Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.
WXCA Architectural Design Studio has unveiled its design for a new museum aiming to honor the 1918-1919 patriotic uprising and victory of the people of Greater Poland. Situated near the historic St. Adalbert's Hill, home to an 800-year-old church, the museum is set to become a significant cultural and historical site. In addition to its preservation of history, the museum aims to offer the people of Poznań a contemporary public space to highlight this collective heritage. WXCA architects won the 2019 competition for the museum design and urban concept. The project began construction in early 2024 and is expected to open to the public in 2026.
Travertine —known as lapis tiburtinus by the ancient Romans— has endured for centuries as one of the most iconic materials in Italian design heritage. This limestone has left a lasting mark on architectural history, from the monuments of the Roman Empire to contemporary works like the Church of 2000 and the Ara Pacis Museum. Over time, its aesthetic has evolved alongside art and design, adapting to technical advancements while preserving its essence and relevance in modern architecture.
For centuries, models have been central to architectural design, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the Renaissance to Modernism, models have been instrumental in the construction and reflection processes, offering insights into form, proportion, and spatial relationships. However, in today's digital age, where 3D models and Virtual Reality (VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in contemporary architecture?
In celebration of Urban October, a month dedicated to recognizing the significance of innovative urban spaces, this curated selection presents 8 conceptual projects that demonstrate the transformative potential of public spaces. These projects, submitted by the ArchDaily community, showcase the myriad ways public spaces can enhance cultural identity, community interaction, and environmental quality. Conceptual projects and competition entries serve as a platform for architectural experimentation, challenging the norms and sparking discussions about the future of urban landscapes. From rural settings to layered historical squares or small-scale urban interventions, the designs engage with their contexts, aiming to improve the experience of residents and visitors, highlight the histories of the space, and ensure accessibility for all.
Each month, ArchDaily's editors select a collection of conceptual projects centered around a theme or program, submitted to ArchDaily. These projects are developed by small and large-scale architecture offices from around the world and submitted openly to the ArchDaily platform, thus forming a worldwide community of practitioners sharing their work, be it purely conceptual, a competition entry, or an early-stage design phase. Submissions are open to everybody. If you wish to contribute, send in your work by following the instructions here.
Valencia, one of Spain's most vibrant cities, boasts a rich architectural history that mirrors its cultural and historical evolution. Founded by the Romans in 138 BC, the city has been shaped by successive waves of influence, from the Visigoths and Moors to the Christian reconquest in the 13th century. Each period left a distinct architectural imprint, giving Valencia a unique blend of Gothic, Baroque, and Renaissance structures alongside modern interventions. Among the city's most prominent historic landmarks is the La Longa de la Seda, a UNESCO World Heritage site, which exemplifies late Gothic civic architecture, alongside the majestic Valencia Cathedral, where Romanesque, Gothic, and Baroque elements intertwine, illustrating the city's layered past.
Valencia's architectural evolution did not end with its historical legacy. Today, the city is a dynamic example of how modern and contemporary architecture can coexist with ancient structures. The striking City of Arts and Sciences, designed by Valencian architect Santiago Calatrava, has become an international symbol of innovation, pushing the boundaries of futuristic design. In parallel, urban planning projects like transforming the former Turia riverbed into a lush green park have redefined public space and sustainability in the city. This balance between preservation and cutting-edge design reflects Valencia's commitment to embracing modernity while honoring its historical roots, making it not only a city steeped in history but also one at the forefront of contemporary architectural practice.
In Timișoara, Romania, Beta Architecture Biennial opens to the public today, September 13, under the curatorial direction of Oana Stănescu. Now in its 5th edition, thus celebrating 10 years since its inauguration, the 2024 biennial proposes a wide-ranging program of debates, exhibitions, guided tours, and artistic performances. The two main components of the biennale are the Main Exhibition, cover me softly, led by Stănescu, and the Beta Awards, aiming to highlight architects and professionals from Romania, Hungary, and Serbia who actively contribute to the improvement of the built environment. The biennale is open between September 13, and October 27, 2024.
As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.
The Graham Foundation, based in Chicago, has allocated $390,000 in grants to support 33 innovative projects worldwide. These initiatives include exhibitions, publications, and presentations aimed at enriching the discourse in architecture and its role in society. The projects, undertaken by architects, artists, curators, and educators, span various cities such as Johannesburg, New York, Chicago, and others, reflecting a global perspective on contemporary architectural issues.
Kazuyo Sejima and Ryue Nishizawa, founders of the renowned architecture firm SANAA, have been announced as the recipients of the 2025 Le Prix Charlotte Perriand by the Créateurs Design Awards. Announced today in Paris, France, the award honors exceptional contributions to modern architecture and design. Sejima and Nishizawa, known for their minimalist designs that integrate form, function, and the environment, continue to be recognized as innovators in the field, having been previously recognized with the prestigious Pritzker Architecture Prize in 2010. Sejima and Nishizawa will accept Le Prix Charlotte Perriand at the Créateurs Design Awards ceremony in Paris on January 18, 2025.
Porto, Portugal's second-largest city, is a captivating blend of historical charm and contemporary innovation. Perched along the Douro River, this UNESCO World Heritage site boasts a rich architectural tapestry that spans centuries. Porto's urban landscape is a testament to its evolving identity from its medieval Ribeira district with narrow cobblestone streets to the iconic Luís I Bridge. The city's skyline is punctuated by Baroque churches, neoclassical palaces, and modernist structures, creating a visually striking contrast that reflects its dynamic history.
Porto has undergone a remarkable architectural renaissance in recent years, becoming a magnet for local and international talent. The city has evolved into a dynamic canvas where bold contemporary designs seamlessly integrate with its rich historical fabric. The influence of renowned architects like Álvaro Siza Vieira and Eduardo Souto de Moura, both Pritzker Prize laureates and native to Porto, has solidified the city's status as a key player on the global architectural stage. Among the city's most striking contemporary landmarks is the Casa da Música, a futuristic, diamond-shaped cultural center designed by Dutch architect Rem Koolhaas, which stands as a testament to Porto's forward-thinking spirit. This sophisticated blend of tradition and modernity, coupled with a strong commitment to urban regeneration, has transformed Porto into a vibrant hub of architectural innovation, making it a must-visit destination for architecture enthusiasts and cultural explorers
This article was originally published on Common Edge.
"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"
Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditional design has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.
In the interview conducted by Louisiana Channel, architect Andrés Jaque discusses his foundational interest in architecture and his perspective on its role in shaping society. Jaque, founder of the Office for Political Innovation, emphasizes the creative potential of architecture to intervene in reality and reconnect all elements of the environment. He also goes into perspective on the political aspect of architecture, an interest from which the name of his office derives, as well as his perspectives on the true meaning of sustainability.
The Central Bank of Iraq (CBI) headquarters, designed by the UK-based Zaha Hadid Architects, is a new landmark on the banks of the Tigris River in Baghdad. Now the tallest building in the city, the 170-meter-tall skyscraper aims to echo the values of the institution: solidity, stability, and sustainability. Blending innovation with the rich heritage of Baghdad, her birthplace, Zaha Hadid’s vision for the Central Bank of Iraq headquarters stands as a tribute to the city's enduring legacy.
Montreal, located along the Saint Laurent River in Southern Quebec, is Canada’s second-largest city. Often renowned for its architectural diversity, its built environment reflects both its colonial past and modern evolution. As a former territory of "Nouvelle France," French language and culture remain dominant, which has in turn influenced the city's architectural character. Notably, Old Montreal features well-preserved buildings from the 18th and 19th centuries, most of which are a testament to the city’s industrial growth after the construction of the Lachine Canal. The area's heritage has been protected and restored through efforts by figures like Phyllis Lambert and organizations such as Heritage Montreal, allowing the city’s rich architectural history to coexist with its modern developments.
Montreal's multiculturalism is evident in neighborhoods like Little Italy and Little Portugal, with its diversity fueling a vibrant cultural scene. The city hosts a multitude of festivals every year, many held in open-air venues like Place des Festivals. Parc Jean-Drapeau, built for the 1967 World Expo, is another popular spot for large events while offering stunning views of the city skyline. Another relevant site is Mont Royal Hill, a park offering panoramic views of downtown and access to hiking trails, Saint Joseph’s Oratory, Beaver’s Lake, and other areas of architectural interest such as the Plateau.
“This is going to be amazing! I feel so excited,” says Zhu Pei about his now under-construction Majiayao Ruins Museum and Observatory in Lintao, Gansu province. The Beijing-based architect designed his building like a deeply embedded cavernous space evoking a giant fragment of ancient pottery, resembling an archaeological site from the Neolithic Age discovered here a century ago. The building is so unusual that it cannot be described in common architectural terms. For example, a vast cast-in-place concrete hyperbolic shell lies prone on the ground, blocking the cold wind from the northwest in winter. The architect used the sand and gravel from the local Tao River to produce a special rough concrete with horizontal scratches on the surface, symbolizing the traces of thousands of years of erosion. All of Zhu’s buildings are quite remarkable. Yet, despite their novelties, they are rooted in culture, nature, and climate. They are designed based on his architectural philosophy, Architecture of Nature, articulated in five fundamental points: incomplete integrity, sponge architecture, cave and nest, sitting posture, and structure and form.
Madrid, the vibrant capital of Spain, offers a blend of tradition and modernity, reflected in its diverse architectural heritage. This rich past is etched into the old façades, expansive public spaces, and historic religious institutions that define much of Madrid’s character today. The city’s continuous architectural renewal, reflected in both respectful restorations and innovative new constructions, highlights Madrid’s commitment to preserving its heritage while embracing modernity.
In the 20th century, Madrid embraced modernity, influenced by movements such as Rationalism, the International Style, and Brutalism. Today, Madrid is a showcase for contemporary design, where contemporary projects by renowned architects coexist with its historical legacy. Structures like the CaixaForum by Herzog & de Meuron and Jean Nouvel’s Reina Sofía Museum exemplify the city’s interest in architectural explorations
As major cities continue to develop, we face intriguing challenges regarding the preservation and adaptive reuse of significant buildings, sites, and artifacts. This poses a complex question that involves political history, architectural theory, and cultural significance. Adaptive reuse extends beyond architectural and spatial designs; it allows cities and communities to reflect, reevaluate, and reinterpret their history from different perspectives. However, unlike books and words, buildings may not withstand the test of time themselves and serve as firsthand evidence of the stories they tell. How should we question ourselves on what to preserve and demolish? How can communities be involved in the active restoration or adaptation of historic buildings?
