Gensler has released details of their proposed Tower Fifth in New York City. If realized, the 1556-foot-tall scheme would be the second-tallest building not just in New York, but in the Western Hemisphere. Located east of Fifth Avenue between 51st and 52nd Street, the tower will sit adjacent to St. Patrick’s Cathedral.
According to Gensler, who designed the scheme in collaboration with developer Harry Macklowe, the tower “creates a new paradigm for how a supertall structure meets the street and interacts with its neighbors.”
https://www.archdaily.com/910068/genslers-tower-fifth-in-new-york-city-will-be-the-second-tallest-building-in-the-western-hemisphereNiall Patrick Walsh
MVRDV have released images of their ambitious design for the Taipei Twin Towers, set to revitalize the central station area of the Taiwanese capital. The two towers are characterized by a “pile of blocks” that create a vertical urban neighborhood, complete with interactive media facades.
The site is currently occupied by the city’s main station, containing railway, airport lines, metro networks, and underused parks and plazas. Under the MVRDV scheme, the two towers will be built over the top of the station, offering retail, offices, two cinemas, two hotels, and the unification and redevelopment of surrounding plazas.
Kohn Pedersen Fox Associates (KPF) has announced the completion of the third-tallest building in Shenzhen. The China Resources Headquarters, a 400-meter-tall commercial office tower, stitches together retail, residential, and office functions surrounded by 2,000 square meters of public space.
The tower, inspired by the shape of winter bamboo shoots, seeks to “invigorate Shenzhen’s urban fabric while providing one of the country’s premier companies with a visual icon symbolizing its historic growth and prominent stature.”
Foster + Partners has released details of their proposed China Merchants Bank HQ in Shenzhen. The soaring 350-meter tower, intended to house the bank’s 13,000-strong workforce, will be complemented by a sister tower 180 meters in height, containing a luxury hotel and mixed-use office, cultural, and retail spaces.
The taller office tower is comprised of large-span column-free floorplates supported by offset cores at either side. A glazed façade has been shaped to avoid downdrafts, thus making the surrounding open spaces on the ground floor more comfortable for the public.
Zaha Hadid Architects have received the go-ahead for their Vauxhall Cross Island towers, a duo of skyscrapers sited adjacent to Vauxhall Station. The scheme, which was publicly announced nearly a year ago (19 January 2018), would be the first project undertaken by the office in the UK for a private client.
The CTBUH has released its Year in Review, charting the year’s tall building developments around the world. 2018 saw a record-breaking 18 supertall buildings (over 300 meters tall) built across the world, and 143 buildings of over 200 meters in height completed.
Blossoming alongside the iconic Gherkin building, Foster + Partners' Tulip Tower has been planning to join London's skyline since they released their proposal earlier in November. However, construction of the1,000-foot tower has been halted until officials can determine its impact on aircraft radar systems at London City airport, six miles away. Featuring mobile gondolas in the form of three-meter wide glass spheres intended for visitor rides on an elliptical journey around the tower, the proposed viewing platform is potentially highly problematic.
Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.
While skyscrapers are omnipresent, 2018 introduced new approaches, technologies, and locations to the high-rise typology. From variations in materiality to form, designs for towers have started to address aspects beyond simply efficiency and height, proposing new ways for the repetitive form to bring unique qualities to city skylines. Below, a few examples of proposals and trends from 2018 that showcase the innovative ideas at work:
EID Architecture was selected earlier this year as one of the two finalists in an international competition to design a 518 meter-tall tower in Fuzhou, China. Located on a prominent riverfront site in Fuzhou, Shimao North Riverfront Tower was made to be the centerpiece of a new business district within the city. The tower's design explores what supertall building means today. In contrast to many form-driven towers, Shimao Fuzhou aims to integrate architecture and structure to create an iconic and futuristic landmark with remarkable efficiency.
Arquitectonica has revealed new renderings of its proposal for a 53-story tower of cantilevered pools in Downtown Los Angeles. The skyscraper could be built under two different scenarios, where either the building becomes primarily residential units or a hotel and condominiums. The City of Los Angeles Department of City Planning published a draft Environmental Impact Report with further details on the 784-foot tower. Arquitectonica's tower is one of multiple developments underway around Pershing Square.
Steel and concrete facades have dominated contemporary cityscapes for generations, but as pressures from climate change pose new challenges for design and construction industries, some firms are turning to mass timber as the construction material of the future. But could it be used for structures as complex as skyscrapers?
This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”
Manhattan is known for its iconic skyline, brimming with skyscrapers, high rises, and some of the most impressive architecture in the world. But it wasn’t always that way; it took hundreds of years for New York City to become the structurally diverse, world-famous city that it is today.
https://www.archdaily.com/904180/100-years-of-change-in-new-yorks-skyline-1920-2020AD Editorial Team
eVolo Magazine is pleased to invite architects, students, engineers, designers, and artists from around the globe to take part in the 2019 Skyscraper Competition. Established in 2006, the annual Skyscraper Competition is one of the world’s most prestigious awards for high-rise architecture. It recognizes outstanding ideas that redefine skyscraper design through the implementation of novel technologies, materials, programs, aesthetics, and spatial organizations along with studies on globalization, flexibility, adaptability, and the digital revolution. It is a forum that examines the relationship between the skyscraper and the natural world, the skyscraper and the community, and the skyscraper and the city.