Ieoh Ming Pei, known as I. M. Pei, died today at the age of 102, according to The New York Times.
The Chinese-American architect (born April 26, 1917) was arguably the greatest living member of the modernist generation of architects. When he received his Pritzker Prize in 1983, the jury citation stated that he "has given this century some of its most beautiful interior spaces and exterior forms." His most notable work is the Louvre Pyramid.
Im Pei: The Latest Architecture and News
Chinese-American architect Ieoh Ming Pei (born April 26, 1917), is arguably the greatest living member of the modernist generation of architects. When he received his Pritzker Prize in 1983, the jury citation stated that he "has given this century some of its most beautiful interior spaces and exterior forms."
UPDATE: In honor of the 100th anniversary of the Bauhaus, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well-designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
The award is an initiative funded by Jay Pritzker through the Hyatt Foundation, an organization associated with the hotel company of the same name that Jay founded with his brother Donald in 1957. The award was first given in 1979, when the American architect Philip Johnson, was awarded for his iconic works such as the Glass House in New Canaan, Connecticut.
The Pritzker Prize has been awarded for almost forty straight years without interruption, and there are now 18 countries with at least one winning architect. To date, half of the winners are European; while the Americas, Asia, and Oceania share the other twenty editions. So far, no African architect has been awarded, making it the only continent without a winner.
On its outskirts, you'd be forgiven for assuming that Columbus, Indiana is a suburban American town like any other. But travel downtown and you're suddenly greeted with an unexpected variety of modern architecture. The small midwestern city has for the past half-century been a kind of laboratory for contemporary architecture, attracting designers as diverse as Kevin Roche and IM Pei. Children attend school in a building designed by Richard Meier, congregants attend services in a church designed by Eliel Saarinen.
As one of the latest built works of acclaimed Pritzker architect I.M. Pei, Suzhou Museum was built in the heart of his hometown, Suzhou, China. As one of the last surviving modernists, the architect strove to bring together both his modernist sensibilities as well as the Suzhou vernacular. Sited on the northeast section of the historic quarter of Suzhou, the museum is adjacent to the landmarked Zhong Wang Fu, a complex of 19th-century historical residences, and the Garden of the Humble Administrator, a 16th-century garden listed as a UNESCO World Heritage site. 
Images in this article were captured in 2016 by Rome-based photographer, Chenxing Mi. Read the full article after the break.
This week, we present a selection of the best images of Asian architecture in bloom. These 11 projects from Japan and South Korea incorporate the springtime beauty of trees such as cherry and almond. Read on for a selection of images from prominent photographers such as Shigetomo Mizuno and Kai Nakamura.
Eyeglasses: the quintessential accessory of the architect. They are mini pieces of architecture you can wear, and an outward expression of your inner persona. Whether they be square, round, or wire-frame, black, white, tortoiseshell, or bright neon tones, they represent our visionary ideals. As such, many of the most iconic spectacles have an interesting history behind them; so here are the stories behind seven of the most recognizable eyeglasses in the architecture world.
Although the Louvre pyramid, often recognized as his masterwork, created a luminous icon for presenting culture, IM Pei’s early museums were characterized by the harsh shadows of brutalism. Project by project, the Chinese-American master developed a sophisticated, open architectural language. Pei’s holistic approach for welcoming museum visitors comprises powerful symbols which utilize sunlight to its fullest during the daytime, while employing the magical glow of illumination in the evening.
Whereas most assessments of the Louvre have praised the achievements of the luminous pyramid as seen above the ground, the actual design challenge laid underground, in offering visitors a successful underground space. Later, Pei transferred his language to multiple other museum projects, where light was always a key factor in defining museum experiences. In a year of celebratory events such as “Rethinking Pei: A Centenary Symposium,” which begins tomorrow at the Harvard Graduate School of Design, an examination of Pei’s use of light in museums can contribute an important cultural emphasis.
Seniority is infamously important in the field of architecture. Despite occasionally being on the butt end of wage jokes, the field can actually pay relatively well—assuming that you’ve been working for a couple of decades. Even Bjarke Ingels, the tech-savvy, video-producing, Netflix-documentary-starring provocateur and founder of the ultra-contemporary BIG isn’t a millennial; at 42 the Dane is a full nine years older than Mark Zuckerberg.
As a result of this, it's common to lead a rich and complex life before finding architectural fame, and many of the world’s most successful architects started their careers off in an entirely different field. If you haven't landed your dream job yet, you may find the following list of famous architects' first gigs reassuring.
Humanity always cherishes great works of art that stand the test of time. This June, for example, marks the 50th anniversary of The Beatles’ psychedelic Sgt. Pepper's Lonely Hearts Club Band, and the 20th anniversary of Radiohead’s dystopian Ok Computer. These psychologically satisfying birthdays have generated serious appreciation and nostalgia. Similarly, we also love to praise the longevity of innovative architecture. The AIA bestows an annual “Twenty-five Year Award” to acknowledge projects that have "stood the test of time” and “exemplify design of enduring significance.” But one project a year seems stingy. Below are 15 modern classics which, though not always given the easiest start in life, we’ve come to adore:
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
Today, April 26th 2017, marks I.M. Pei’s 100th birthday. The occasion offers a wonderful opportunity to take a retrospective look at one of the most significant and productive architects of the past 100 years, with many organizations hosting events, celebrations, and symposiums to talk about Master Pei and his notable projects. However at these events, just as throughout I.M. Pei’s career, there is unlikely to be much intellectual conversation about Pei’s architectural legacy. The main discussion around I.M. Pei is still focused on his design talent and intriguing narratives about the charisma he used to convince clients to continue through tough projects.
Though I.M. Pei himself has never talked at length about his design theory or the intellectual basis of his projects, these simple narratives leave certain questions unanswered: Where does I.M. Pei’s inspiration for architectural form come from? How did his architectural design affect his peer group of architects and artists, and contribute intellectually to the contemporary art world?
Imagine having a world famous architect be the first inhabitant of your debut solo architecture project - and not just any architect, but I.M. Pei, who turns an incredible 100 years today. This unlikely turn of events actually happened to Costa Rican architect David Konwiser 7 years ago when Pei rented out Konwiser’s Villa Punto de Vista for New Years, although the unbelievable chance encounter almost didn’t become a reality. Just two and a half months prior to Pei’s arrival, the villa was more construction site than materialized building. Understandably, those two and a half months were, in Konwiser's own words, "the most difficult... of my career - and likely my life," as the architect writes in an article for the Architectural Digest. Despite that immense pressure, or perhaps because of it, the villa was ready for its first, and arguably its most important, visitor.
#donotsettle is an online video project created by Wahyu Pratomo and Kris Provoost about architecture and the way it is perceived by its users. Having published a number of videos on ArchDaily over the past two years, Pramoto and Provoost are now launching an exclusive column, “#donotsettle extra,” which will accompany some of their #donotsettle videos with in-depth textual analysis of the buildings they visit.
In our first installment we are taking you to Doha, the capital of Qatar, where we visited the Museum of Islamic Art. For some years, this museum was the only architecture fix you could find in Doha, but recently this has changed, with projects almost completed by Jean Nouvel and Rem Koolhaas, and will continue to change leading up to the 2022 World Cup. The building was designed by IM Pei who, when the building was constructed in the mid-2000s, was retired but was persuaded to commit his time to design this prominent museum. And prominent it for sure is. Mister Pei, you know how to make your building stand out. Standing off the mainland, a solid natural stone structure rises out of the water.
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
The American Institute of Architects (AIA) has selected The Grand Louvre – Phase I as the recipient of the 2017 AIA Twenty-five Year Award. Designed by I.M. Pei with his firm Pei Cobb Freed & Partners, the project is notable for its 71-foot-tall glass and stainless steel pyramid, which according to the AIA, “now rivals the Eiffel Tower as one of France’s most recognizable architectural icons.”
The award is presented annually to a project that has "stood the test of time by embodying architectural excellence for 25 to 35 years."
Well-known architects are easy to admire or dismiss from afar, but up close, oddly humanizing habits often come to light. However, while we all have our quirks, most people's humanizing habits don't give an insight into how they became one of the most notable figures in their field of work. The following habits of several top architects reveal parts of their creative process, how they relax, or simply parts of their identity. Some are inspiring and some are surprising, but all give a small insight into the mental qualities that are required to be reach the peak of the architectural profession—from an exceptional work drive to an embrace of eccentricity (and a few more interesting qualities besides).