With its Shenzen project, design firm Morphosis reimagines the skyscraper typology, maximizing the flexibility of the floor plan through a detached-core scheme that shifts circulation, services and amenities to the building's exterior. Using a pioneering structural system, the project's spatial configuration diversifies the interiors' functional possibilities while reshaping the circulation routes within the building, with glass sky-bridges and large-scale steel braces knitting the core to the tower's main body. Completed in 2018 with a gradual opening that continues into 2021, the 359.8-metre tower is currently the tallest detached-core building in the world.
It would be an understatement to say that architecture is a profession that closely mirrors economic conditions. In this practice, we’ve all heard the stories or felt the experiences of recessions that were quickly followed by projects put on hold, a decreased pipeline of new business, and the unfortunate impact of layoffs and furloughs. The cyclical nature of the design field, paired with the pressure to meet the spatial needs for a growing global population in a time where the value of land has continued to sky-rocket means that architecture is naturally subjected to economic impacts in a significant way. But some economic theories predict that instead of the economy dictating the ebbs and flows of the design profession, architecture might be one of the influences causing economic downturns.
Milan’s urban fabric has long been defined by change. In a city known for its historic monuments, from the Piazza Duomo and Milan Cathedral to works like Velasca Tower, contemporary architecture must balance many existing contexts. Emerging as a global center for design and culture, Milan has become home to new buildings and structures addressing this condition as iconic landmarks and expressive forms. Actively building upon its legacy, Milan has turned its attention to the sky.
The 52-story residential tower 200 Amsterdam Avenue is set to become the tallest skyscraper on New York's Upper West Side. The project was designed by Elkus Manfredi Architects, and is being developed by SJP Properties and Mitsui Fudosan America. An appeals court recently decided to allow the tower to include it's top 20 stories on the building's site between West 69th and West 70th Streets.
The 50 Hudson Yards skyscraper by Foster + Partners has topped out in New York. As one of the largest office buildings in the city, the project has become the fourth-biggest office tower by square footage. The 58-story office tower includes very large floor plates for up to 500 employees on each floor. The tower is the latest in a series of projects rounding out the Hudson Yards on the western edge of Manhattan.
The new "Spiral" skyscraper by Bjarke Ingels Group has topped out at Hudson Yards in New York City. Rising 66 stories, the project towers over 1,000 feet tall with a series of stepped, landscaped terraces that wrap the building. With over 2.8 million square feet of office space and ground floor retail once complete, the tower will feature open floor plans with views across the Financial District and the surrounding cityscape.
Heatherwick Studio has shared plans for a pair of residential towers in Vancouver, Canada. The "curvaceous" skyscrapers were designed for Kingswood Properties and Bosa Properties in the city's West End neighborhood. Inspired by tree-like forms, the towers aspire to create a "new level of global design excellence" that emerges from a ground level plaza. The two towers would rise between 30 and 34 stories tall in height, and would feature views across the city and Vancouver Harbor.
It’s a given that the coronavirus pandemic has had wide-ranging impacts on construction projects large and small over the past 10 months. So, what about the construction of new buildings that share the defining characteristic of being superlatively tall?
As detailed in an annual report published earlier this month by the Chicago-headquartered Council on Tall Buildings and Urban Habitat (CTBUH), newly completed skyscrapers experienced a global decline of 20 percent in 2020 compared to the previous year due, both directly and indirectly, to the COVID-19 crisis.
German design practice Barkow Leibinger has finally received a building permit for the Estrel Tower in Berlin, Germany. Set to become the city's tallest high-rise at 175 meters, the tower comes seven years after winning the initial competition. Construction is now set to start, and the project will be built on Sonnenallee in Neukölln. The design references the existing Estrel hotel und connects both into one unit.
Scale dramatically shapes how we experience architecture and the built environment. Whether looking at buildings by volume, square area or height, the larger a project gets, the greater our perception changes. Monumental projects tell incredible stories of spatial experience, programming and design. Towering above us and around us, these large-scale works become landmarks in rural and urban contexts.
This week’s curated selection of the Best Unbuilt Architecture focuses on large-scale architecture located around the world. Drawn from an array of firms and local contexts, they represent proposals submitted by our readers. They showcase a wide array of approaches to designing at larger and larger scales, from an expansive arena in Vienna and a lush memorial in Singapore to the world's tallest tower designed to draw attention to poverty in Toronto.
Playscraper - Tennis Tower. Image Courtesy of CRA: Gary di Silvio
Design practice CRA-Carlo Ratti Associati and architect Italo Rota designed a 300ft-tall "tennis tower" that stacks eight tennis courts on top of each other. Designed for RCS Sport, one of the major sport and media companies in Europe, the project utilizes a lightweight steel sandwich structure developed by the company Broad Sustainable Building. Dubbed the "Playscraper", the project includes 60,000 square feet of playing space.
Herzog & de Meuron have created a new proposal for a third tower in the Roche development along the Rhine River in Basel, Switzerland. Designed for the biotech company, the updated plan combines green open space along the riverbank with a reception building and the third office tower. HdM developed a proposal for two buildings on the southern plot; a low-rise to sit within the park and the high-rise to reach a maximum height of 221 meters.
Foster + Partners have begun construction on Avenida Cordoba 120, a new 35-story office tower in Buenos Aires. Sited between the traditional city center and the main entrance to the Puerto Madero harbor area, the project is designed to become a landmark building along the city's skyline. Balancing structure and nature, the tower is made to create a new standard for office design in Argentina and the larger region.
Egalitarian Nature: Vertical Green Park For Urban Areas. Image Courtesy of eVolo Magazine
eVolo Magazine has announced the winners of the 2020 Skyscraper Competition. The award recognizes visionary ideas that through the novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments.
With a very bold and pioneering move, the UK for the first time is prioritizing cyclists and pedestrians. The city is making pressures on skyscrapers by issuing new rules on the design of the high-rises in order to prevent the creation of wind tunnels.
Villages and cities in Iran have always had a fixed low-rise horizontal skyline due to the lack of beam and column technology. Although some cities have already adopted contemporary styles and have constructed soaring skyscrapers, but the majority of towns remain committed to traditional building techniques.
Iranian architect Mohammad Hassan Forouzanfar decided to give traditional Iranian architecture a structural upgrade but kept its main features intact. In his conceptual creations titled "Retrofuturism", the architect used traditionally-designed houses as a starting point, but introduced them to the modern world of skyscrapers and surreal forms, mixing both styles together.
New York City has gained a reputation for its soaring towers thanks to unprecedented engineering technologies and New York’s air-rights policy, which permits developers to acquire neighboring unused airspace and construct large structures without any type of previous public review. But how are these super tall skyscrapers being accommodated? By replacing older existing structures. This out-with-the-old-in-with-the-new pattern comes as no surprise, as the “concrete jungle” is gradually being axed to make room for an even larger jungle.
