Christian Kerez was announced as the winner of the competition for the renovation of the Palazzo Rosso in St. Gallen, home to the Textile Museum St. Gallen, in eastern Switzerland. The project, titled “Das Schwere ist des Leichten Wurzelgrund,” or “The Heavy Is the Root of the Light,” responds to the goal of raising the profile of the Palazzo Rosso and increasing its visibility and attractivity. The proposal is currently undergoing further development by order of the Textile Museum Foundation for clarifying questions of feasibility and finance.
LEVER Architecture has been selected to lead the design team for the campus expansion of the Portland Museum of Art. The project aims to not only expand the existing campus but also to create a unified identity for the institution, one that ties together all the architecturally significant buildings on site. The winning proposal is primarily a mass timber structure inspired by Maine’s communities, history, and culture.
The Bilbao Fine Arts Museum remodeling and expansion project was attributed to Foster + Partners following an international competition in 2019. Now the construction phase was initiated with a breaking ground ceremony on November 17th. The project includes the restoration of the existing 20th-century building and the expansion of the currently available spaces with a new public atrium and a contemporary art gallery organized in a floating pavilion. The design also highlights the relationship between the city and the museum by creating a new pedestrian path that runs from north to south. The path connects the original 1945 building, the 1970s extension, and a new visitor center while making the site more permeable at the street level.
The Buffalo AKG Art Museum (formerly known as the Albright-Knox Art Gallery) has announced that it will welcome its first visitors on the 25th of May, 2023. Revamped and expanded, the new campus designed by OMA/Shohei Shigematsu in collaboration with Cooper Robertson features “new work of signature architecture, the Jeffrey E. Gundlach building, and extensive renovation to existing buildings”.
Four teams have been declared the finalists in the competition to design the Portland Museum of Art campus expansion located in Portland, Maine. The finalist teams are led by Adjaye Associates, Lever Architecture, MVRDV and Toshiko Mori Architect + Johnston Marklee + Preston Scott Cohen. The project includes a 60,000 square feet expansion in the form of a six or seven-story structure planned to accommodate an increase in the number of visits and a growing collection of art. The museum is now asking for public feedback on the designs, as the projects are on view at PMA until December 11th.
The construction of the new building of Palmer Museum has begun. Located at Penn State, USA, and scheduled to open in the spring of 2024, the new 6600 square meters complex will expand nearly double the space of the current gallery to host the growing collection of more than 10,000 pieces. The design features a series of pavilions, educational areas, and courtyards to boost accessibility to the art collections for students, staff, and the public. The construction aligns with the 50th anniversary of the museum along with a multitude of events, including the exhibition of Allied Works' pieces of the design process for the new Palmer Museum.
The PortlandMuseum of Art, along with architects from Dovetail Design Strategists have announced four renowned architecture firms shortlisted for the unification and expansion of PortlandMuseum of Art’s new campus in the heart of Downtown Portland, Maine. Under the theme of "Art for All", PMA’s mission, vision, and commitment to Sustainability and Diversity, Equity, Accessibility, and Inclusivity were the basis of the value proposition guiding the museum unification and expansion, with a goal to "reflect a challenge to museums and cultural institutions to do more to create centers of belonging and foster social change".
Vero Beach Museum of Art. Image Courtesy of Vero Beach Museum of Art
The Vero Beach Museum of Art (VBMA) in Florida has announced the appointment of Allied Works Architecture to lead the expansion and renovation project. The selection process took over nine months and it entailed a line-up of 13 national architectural firms and an eventual short-list. The winning design team will be led by Allied Works founder Brad Cloepfil and Principals Chelsea Grassinger and Gabe Smith. The expansion and renovation process is expected to be completed by 2026.
Snøhetta and Dartmouth have unveiled images of their upcoming expansion and redesign of the Hopkins Center for the Arts (the Hop) in Hanover, New Hampshire. The project aims to modernize the existing arts center and create a renewed gateway to the campus’s Arts District. The new architecture will feature new practice and performance spaces, increased connections to surrounding arts buildings, as well as upgraded accessibility and mobility throughout the master plan.
Last year, a series of new museums, expansions and several museum renovations have opened their doors to the public, adding a new dimension to the cultural landscape around the world. From the long-awaited re-opening of the Neue Nationalgalerie in Berlin, to Ryue Nishizawa's Jining Art Museum merging with the landscape, and MVRDV's reflective Art Depot, discover the architecture of the latest venues of art and culture.
It has become evident that the spaces we inhabit have changed. The COVID-19 pandemic has forced us to appreciate values as lighting, ventilation, and comfort when working in home.
Snøhetta has unveiled his latest project, the expansion and site redesign of the Joslyn Art Museum, in Nebraska. Developed in partnership with local architects Alley Poyner Macchietto Architecture (APMA), the project seeks to add new gallery space, public gardens, and outdoor spaces as well as restore and modernize existing office spaces in the Joslyn Memorial building.
Luís Pedro Pinto has won the tender to expand The Order of Architects Headquarters in Lisbon, Portugal. Selected out of 66 works presented, part of a public design competition, the project, according to the jury, was praised for “its cohesion, coherence and unitary image”.
Centennial College, Ontario's first public college, has collaborated with DIALOG, Smoke Architecture, and EllisDon to design and build the first zero-carbon, mass timber higher-education building in the country. Scheduled for completion in 2023, the new gateway structure will bring together Indigenous and Western cultures in both form and function.
The AWM or the Australian War Memorial will undergo a series of development and refurbishments works, in order to renovate its galleries and its buildings. COX architecture will design the new Anzac Hall with its connection to the main structure, while Scott Carver will be in charge of the southern entrance.
The first phase of construction on the Bruce Museum in Greenwich, Connecticut has begun. The New Orleans based architecture, interiors and urban planning firm EskewDumezRipple (EDR) was selected to design the new addition and renovation for the community-based Museum.
Olson Kundig is one of the quintessential Seattle-based architectural practices, with a focus on creativity, experimentation, and craftsmanship that has allowed them to expand on a global scale over the past few decades. This expansion has necessitated office improvements and renovations throughout the years, the most recent of which occurred in 2018. As explored in a recent article by Metropolis Magazine, this 2018 expansion reflected key values of collaboration and flexibility, expressed through the firm's unique visual and kinetic language.
https://www.archdaily.com/920730/olson-kundigs-innovative-office-renovation-and-expansionLilly Cao
This article was originally published on April 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Designed shortly before Zaha Hadid left the Office of Metropolitan Architecture (OMA)—led by Rem Koolhaas—to found her practice, Zaha Hadid Architects, the proposed extension for the Dutch Parliament firmly rejects the notion that imitation is the sincerest form of flattery. Rather than mimic the style of the existing historic buildings, OMA elected to pay tribute to the complex’s accretive construction by inserting a collection of visibly postmodern, geometric elements. These new buildings, unapologetic products of the late 1970s, would have served as unmistakable indicators of the passage of time, creating a graphic reminder of the Parliament’s long history.