Herzog & de Meuron's M+ Museum of visual culture has topped out in Hong Kong ahead of its scheduled opening in 2020. Focusing on 20th and 21st century art, design, architecture and moving image, M+ will be the centerpiece of the West Kowloon Cultural District, and a key venue in creating interdisciplinary exchange between the visual arts and the performing arts in Asia.
Architect and photographer Kris Provoost recently captured new photos of Aedas and Andrew Bromberg’s West Kowloon HSR Station in Hong Kong. Provoost lives and works in Shanghai, and his new series of photographs show how visitors are brought into the heart of Hong Kong as the majestic structure overlooks Victoria Harbor. Integrating abundant green space and different viewing platforms, the project creates an urban park in the midst of Hong Kong's city center.
Plans for a memorial commemorating the life and career of Mr. Michael Wright, architect, surveyor, and civil servant, have been released. Mr. Wright’s dedication to the architecture of public housing in Hong Kong and the principals on which he designed are encapsulated in the memorial’s proposed scheme. Wright died in January 2018 at the age of 105 and is considered the "father of public housing in Hong Kong" for redefining the city's standards for public living quarters.
The world’s longest sea bridge has officially opened to traffic, connecting Hong Kong and Macau to the Chinese mainland. The 34-mile (55-kilometer) “Hong Kong-Zhuhai-Macau Bridge” features a range of unusual features, with The Guardian reporting “cameras to detect yawning, drivers forced to wear heart monitors and access restricted to the political elite and charity donors.”
Henning Larsen has completed their new campus for the French International School in Hong Kong, offering a “vibrant green oasis in the dense city.” The 1100-capacity school sits behind a kaleidoscopic façade laid across a grid of 727 multicolored tiles, offering a “vibrant sustainable environment supporting a world-class multicultural education.”
New York-based collaborative and design studio Snarkitecture have unveiled their newest interactive installation, bringing a surreal sense of play to Hong Kong’s waterfront. Titled “BOUNCE,” the installation features hundreds of 300% sized bouncing balls contained in a cage-like stadium, inviting the public to “create their own unique playing experiences.”
Hong Kong is an autonomous territory in southeastern China known for its skyscrapers, urban density, and high prices. However, on Nico Van Orshoven's travelogue, Everywhere in Particular, the Belgian architect creates a visual portrait of the territory beyond the stereotypes. With lively public spaces and stunning natural landscapes, Hong Kong can and will surprise you.
In his ongoing study, Nikola Olic - a Serbian photographer based in Dallas, Texas - focuses on “architectural photography and abstract structural quotes that reimagine their subjects in playful, dimensionless and disorienting ways.” Often isolating elements of a facade, which obscures the viewer's sense of scale and perspective, Olic provides short descriptions of each image, acting as a “demystifying tool” and reminding us of the everyday nature of his subject matter. In the third collection shared with ArchDaily, the photographs are taken in Dallas, Fort Worth, Las Vegas, New York, Los Angeles, Long Beach, and Hong Kong.
The downtown skyline of a city is perhaps its most symbolic feature. The iconic cityscapes that we know and love are typically formed by skyscrapers, but much of the surrounding context is made up of other high-rise buildings. Yes, there is a difference between a skyscraper and a high-rise. Research company Emporis defines a high-rise as a building at least 35 meters (115 feet) or 12 stories tall. These high-rise buildings play a major role in the more sprawled urban context of larger cities today.
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