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From Psychopath Lairs to Superhero Mansions: How Cinema and Modernist Architecture Called A Truce

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Chemosphere, by John Lautner - the architect whose work has been most used (and abused) by Hollywood. Photo © Joshua White/JWPictures.com

This article comes courtesy of ArchDaily friend Charlotte Neilson, the author of the fascinating design blog Casting Architecture, which discusses architecture and production design. Charlotte is not only a dedicated cinephile but also an honours graduate of the University of Newcastle, Australia.

We all know that psychopaths prefer contemporary design. Hollywood has told us so for decades. The classic film connection between minimal interiors and emotional detachment (see: any Bond adversary) or modern buildings and subversive values is well documented - and regrettable. The modernist philosophy of getting to the essence of a building was intended to be liberating and enriching for the lives of occupants. Hardly fair then that these buildings are routinely portrayed with villainous associations. 

What the representation of Modernist architecture in film tells us about our society, after the break...

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Modern Tide: Midcentury Architecture on Long Island

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The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.

On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.

Follow us after the break to catch up on the history of the development of these houses on Long Island.

LEGO Turns 80, Remains Architecturally Awesome

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National Building Museum's Towering Ambition exhibition by Architect Adam Reed Tucker. Towering Spiral via Flickr User © 2010 Brian Mosley. Used under Creative Commons

“Legos were the ultimate building tool, capable of making the most advanced space ships, powerful vehicles, impressive buildings, and incredible cities. As a child, everyone I knew loved Legos, and this never seemed to change. In high school, whenever a conversation with friends happened to shift upon Legos, everyone would gleefully reminisce about their days making fantastic structures out of those awesome little building blocks. No doubt Legos played a supporting role in my growth in appreciation for architecture.” - Architect Albert Lam, in a Blog post for the LPA

When you ask architects what inspired them, almost all (according to one study, 99%) can trace the calling back to the same, simple origin: playing with their LEGO bricks.

The LEGO Group, which turns 80 today, can boast that there are approximately 62 LEGO bricks for ever person on earth. However, it wasn’t until 1958, when the newly-plastic LEGO bricks incorporated the classic knob-and-tube-connecting-system, that they overtook the Froebel block (Frank Lloyd Wright’s toy of choice) to become the massively popular architectural inspiration they are today.

But while the influence of LEGO on architects may be self-evident, not many know about Architecture’s contribution to LEGO. In fact, only through the lens of Architecture, can you truly understand why LEGO merits its bold moniker as “The Toy of the Century.”

Find out Architecture & LEGOs unlikely relationship, after the break…

Modernist and Traditionalist on Establishment Bias Against Traditional Architecture

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Kroon Hall Yale University, Hopkins © Morley von Sternberg

Tensions mounted between modernist and traditionalist camps earlier last month when Paul Finch, UK Chairman for the Commission for Architecture and the Build Environment, praised the fact that modernists had won bids to design buildings for the 2012 Olympics. In response, Robert Adam, member of the Traditional Architecture Group, and Michael Taylor, senior partner at Hopkins, the firm that designed the Olympic velodrome, met for a discussion on hegemony, timeliness, and pastiche moderated by Guardian staffer Lanre Bakare.

AD Classics: Villa Mairea / Alvar Aalto

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A collage of materials amongst the trunks of countless birch trees in the Finnish landscape, the Villa Mairea built by Alvar Aalto in 1939 is a significant dwelling that marks a transition from traditional to modern architecture. Built as a guest house and rural retreat for Harry and Maire Gullichsen, Aalto was given permission to experiment with his thoughts and styles, which becomes clear when studying the strangely cohesive residence.