Modern Architecture: The Latest Architecture and News

From the 19th century onwards, with the Industrial Revolution, the growing population, and the ever-more pressing demands for urban space in Europe, the first reflections on the city emerged. More than that, the process of disciplinary structuring of urban design begins as a theory and practice inherent to the new historical moment that was being consolidated and would have its product, concerning cities, as an attribute of the 20th century. Within this disciplinary logic, configured from a social or political demand linked to militaristic pretensions of order and urban control, the 20th century was the stage for the entire development of this industrial society, which had the city as its horizon.

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To honor the work of one of the greatest modernists of the 20th century, Oscar Niemeyer, American-Brazilian photo artist Paul Clemence has released images of the architect’s iconic Itamaraty Palace. Housing Brazil’s Ministry of Foreign Affairs Headquarters, the structure is also known as the Palace of the Arches.

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In the mid-twentieth century, a set of South Asian countries collectively experienced a catharsis from colonizers’ rule. The period that followed sparked an era of ideas and philosophies for a new future. During this time, architects were pivotal in creating modernist structures that defined the countries’ post-colonial, post-partition and post-imperial identities. South Asian architects used design as an expression of hopeful societal visions, most of which have been actualized. With this success in nation-building, there has been a lack of accreditation for women architects in shaping South Asian histories. 

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On January 21, 1958, three women sat down as contestants for an episode of the popular television show “To Tell the Truth”, a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks “What is the name of the building that was torn down to build Union Carbide?” The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, “Hotel Margery.”

Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it’s astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.

Raúl Monterroso is one of the referents when it comes to talking about the modern movement in Guatemala. Not only has he been a promoter of the preservation of the country's architectural legacy with his publication "The Guatemala City Guide to Modern Architecture", but he has recently collaborated with the Museo Experimental el Eco for its Re_vista 05 with a critical analysis titled "Modern dreams, magical realism and other fantasies of yesterday and today", which seeks to be a window for anyone to question and get involved with Guatemalan architectural values.

On November 3^rd, 2022, the Indian Institute of Management Ahmedabad (IIMA) announced the decision to end the restoration works for elements of the campus designed by Louis Kahn with Indian architects Balkrishna V. Doshi and Anant Raje in 1962. The decision affects the faculty blocks, classroom complex, and dorms other than dorm D15. According to the statement, the institution plans to replace some of the buildings, as the complex is “facing structural damage, deterioration and have become uninhabitable, posing a safety concern for the campus's residents.” This represents a reversal of the decision to withdraw the first demolition plans following global protests, announced in January 2021.

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The building on the corner of Suipacha and Paraguay Streets in the city of Buenos Aires, designed by the Spanish architect Antonio Bonet, established from its realization the basis to begin certain reflections on international modern architecture in the Argentinian context of the 1930s.

This article was originally published on Common Edge.

Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).

Chicago, The Windy City, Chi-Town, or The Second City. It’s a place that is known by many names, but to architects and urban planners alike, it’s famous for its history which has given us some of the best-known buildings and important advancements that have helped to shape other cities across the United States. From its inception, Chicago has long served as an architectural hub for innovation.

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Located in the city of Viña del Mar, Chile, the Conjunto Habitacional 7 Hermanas (7 Sisters Housing Complex) stands out among the urban landscape of Viña del Mar for its architectural qualities, colors, materials, and magnitude. When you look up, you can see between the leafy ravine that overlooks the Quinta Vergara urban park, the group of buildings located in the Forestal sector, which take over the slope and the plateau of the hill, crowning itself as one of the most important works of modern architecture in the region of Valparaíso.

Plague clouds

On August 27th, 1883, the volcano of Krakatoa in the Indonesian islands erupted. Ashes and rocks flew miles high. Barometers wobbled three and a half times as they recorded the atmospheric pressure wave circumnavigating the globe. The noise was heard across the Indian Ocean and Australia. And for years, small ash particles floated in the atmosphere, diffusing the sun’s light and scattering colors around the world.

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At the inauguration of the First Brazilian Congress of Eugenics in July of 1929, the physician and anthropologist Edgar Roquette-Pinto addressed an audience preoccupied with the question of how a country as vast as Brazil could best increase and improve its population. To accomplish this, Roquette-Pinto exalted “eugenia” as the new science that, together with medicine and hygiene, would guarantee the efficiency and perfection of the race. With the following words, the Brazilian scientist underscored a positivist agenda that brought architecture to the very core of the eugenics—the so-called science of race “improvement”—movement: “It is critical to emphasize that the influence [on our race] does not stem from the natural environment but rather from the artificial environment, created by man.” With these opening remarks to the Congress, Roquette-Pinto called attention to the crucial role that the man-made environment plays in the “amelioration” of what he called “the biological patrimony” of Brazil’s diverse population. In his invitation to social engineering, Roquette Pinto pointed to the environmental-genetic collusion that they hoped would bring with it the very possibility of progress.

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