RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
Eric de Maré was one of Britain’s most influential architectural photographers, responsible for raising awareness of the value and beauty of Britain’s overlooked industrial heritage via photographs taken for the Architectural Review in the 1950s and 1960s. A selection from RIBA’s extensive
The historic village of Indein, Myanmar was founded by monks around the 3rd century B.C, who wanted to spread Buddhism across the country. Hundreds of pagodas, ornaments, and statues of Buddha were built around the area, but with time, the village was abandoned and its temples were consumed with greenery. Nowadays, the site stands as a visual contradiction of old and new, as people have begun renovating and preserving the historic structures little by little, surrounding the crumbling temples with brand new white stupas.
Photographer Romain Veillon had the chance to explore and photograph Indein, capturing the raw remains of the historic site.
Grey Cube Gallery proudly presents the first Black & White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award & Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than
Alexey Kozhenkov is a freelance photographer currently based in Russia, with a strong interest in urbanism, architecture and man-made structures. Kozhenkov was born in 1993 in Riga, Latvia and became a self-taught photographer after graduating from university.
Contemporary Art Room Gallery is proud to announce their 1st “Landscapes” Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are
Quatre Caps, a group of architects from Spain visualized in a series of images, the unbuilt works of Fernando Higueras. In fact, the pictures portray the buildings in their context, as if they were built back when they were first conceived.
Architectural Photographer Laurian Ghinitoiu recently won in three categories in the Architectural Photography Awards 2019. The categories where he received awards were Social Housing, Exterior and Buildings in Use.
What started as a curiosity for Ghinitoiu, photography, through hard work and passion soon became a lifestyle and a continuous journey around the world. To date, this journey, has allowed him to receive an improved and more complex understanding of architecture, where he documents the built environment.
For the 1957 International Builders Fair, Oscar Niemeyer developed the Interbau Apartment House, a modernist eight-storey building that sits on V-shaped pillars in the city of Berlin. While the building's facade consists of uniform windows and loggias clad with primary-colored mosaics, it is interrupted by enclosed pathways that connect the structure to the external elevator.
Architectural photographer Bahaa Ghoussainy explored the building and highlighted the complementary relationship between its uniform modernity and dynamic suspensions.
The second issue of Room will reconvene in the Kitchen; a space that savors the possibilities of both cultural appreciation and cross contamination, serving basic sustenance and special occasions. Taste here is significant though subjective, with its stainless steel tongue wiped perpetually in an attempt to cleanse the palate. Nuanced residues of gender, class, labour, race, and climate cling to the cloth among germs and grains of salt.
The kitchen is a volume of complex geographies. Contents enveloped in their natural and synthetic skin's come together from landscapes distant and near, to land on the counters of the heart of
A lot can change in a city within one year; from demolitions, to reconstructions and project completions, a city's urban fabric is constantly being altered. During the past 4 years, Chilean architect and photographer Francisco Ibáñez Hantke of Estudio Ibanez has put together a photo-series titled Non-Structures, which focuses on London's urban regeneration and transformation and captures its various moments of ruins, planning, process, and eventually, complete architecture.
Description via Amazon. Marc Mimram ( born 1955), the award-winning French architect and engineer, presents his work of architecture and structure through the lens of Erieta Attali (born 1966), world-renowned architectural photographer, who explores the relationship between human-made structures and the landscape.Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects.
The Museum of Art, Architecture and Technology, Lisbon, Portugal by Amanda Levete shot by Inge Schuster. Image Courtesy of The Architectural Photography Awards 2019
The Architectural Photography Awards 2019 has revealed its shortlisted images under 6 categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, and Portfolio. Sponsored by Sto and supported by the World Architecture Festival (WAF), this year’s lineup was selected from nearly 2000 entries from 42 countries.
Cats just don’t care. They don’t care if you bought them gourmet food. They don’t care if you got them customized furniture or luxury cardboard boxes, and they definitely don’t care if they are barging into an architectural photo shoot (although, we do think it’s their way of being the center of attention).
Don't believe us? Here's a collection of photographs collected from our projects database where cats are clearly not trying to steal the spotlight.
The “New Créteil” was an urbanization program carried out in the seventies. It was intended to provide the city of Créteil, which is located around 6 km southeast of Paris, new apartment buildings and public facilities such as a town hall, prefecture, hospital, and courthouse. In a series called “See the New Créteil,” photographer Robin Leroy documents a city considered transcendent of the traditional clichés of modern architecture.
https://www.archdaily.com/924842/robin-leroys-timeless-photographs-of-new-creteilLilly Cao
Rarely does one see brutalist architecture in the city of London. Primarily, these buildings were perceived as rebellious and grotesque, only to become the "go-to" style for commercial and governmental buildings after the Second World War. Nowadays, with the real estate market demands and dominance of contemporary architecture, these monumental grey structures are gradually fading away.
Santiago-based architect and photographer Grégoire Dorthe developed the passion of photography during his military service, when he realized that through his images, he is able to freeze moments and preserve what will be lost with time. In his photographic series titled "Brutal London", the Swiss photographer captures the raw forms and graphic qualities of the city's brutalist architecture, before these buildings meet their end.
Hong Kong is considered to have one of the most exceptional skylines and urban schemes in the world: contemporary skyscrapers stand amidst the mountains and harbour, ancient houses nestled between futuristic structures, neon lights, landscapes... But among Hong Kong's numerous remarkable architectures, its spatial typology of death is like no other.
Over the course of five years, RIBA-nominated architectural photographerFinbarr Fallon captured the hyper-dense graveyards of Hong Kong, showcasing the sublime geometry of its mountainside burials in a series titled "Dead Space".
Ste Murray has recently visited Chicago and photographed the famous John Hancock Center on its 50th Anniversary. Completed in 1969, and conceived by architect Bruce Graham and structural engineer Fazlur Khan of Skidmore Owings and Merrill, the building was once the tallest structure in the world outside of New York.
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