New York YIMBY has revealed initial renderings of BIG’s proposed office skyscraper at West 29th Street, New York, on the site of the old Bancroft Bank Building. Officially named “29th and 5th,” the scheme will offer a LEED-certified design focused on wellness and sustainability, featuring outdoor terraces stacked alongside a glass curtain façade.
Skyscrapers: The Latest Architecture and News
New Rendering Shows Off the Final Design of BIG's Twisting High Line Towers as Construction Moves Forward
A new rendering released of the project shows the design in its final form (developed through a series of iterations), standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.
Rafael Viñoly Architects’ 277 Fifth has topped out at its full height of 663 feet, making it one of the tallest towers in the relatively low-lying NoMad area of Manhattan.
The 55-story condominium tower, located at the corner of Fifth Avenue and 30th Street, features a restrained facade design composed of lightweight, reinforced, Indigo-colored cast concrete panels that were custom fabricated in Finland. As the building rises, its elevations are punctured by four unique ‘loggias’ that give residents of those units a space for outdoor dining and leisure.
Hudson Yards’ first condominium tower, 15 Hudson Yards, has topped out at its full architectural height of 914 feet, with exterior cladding also more than halfway complete. Designed by Diller Scofidio + Renfro (the firm’s first true skyscraper) in collaboration with Rockwell Group and executive architects Ismael Leyva Architects, the tower will contain a total of 285 residences, half of which have already been sold.
Following last week’s announcement of JPMorgan Chase’s plans to demolition the historically significant modernist masterwork 270 Park (formerly known as the Union Carbide Building), the US chapter of international non-profit Modernist architecture advocate Docomomo has penned a letter to New York City Landmarks Preservation Committee chair Meenakshi Srinivasan arguing for the structure’s preservation.
In the letter, Docomomo US President Theodore H.M. Prudon and Docomomo US NY/Tri-State President John Arbuckle highlight the structure’s critical acclaim and essential place within Modernist architectural history, urging the Commission to calendar the building for designation as quickly as possible.
Find the letter reprinted in full, below.
We all know a little about the world's tallest buildings—those engineering feats which define their cities and become symbols of human achievement—but what of the buildings that never took their planned place in their respective skylines? In 2014, The Council on Tall Buildings and Urban Habitat (CTBUH) released a report listing the 20 tallest buildings that were never completed (an up-to-date list is also maintained on their website here). In order to be considered "never completed," all of the buildings in the report had begun site work, but construction was completely halted with no reports indicating it will continue. Read on to find out the top 10 tallest uncompleted buildings in 2018 after the break.
In a recent film published by Metropolis Magazine, New York-based architect Robert A M Stern explains why we should care about Philip Johnson’s controversial AT&T building. As landmark designation hearings to protect the buildings external facade continue, demolition of the lobby of this iconic Postmodern New York City skyscraper has already completed.
The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
Just months after plans were announced for a major transformation of Philip Johnson’s AT&T Building at 550 Madison, another iconic midtown Manhattan skyscraper is at risk – and this time, it would mean the demolition of the entire building.
Designed by Natalie de Blois and Gordon Bunshaft of SOM and completed in 1961, 270 Park Avenue (formerly known as the Union Carbide Building) is considered a key example of the International Style in New York City that extended and even improved upon the precedent set by Mies van der Rohe’s Seagram Building.
But after new zoning legislation for the neighborhood was passed last year, the building’s current owner, JPMorgan Chase, has announced plans to raze the 707-foot-tall building in favor of a new, hi-tech supertall replacement. If plans go through, it would be the world’s largest and tallest building ever to be intentionally demolished.
New York City’s most buzzy megaproject, Hudson Yards, may have just added two more huge names to their list of notable architects, if a new report from the Wall Street Journal is to be trusted.
According to a source the WSJ describes as “a person familiar with the matter,” Santiago Calatrava and Frank Gehry will both design new residential towers for the second phase of the 28-acre complex, located at the north end of the High Line in west Manhattan.
Timber tower construction is the current obsession of architects, with new projects claiming to be the world’s next tallest popping up all over the globe. But this latest proposal from Japanese company Sumitomo Forestry Co. and architects Nikken Sekkei would blow everything else out of the water, as they have announced plans for the world’s first supertall wood structured skyscraper in Tokyo.
New renderings have been revealed of Kaven + Co. and William / Kaven Architecture’s plans for the new Broadway Corridor in Portland, showcasing the full masterplan for the first time. Conceived as a new mixed-use district and transportation hub connecting Union Station and the Pearl District, the Broadway Corridor will feature the city’s new tallest and one of the west coast’s tallest buildings.
Renderings have been revealed for another landmark addition to Brooklyn’s skyline: 80 Flatbush, a dual tower and school complex to be built in the borough’s fast growing Downtown.
Located on a triangular site directly across the street from TEN Arquitectos’ recently completed 300 Ashland and steps from the Barclay’s Center, 80 Flatbush will consist of a mix of new-built and renovated historic structures. Two towers designed by Alloy Development – the taller of which will reach 986 feet – will flank two new schools designed by Architecture Research Office and two 19th century buildings that will be repurposed as retail and cultural facilities. Open spaces will be designed by Nelson Byrd Woltz Landscape Architects.
Fans of absurd architecture, over-the-top action, and wrestling-stars-turned-beloved-actors are in for a treat this summer thanks to the recently-announced film Skyscraper. The movie’s central character is “The Pearl,” an imagined 1,067-meter-tall skyscraper in Hong Kong—although apparently some guy named “Dwayne ‘The Rock’ Johnson” also plays a pretty big role with his character Will Sawyer, a former FBI Hostage Rescue operative who lost a leg in the line of duty and now reviews building security for a living.
The plot, as revealed in the trailer and a single-paragraph synopsis on the official website, sees Will Sawyer criticizing the security of the “vertical city” billed as the tallest, most advanced, and safest building in the world. His concerns are immediately shown to be well-founded, as a group of (what are presumably) terrorists set fire to the 96th floor of the building, trapping Sawyer’s family and somehow framing Sawyer for the whole thing. As a result, Sawyer must save his family while running from the law, with the trailer showing a climactic leap from an adjacent crane (we can only assume that Dwayne Johnson doesn’t fit into a ventilation duct). The film has come in for some good-natured ribbing already, with internet jokesters questioning how a 260-pound amputee makes a 15-meter jump off the end of a crane. But of course, closer inspection reveals that these concerns are just the start of the entertaining wackiness of this movie.
Zaha Hadid Architects has unveiled the design of a new mixed-use development to be located on the Vauxhall Cross Island site adjacent to Vauxhall Station in London. Aiming toward becoming a new public square for the neighborhood, the complex will consist of two towers connected by a street level podium, offering a variety of programmatic uses including a hotel, offices, residences, retail and public amenities.
Citing the fact that the lobby had already been altered in the 1990s – including the removal of the “Golden Boy” statue – when the building switched tenants from AT&T to the Sony Corporation, the Landmarks Preservation Commission decided last month that the interiors were not deserving of landmark status.
The City of London has released new visualizations showing how its fast-changing skyline will look by 2026, as 13 schemes are currently under construction or due to begin construction in London’s Financial District.
Rising 150 meters from Dubai’s Zabeel Park, the “World’s Largest Picture Frame” has officially opened in the UAE. Known as the Dubai Frame, the structure is the latest in the city’s line of eye-catching megaprojects, offering up panoramic views of the skyline while framing views of iconic buildings such as the Burj Khalifa for visitors and residents all across the city.
Elizabeth de Portzamparc Unveils New Skyscraper Manifesto With Competition Winning Taichung Intelligence Operations Center
Elizabeth de Portzamparc has been selected as the winner of an international competition for the design of the new Taichung Intelligence Operation Center in Taichung, Taiwan. Conceived as a ‘vertical interconnected neighborhood,’ the tower grows from a series of terraces at its base that turn to become the facade.
Viewed as an extension of the city, the five levels of the podium will be accessible to the public, offering a variety of retail and restaurant options as well as access to the 24,000-square-meter Digital Cultural Center. These spaces will be connected by a series of ribbon-like ‘vertical streets,’ passing through spacious, light-filled atriums and connecting to rooftop green spaces.