipal Planning and Natural Resources Bureau, the Shanghai Municipal Culture and Tourism Bureau, and the People's Government of Yangpu District, Shanghai.

Following the successful editions in 2015 and 2017, the 2019 Space Art Season continues to explore urban space topics against the backdrop of Shanghai's current phase of urban regeneration. This year's theme is rooted in the municipal government's "One River, One Creek" public space development strategy. Focusing on the global topic of "waterfront spaces bringing a better life to humanity," the event will span nearly two months. Through themed exhibitions, case studies, joint exhibitions, and various public activities—combined with cultural and tourism initiatives like "One Million Citizens Viewing Shanghai"—it will showcase Shanghai's recent achievements and future vision in connecting and improving waterfront spaces citywide. The main exhibition will open at the Yangpu Waterfront at the end of September.

Nanjing Chengtian Bridge spans the Qinhuai River, crossing the Beijing-Shanghai High-Speed Railway to the south and running adjacent to the Ring Expressway to the north. Connecting the city's CBD with an ecological park, the bridge serves as a major gateway and urban landmark for the Southern New Town.

The Southern New Town occupies a unique geographical position, situated at the center of four mountains: Jiangjun Mountain, Fang Mountain, Qinglong Mountain, and Purple Mountain. The silhouettes of these four mountains converge here, inspiring the main structure of the bridge. Floating above the Qinhuai River, its flowing lines present a picturesque landscape from afar. Four triangular arches symbolize the converging mountains, giving the Chengtian Bridge structural stability and a dynamic, tension-filled presence.

Located in Pingle, Qionglai, Sichuan, the M50 Art Hotel project takes inspiration from "music," aligning with Pingle Ancient Town's master plan as a music-themed town. In this design, MUDA-Architects sought to activate the local cultural DNA, creating an iconic, forward-looking landmark that honors historical context while engaging with the future.

In 2018, ArchDaily China’s reach grew stronger than ever. We brought Chinese architecture into the global conversation, introducing Chinese design to the world while delivering global architectural news to our Chinese readers. Remaining true to our founding mission, we strive to be an open platform that benefits the public, fostering a more inclusive and equitable architectural community. This year, we once again invited our Chinese readers to vote for the 2019 ArchDaily China Building of the Year Awards. Through an unbiased, geographically unrestricted voting process, our readers became part of a massive jury to select the most representative architectural projects of our time.

Over the past three weeks, more than 300,000 votes were cast. From over 400 Chinese projects published in 2018, voters selected the top ten nominated projects, and ultimately, the three most representative winners. Because ArchDaily’s readers consist of industry professionals and architecture enthusiasts, this award represents peer-to-peer recognition, carrying immense significance.

The following are this year’s winning projects:

(Article by Wang Xin) Recently, Chengdu officially launched the detailed design phase for the “Capital of Pandas,” marking the start of construction on the new home for the pandas. In January 2019, the master planning and conceptual design scheme developed by the consortium of Shanghai Tianhua Architecture Planning & Design, Chapman Taylor LLP, and Masa Studio (Hong Kong) Co., Ltd. won the competition. The consortium was awarded the detailed design contract for the “Beihu Area,” the project's largest plot and home to the Chengdu Research Base of Giant Panda Breeding.

The “Peace Pavilion,” located in Sédhiou in southern Senegal, is the winning proposal of the KAIRA LOORO International Architecture Competition, organized by the Balouo Salo Association. The organization's team of architects and engineers, in collaboration with Senegalese authorities and institutions, will conduct a construction evaluation of the winning design to assess its financial and technical feasibility. The project is situated in a particularly delicate urban environment, on a flat clay site along the Casamance River. It serves as a multifunctional venue for hosting permanent and temporary art exhibitions, sharing the values of peace and memory.

Founded in the 1970s by Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp, and Zoe Zenghelis, the Office for Metropolitan Architecture (OMA) is one of the world's most renowned practices. While the firm has realized numerous projects and built iconic works across various countries, its work is not limited to architectural design alone. Instead, OMA frequently transcends strict disciplinary boundaries to engage with other areas of practice.

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According to announcements on the UNESCO website, the World Heritage List represents an invaluable legacy of monuments, natural beauty, and cultural treasures belonging to all humanity. The sites inscribed on this list serve as milestones on our planet, symbolizing regional and national awareness of the significance of place and shared wealth, while preserving this collective heritage for future generations.

The relationship between the human body and architecture has always been a fundamental element of architectural design and practice, yet it was only in recent history that this connection was formally documented, let alone fully accepted. The question today is: how is the human body interpreted in the contemporary era, and how do these perceptions shape the way we design buildings and spaces? Ergonomics is often viewed as a discipline that highlights the separation between body and object; in reality, however, it not only bridges the two, but also serves as a blueprint designed to maximize and synchronize efficiency between them. At its core, ergonomics is a technical discourse concerning an increasingly mechanized human habitat.

At the 2019 AIA Conference on Architecture, Turkish architect Emre Arolat (EAA) shared insights with ArchDaily regarding architectural technology, how the future role of the architect will evolve, and the significance of building materials in his projects.

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China's unique social development has provided a distinctive breeding ground for contemporary Chinese architecture. As one of the country's primary design hubs, Shanghai can be seen as an ideal entry point to understanding this landscape. Shanghai-based architect Liu Yuyang, who was born in Taiwan and raised in the United States, has forged a unique architectural trajectory shaped by his rich life experiences and multicultural background. Through an extensive portfolio of built work, he has established a distinct voice within the broader professional landscape. In the following excerpt from an interview with author Zhang Yifan (YF), Liu discusses his design approach, the origins of his philosophy, and his professional ethos.

2050年马德里的气候将更像今天摩洛哥马拉喀什的气候，斯德哥尔摩将更像布达佩斯，伦敦更像巴塞罗那，莫斯科更像索菲亚，西雅图更像旧金山，东京更像中国的长沙。

苏黎世联邦理工学院克劳瑟实验室（The Crowther Lab）在科学杂志《公共科学图书馆》（PLoS ONE）上发表了一篇题为《从对相似城市的分析开始理解气候变化》的研究，为世界城市中心的未来描绘了一幅严峻的图景。

The concept of “resilience” is widely applied across many disciplines. In scientific terms, resilience is the capacity of a material or object to recover its shape after undergoing some form of trauma. In other words, it is quite different from resistance, as it fundamentally concerns the ability to adapt and recover. In ecology, resilience refers to an ecosystem's capacity to respond to disturbances, resist damage, and recover quickly. In architecture, however, integrating resilience into design can yield a wide range of solutions. Resilient design is inherently site-specific, making it essential to anticipate potential building use scenarios, and even disasters that could threaten the structure and its occupants. Beyond this, there is a growing focus on using adaptive structures and materials that can continuously learn from and modify themselves in response to the environment. If we already have software and algorithms that learn from their surroundings, why not apply the same approach to the building process?

We have selected 10 adaptive materials and design solutions developed under the concept of architectural and construction resilience—innovations that may one day become mainstream, or perhaps remain temporary experiments.

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Introduction: This interview is part of the “Echoes for the Future” exhibition, which primarily features video interviews with architects. In 2008, architect Che Fei and international curator Yao Jing co-initiated a series of interviews themed “The Beijing Olympics in Architectural Discourse.” In 2018, we revisited the same nine architects, bridging the fields of media, research, and education to illuminate reflections on the built environment and future visions. For this first installment, we delve into the “past, present, and future” of Li Hu, founding partner of OPEN Architecture.

Over the past 20 years, the role of representation and rendering has shifted dramatically across the architecture, engineering, and construction (AEC) industries. New rendering technologies, techniques, and software, such as Lumion, have driven this evolution. By integrating 3D rendering tools, architects and designers can leverage intuitive, versatile visualization technologies to enhance creativity rather than stifle it.

Project Background
As a strategic pivot of the national "Belt and Road" Initiative and the core engine for innovative cooperation in the Guangdong-Hong Kong-Macao Greater Bay Area, Qianhai is set to become a futuristic, world-class bay area city center. On January 17, 2019, the Qianhai Authority officially launched the global call for proposals for the "Qianhai Public Space Design" project, attracting applications from 42 consortia representing over a hundred leading design firms worldwide.

The primary objective of the "Qianhai Public Space Design" project is to establish a unique bay area city center. Grounded in human-centric design, the project aims to enhance public well-being and the region's overall appeal through the creation of a beautiful, inviting network of public spaces.

Among the various measures cities can implement to become more pedestrian-friendly, developing a comprehensive signage system is a highly efficient, straightforward improvement that delivers transformative results—as demonstrated by initiatives like Legible London, New York's WalkNYC, or Rio on Foot in Rio de Janeiro.

Yesterday, the Changjiang Art Museum, designed by Vector Architects, opened in Taiyuan, Shanxi Province. Simultaneously, the museum inaugurated three exhibitions: "Backbone: Four Chinese Architects," featuring the work of Dong Gong, Hua Li, Li Xinggang, and Cheng Yanchun; "Reshaping the Block: Qiandu·Dongshanqing Architectural Practice Exhibition"; and "Changjiang Village: A History/Space Exhibition."

Great gems of modern Paulista architecture are located in the Higienópolis neighborhood of São Paulo. Predominantly occupied by residential buildings, the curiosity to imagine what their apartments and floor plans look like arises in the minds of those with even a passing interest in these projects. With this in mind, we have gathered ten projects that are the result of renovations in famous buildings—such as the Lausanne and the Louveira—as well as others located in the same vicinity.

Preservation and renewal are constantly unfolding in our cities. Against the backdrop of rapidly evolving lifestyles and the transition of China's economic development to a "new normal," urban renewal and regeneration are gradually superseding new construction as crucial aspects of Chinese urban development. This exhibition focuses on the theme of urban renewal, gathering outstanding projects from home and abroad to comprehensively review successful experiences across various regions, scales, typologies, and stakeholders. In doing so, it showcases the achievements, dilemmas, reflections, practices, current conditions, and futures within the urban development process, contributing diverse voices to the ongoing discourse on China's urban renewal.

We interviewed Zhu Xiaodi, co-curator of the exhibition “Born of the Old,” to discuss the significance of the theme, the rationale behind its unique exhibition design, and the stories behind the project.