Valencia, one of Spain's most vibrant cities, boasts a rich architectural history that mirrors its cultural and historical evolution. Founded by the Romans in 138 BC, the city has been shaped by successive waves of influence, from the Visigoths and Moors to the Christian reconquest in the 13th century. Each period left a distinct architectural imprint, giving Valencia a unique blend of Gothic, Baroque, and Renaissance structures alongside modern interventions. Among the city's most prominent historic landmarks is the La Longa de la Seda, a UNESCO World Heritage site, which exemplifies late Gothic civic architecture, alongside the majestic Valencia Cathedral, where Romanesque, Gothic, and Baroque elements intertwine, illustrating the city's layered past.
Valencia's architectural evolution did not end with its historical legacy. Today, the city is a dynamic example of how modern and contemporary architecture can coexist with ancient structures. The striking City of Arts and Sciences, designed by Valencian architect Santiago Calatrava, has become an international symbol of innovation, pushing the boundaries of futuristic design. In parallel, urban planning projects like transforming the former Turia riverbed into a lush green park have redefined public space and sustainability in the city. This balance between preservation and cutting-edge design reflects Valencia's commitment to embracing modernity while honoring its historical roots, making it not only a city steeped in history but also one at the forefront of contemporary architectural practice.
In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."
While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.
Danish architecture firm Cobe has announced a new project to transform the historic 'Krulli' steelworks, a large-scale former industrial site in Estonia's capital, into a mixed-use city district. The strategy for the project is developed to optimize for material reuse, as materials, components and even entire buildings have been evaluated for their potential to be reintegrated into the scheme. This way, the decommissioned industrial area provides the foundation for an innovation hub, maintaining its history while adapting to the necessities of modern workspaces and city life.
The Diriyah Biennale Foundation has announced Lebanon-based EAST Architecture Studio, in collaboration with artist Rayyane Tabet and engineering firm AKT II, as the winners of the inaugural AlMusalla Prize, a significant new architectural competition launched as part of the Islamic Arts Biennale. Their winning design, a modular structure inspired by regional weaving traditions, uses sustainable materials derived from local date palm waste, including palm fronds and fibers. After the four-month Biennale, the Musalla will be dismantled and reassembled at a new location.
Canada's climate is known for its dramatic contrasts, ranging from frigid winters to hot summers. Large metropolitan areas such as Toronto, Montreal, and Vancouver experience a variety of extreme weather conditions: heavy snowfall, ice storms, and freezing temperatures are common. In some cases, temperatures can plummet to below -30 degrees Celsius, especially in cities like Montreal or Quebec. In turn, this weather creates certain challenges for architects and engineers when designing with certain materials. In this context, brick remains a popular construction material not only because of its relatively low thermal conductivity, making it a good insulator during the winter but also because of its connection to the country's architectural heritage.
While brick was once a primary load-bearing material, its role has shifted in modern architecture to being used predominantly for non-bearing walls and exterior cladding. This allows architects to experiment with brick as a texture and design feature, rather than focusing on its structural capabilities. Even though the climate does influence material choices, brick's historical significance and its ability to create intricate textures and patterns in facades make it a compelling choice for contemporary projects across Canada. Modern architects are constantly finding new ways to reinterpret this classic material, exploring various bond layouts and surface textures that add aesthetic richness while ensuring the buildings remain resilient to extreme weather conditions.
Barragán, Bofill, Graves, and Le Corbusier are architects renowned for their exceptional and sensitive use of color. In their approaches, color takes on an importance comparable almost to functionality, achieved through a nuanced and comprehensive perception of their context. But what is color? From a technical standpoint, it is a visual perception that arises from the interaction of light with our eyes and brain. However, when we explore its meaning on a more emotional and poetic level, it takes on a deeper significance. For Ricardo Bofill, color infuses life into architecture, while for Charles-Édouard Jeanneret, —better known as Le Corbusier—, it serves as a powerful tool to evoke emotions and create spatial illusions.
In 'Polychromie Architecturale' Le Corbusier argues that color is not only a decorative element but also a fundamental tool for creating environments and enhancing the functionality of architectural spaces. This idea, developed between 1931 and 1959, is articulated around a system composed of a range of colors, where each tone has its relevance and contributes to creating atmospheres that transcend mere architectural design. An example is JUNG's LS 1912 toggle switch range, which combines classic design with advanced control options and showcases the diverse hue variants of the 63 colors in Le Corbusier's color system.
https://www.archdaily.com/1021935/smart-and-retro-advanced-toggle-switches-harmonized-with-le-corbusiers-color-systemEnrique Tovar
Snøhetta has announced a project to rebuild the Refuge de Barroude, a mountain refuge located in a UNESCO World Heritage site in the Pyrenees Mountain range of France. The old building, destroyed in an accidental fire ten years ago, is set to be revived as a stop-off point for hikers on the Haute Route des Pyrénées and as a support center for the staff of the National Park. The next phase of the project is due to begin in 2025.
Skidmore, Owings & Merrill (SOM) and GAD have been chosen to design the Hangzhou Science and Technology Innovation Central Business District (CBD) in Hangzhou, the capital of Zhejiang province, China. Their proposal outlines a versatile regional hub that merges advanced transit systems with the traditional Jiangnan landscape, establishing a framework that promotes creativity and the growth of the tech sector.
Oppenheim Architecture has unveiled the design for the College of Europe's new campus in Tirana, Albania. This project introduces the first "purpose-built" campus for the College, following its established campuses in Bruges, Belgium, and Natolin, Poland. The College of Europe, created under the initiative of the Hague Congress, is dedicated to promoting European ideals of unity, cooperation, and integration. This expansion to Tirana aims to reflect both a continuation of this mission and an opportunity for the College to establish a presence in a historically significant city.
Along India's southwest coast dotted with a mix of colonial architecture and ancient heritage, the city of Kochi stands as a relic of foreign influence. A previously colonized town by the Portuguese, Dutch, and British now breathes new life into its built landscape. Across the world, in the German city of Kassel, the scars of World War II are etched into the environment, deep under its revived cultural soul. Both Kochi and Kassel, though worlds apart in geography and history, shared a commonality: the power of art and festivals to heal. In the aftermath of historical trauma, these cities found renewal in the creative expression of artists from around the globe.
On the first Monday of October, World Architecture Day offers an opportunity to reflect on the role that architecture plays in shaping our world and our communities. Established by the International Union of Architects (UIA) in 1986, this day was designated as a basis for the ongoing discussions on innovations in architectural practice, new approaches to the ever-changing role of architects and designers, and the varied responses to emerging concerns.
As in previous editions, UIA sets a central yearly theme to guide these conversations. This year, the theme of World Architecture Day 2024, "Empowering the Next Generation to Participate in Urban Design," opens up multiple interpretations, contemplating the impact of urban design on the next generation, as well as highlighting the impact and contributions of young architects in shaping the cities of tomorrow. This year's event aims to address crucial challenges faced by the urban environments and their impact on the next generations. The focus is on creating cities that are not only greener and more environmentally friendly but also inclusive, catering to the diverse needs of various groups in society.
In a surprising development, internationally renowned architect Kengo Kuma has been named the new lead designer for the highly anticipated Global War on Terrorism Memorial on the National Mall in Washington, D.C. The announcement follows the departure of previous designer Marlon Blackwell, who was originally selected in July 2023.
Dequindre Cut, Detroit / The High Line Network, SmithGroup. Image Courtesy of The Dirt
Throughout history, it has become clear that the key to long-lasting and sustainable projects is to lay solid foundations. Our society is headed towards a more urban future in which the density of metropolises will be ever greater. That is why this more urban tomorrow requires modern urban planning capable of building innovative, sustainable and flexible structures. Because the only way to make our society live better is to build better.
One of the biggest current challenges in large cities is the housing crisis and the lack of efficient solutions to mitigate its effects on citizens. This problem is exacerbated in cities where tourism and vacation or temporary housing dominate the market, distancing residents from the possibility of accessing affordable urban housing. Furthermore, gentrification, driven by rising rents and real estate speculation, contributes to the displacement of local communities, transforming traditional neighborhoods into areas exclusively oriented toward tourist consumption.
The Aga Khan Award for Architecture has announced the Master Jury for the 16th award cycle. The independent panel includes Pritzker Prize laureate Yvonne Farrell, ArchDaily founder David Basulto, and Lucia Allais, director of the Buell Center. Established in 1977 by Aga Khan IV, this competition set out to highlight architectural projects that have a significant positive impact on Islamic communities worldwide. The Award is presented in three-year cycles and has a monetary prize totaling US$1 million.
MVRDV, in collaboration with JGE Architects, landscape architects Copley Wolff, and Langan Engineering, has developed a masterplan for the redevelopment of Faneuil Gardens, a public housing site in the Brighton neighborhood of Boston. This project, commissioned by The Community Builders in partnership with the BostonHousing Authority, aims to replace the outdated 1940s apartment complex with five contemporary buildings that incorporate mixed-income affordable housing, artist live-work spaces, and significant green spaces. At the center of the redevelopment is a new community center, located along a public boulevard that runs through the heart of the site.
Architecture has long been understood as a powerful tool for shaping the physical environment and social dynamics within it. However, its potential to foster social equity is often overlooked. Empathy-driven design invites architects to approach their work not only as creators of space but as facilitators of human connection and community well-being. This approach centers on understanding people's lived experiences, struggles, and aspirations — particularly marginalized communities — and responding to their needs through thoughtful, inclusive architecture. It goes beyond aesthetics and functionality, instead focusing on creating spaces fostering dignity, accessibility, and social equity. By prioritizing empathy, architects can design environments that uplift communities, address disparities, and create inclusive spaces that promote positive societal change in a tangible, human-centered way.
