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David Basulto

Founder & Editor in Chief of this wonderful thing called ArchDaily :) Graduate Architect. Jury, speaker, curator, programmer, m.c., and anything that is required to spread our mission across the world. You can follow me on Instagram/Twitter as @dbasulto, or curating our Instagram at @ArchDaily.

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Extended Deadline: Submit Your Project for the 2018 World Architecture Festival Awards

10:30 - 28 May, 2018
Extended Deadline: Submit Your Project for the 2018 World Architecture Festival Awards

Update: The final entry deadline has been extended to June 1st. Register your projects here.

It's time to get your applications ready! Now in its 11th year, the World Architecture Festival will take place in Amsterdam from  November 28 to 30. Organizers expect nearly 500 architectural practices to compete for prizes in over 30 categories. The event moves to the historic Dutch city following two years in Berlin.

The Festival is the world's largest live architecture awards event--all shortlisted architecture projects are presented in person by the architects to an esteemed panel of judges. And this year, nearly half of the 120 judges are expected to be women. 

This year’s Completed Buildings final super-jury will be chaired by MVRDV's Nathalie de Vries, and will also include Sir David Adjadye, Li Xiadong and Harvard GSD dean, Mohsen Mostafavi.

Building Burning Man: The Unique Architectural Challenges of Setting Up a City in the Desert

09:30 - 18 April, 2018
The Black Rock Lighthouse Service by Jonny & Max Poynton. Image © Dan Adams
The Black Rock Lighthouse Service by Jonny & Max Poynton. Image © Dan Adams

Every year in August, a temporary metropolis is erected in Black Rock City, Nevada. This is Burning Man, an annual event of art and architecture that attracts some 70,000 participants. The people who come to Burning Man come from all walks of life. What is incredible is that they come together to construct an ephemeral city that lasts for 7 days. These people assume the role of architects and construction workers and use the desert to build all sorts of shelters in a fast, sustainable way. The desert is so remote, and everything built in Black Rock City is packed and taken home at the end of the event, and some of the art is burned on site. This poses a unique architectural challenge. The people who have come to build these structures have to plan them way in advance to accommodate all the challenges of working in the desert, but the result is worth it - a striking, unique city, democratically built, set against a desert landscape, and for only one week.

We had the chance to interview Kim Cook at the World Architecture Festival in Berlin. Kim Cook is Director of Art and Civic Engagement at Burning Man. Kim Cook and her team are tasked with increasing the impact of Burning Man’s arts and civic initiatives. As part of her role, Kim engages with artists and community leaders to increase opportunities for funding, collaboration and learning.

The Black Rock Lighthouse Service by Jonny & Max Poynton. Image © Joe Sale Tangential Dreams by artist Arthur Mamou-Mani. Image © Debra Wolff Tangential Dreams by artist Arthur Mamou-Mani. Image © Ales, Dust to Ashes The Space Whale by The Pier Group with Matthew Schultz, Android Jones and Andy Tibbetts. Image © Zipporah Lomax + 6

ArchDaily X MINI Clubman Refurbishment Initiative

08:30 - 5 February, 2018
ArchDaily X MINI Clubman Refurbishment Initiative, © Laurian Ghinitoiu
© Laurian Ghinitoiu

"The Greenest Building is the one that is already built." (Carl Elefante, FAIA)

The world’s urban population will double by 2050, and cities need to come up with sustainable ways to accommodate this mass movement. We often see projects being built as quickly as possible to support growth, but these buildings end up lacking character, and they make the city look altogether generic. A smarter and more sustainable solution is to increase the density of existing centers, as well as to recover existing structures through refurbishment and repurposing.

To turn what is old into something new is a challenging process. It requires a bold vision and a rigorous commitment to design.

Ramon Vilalta of RCR Arquitectes Speaks of Pritzker Win and Post-Prize Ambitions

10:00 - 1 March, 2017
Ramon Vilalta of RCR Arquitectes Speaks of Pritzker Win and Post-Prize Ambitions, Barberí Laboratory (2008). Olot, Girona, Spain. © Hisao Suzuki. Image Courtesy of Pritzker Architecture Prize
Barberí Laboratory (2008). Olot, Girona, Spain. © Hisao Suzuki. Image Courtesy of Pritzker Architecture Prize

Two days ago ArchDaily had the distinct honor to interview Ramon Vilalta, one of the three architects named as 2017 Pritzker Laureates. Vilalta gave us an exclusive insight into history behind his collaboration with Rafael Aranda and Carme Pigem and how their connection to their small hometown of Olot, Spain has influenced a career that has produced exceptional projects by their firm, RCR Arquitectes.

ArchDaily: How did your studio/practice begin? Why did you start quickly after graduating?

Ramon Vilalta: In that sense we were very disciplined people. We finished our degrees quickly and once we were finished we decided to share a studio; we chose to confront architecture by sharing it, and by really sharing it. We each have different personalities – each one has his or her own style but what comes from the chemistry between the three of us makes us special, I think. This was, I feel, a big decision that wasn’t easy at the time.

Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"

09:30 - 24 February, 2017
Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"

We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.

GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.

From 2016 to 2017: Architecture and Our Future

10:45 - 30 December, 2016

TLDR; Best of 2016.

Dear readers,

This 2016 has been a hectic, frenetic year with complex geopolitical, social, and cultural issues placing our world at a crossroads of an uncertain future. Do we look back into the nostalgia of a safe past, or do we step up and be an active part of a hopeful future?

As architects we have a tremendous responsibility in this scenario; historically, our profession has shaped the collective ideas of the future, generation after generation, by weighing-in on the crises that arise in our societies. In the absence of clear leadership to guide us towards an inspiring future, this is our opportunity to serve as agents of change for the future we deserve.

Three Nordic Refractions: After Belonging Agency Discuss the Theme of the 2016 Oslo Trienniale

04:00 - 12 August, 2016

In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.

Video: Ascend the Ziggurat in the Nordic Pavilion at the 2016 Venice Biennale

04:00 - 27 June, 2016

In this film, Jesús Granada visits the Nordic Pavilion, “In Therapy”, at the 2016 Venice Biennale. The video presents a series of measured stills in 4K resolution which introduce the central installation of the exhibition—a stepped pyramid, or ziggurat—and its series of reflective "rooms without walls." The pavilion itself, which was completed in 1969, was designed by Sverre Fehn to partially reflect and concretize certain ideas about Nordic society and its architecture – including a sense of openness. This year, therefore, the pavilion has been orchestrated as an extension of the public space of the Giardini.

12 Things You Need to See at the 2016 Venice Biennale

04:00 - 6 June, 2016
"Reporting From the Front". Image © Italo Rondinella
"Reporting From the Front". Image © Italo Rondinella

There is an enormous intensity of information, knowledge and ideas on display at this year's Venice Architecture Biennale, Reporting From the Front. With all the Executive Editors and Editors-in-Chief of ArchDaily's platforms in English, Spanish and (Brazilian) Portuguese in Venice for the opening of the 2016 Venice Architecture Biennale—plus co-founder David Basulto and European Editor-at-Large James Taylor-Foster, who curated this year's Nordic Pavilion—we've pooled together twelve of our initial favourite exhibitions and must-see shows.

In Therapy: Inside the Nordic Pavilion at the 2016 Venice Biennale

03:15 - 31 May, 2016
In Therapy: Inside the Nordic Pavilion at the 2016 Venice Biennale, The central installation (the pyramid) is encloses, but does not hide, the three remaining original trees inside the pavilion. Image © Laurian Ghinitoiu
The central installation (the pyramid) is encloses, but does not hide, the three remaining original trees inside the pavilion. Image © Laurian Ghinitoiu

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

You are part of another’s shadow.
—Sverre Fehn in conversation with Per Olaf Fjeld

A central impetus for this exhibition is to acknowledge the presence of the ‘ghosts’ of Nordic architecture – those architects, theorists and educators—the most famous of which are often described as ‘Modern Masters’—who continue to exert influence on contemporary practice and pedagogy. Indeed, one of the most prominent of these gures, the Norwegian Sverre Fehn, designed the Nordic Pavilion. This exhibition addresses a common challenge faced by Finns, Norwegians and Swedes today: how can a building (or an exhibition, in this instance) exist in a dialogue with its setting when that setting is so charged? For us, this ties into a broader question: how can architecture occupy a legacy while still making progress?

The pyramid, built from Swedish pine, represents an inhabitable installation – an urban artefact in a very public pavilion. Image © Laurian Ghinitoiu Intimate "Rooms Without Walls" sit next to the main installation. Image © Laurian Ghinitoiu The pyramid is a "discourse machine," designed to allow people to critically discuss the issues at the heart of the exhibition in an open air environment. Image © Laurian Ghinitoiu The pyramid exists in dialogue with the building. Here, it's relationship with the existing staircase is made apparent. Image © Laurian Ghinitoiu + 42

Monocle 24 Investigate What it Takes to Cover Architecture and Design

04:00 - 27 April, 2016

This edition of Section DMonocle 24's weekly review of design, architecture and craft turns its editorial gaze back to their "own turf" to consider ways in which publications cover design and architecture, both in print and online. The episode asks whether "traditional magazines are as influential as they used to be," and whether or not "clicks and online-only articles can actually pay the bills?" In search of answers, Monocle's Henry-Rees Sheridan talks to ArchDaily's co-founder and Editor-in-Chief, David Basulto, along with European Editor-at-Large James Taylor-Foster, about the origins of the platform – and more.

'In Therapy' – the Nordic Contribution to the 2016 Venice Biennale

04:00 - 20 January, 2016

The Nordic nations—Finland, Norway and Sweden—have reached a pivotal point in their collective, and individual, architectural identities. The Grandfathers of the universal Nordic style—including the likes of Sverre Fehn, Peter Celsing, Gunnar Asplund, Sigurd Lewerentz, Alvar Aalto, and Eero Saarinen—provided a foundation upon which architects and designers since have both thrived on and been confined by. The Nordic Pavilion at the 2016 Venice Biennale—directed by Alejandro Aravena—will be the moment to probe: to discuss, argue, debate and challenge what Nordic architecture really is and, perhaps more importantly, what it could be in years to come.

We're asking for every practice (and individual) across the world who have built work in Finland, Norway and Sweden in the past eight years to submit their project(s) and be part of the largest survey of contemporary Nordic architecture ever compiled.

Update: the Open Call for In Therapy closed on the 24th January 2016.

ArchDaily: What Happened in 2015, and Where We Are Heading in 2016

07:00 - 1 January, 2016

Dear readers,

This has been an intense year at ArchDaily, and I’d like to look back and share what we’ve done during 2015, and give you a glimpse of what will come during 2016.

Our focus on the emerging countries is something intimately tied to our mission. I’m very happy to see that as a society we understand the importance of cities for the future of mankind, and that we are actively improving them through the traditional way of making architecture, but also more and more in an expanded field and in a multidisciplinary collaborative way.

We started this project in 2008 in a very instinctive way, but always understanding that we should provide value to architects. Today, we are publishing in 4 languages (including the new ArchDaily China!), reaching more than 400,000 daily readers who are viewing 120 million pages every month - and bookmarking thousand of projects on My ArchDaily. This scale has made us understand what is adding value - and what is not - to architects in a very insightful, data-driven way. Our analysis for our end of the year posts has shown us how important it is for you to have access to technology and resources than can help you on your work.

Iñaqui Carnicero and Carlos Quintáns to Curate Spain Pavilion at 2016 Venice Biennale

11:40 - 12 December, 2015
Iñaqui Carnicero and Carlos Quintáns to Curate Spain Pavilion at 2016 Venice Biennale, Spain Pavilion at Venice 2012. Image © Nico Saieh
Spain Pavilion at Venice 2012. Image © Nico Saieh

Iñaqui Carnicero and Carlos Quintáns have been selected as co-curators of the Spanish Pavilion at the Venice Architecture Biennale 2016, directed by Chilean architect Alejandro Aravena, under the theme "Reporting from the Front."

Iñaqui Carnicero is an architect and a Visiting Professor at Cornell University, and has been recognized by numerous international awards such as the Design Vanguard Award, AIANY Housing Award, Emerging Architects Award, FAD and COAM Award.

Carlos Quintáns is Professor of the Architectural Construction Department of the A Coruña Architecture School and director of the Tectónica magazine, recognized with awards such as the COAG, FAD or at the Spanish Architecture Biennale.

David Basulto to Curate Nordic Pavilion at 2016 Venice Biennale

13:52 - 3 December, 2015
David Basulto to Curate Nordic Pavilion at 2016 Venice Biennale, The Nordic Pavilion in Venice, designed by Sverre Fehn in 1960. Image © Feruzzi
The Nordic Pavilion in Venice, designed by Sverre Fehn in 1960. Image © Feruzzi

The Nordic Pavilion, representing Finland, Norway and Sweden, has selected David Basulto as curator for their exhibition at the 2016 Venice Biennale. Responding to Biennale director Alejandro Aravena's theme for the 2016 event, Reporting from the Front, the exhibition organized by Basulto and the Swedish Centre for Architecture and Design (ArkDes) will use Nordic architecture, urbanism and landscape architecture as "a springboard" to understand the future challenges which architecture and the built environment will face. The announcement is accompanied by an open call for completed projects that address these challenges. Selected projects will be displayed in the Sverre Fehn-designed pavilion at the Venice Biennale from May 28th to November 27th 2016.

AD Interviews: Vicente Guallart / Moscow Urban Forum

08:00 - 10 November, 2015

During the 2015 Moscow Urban Forum, city experts from different regions and countries united to exchange practices, projects, and trends. The event fueled discussion on the city of Moscow, which is currently working on its expansion plans, new transport infrastructure, and a series of urban initiatives that are having a positive impact on the quality of life in the city.

AD Interviews: Santiago Calatrava

12:00 - 15 September, 2015

Earlier this year we had the chance to interview Spanish-born architect Santiago Calatrava in his New York apartment. Trained first as a structural engineer, he has designed and completed over 50 projects, which include bridges, transportation hubs, theaters and even a skyscraper. Calatrava has built a career through public architecture, and thanks to open competitions he has received commissions for mostly large-scale, cultural and transport projects. Many cities around the world—from Europe to the US and Asia and beyond—can proudly lay claim to the structurally dramatic projects that Calatrava has dreamed up. 

His architectural explorations fuse engineering and art, and result in impressive structures that are honest in revealing the forces at play. In this respect, he is a pioneer; when working on his earliest projects, he didn’t have access to software and tools that are ubiquitous today. 

We asked him about his definition of architecture, his high-profile commission for the World Trade Center Transportation Hub, and the challenges he has faced while running his practice. The WTC hub is one of Calatrava's most-anticipated projects in New York; though its inherent complexity has resulted in a long construction period, he has created a project rich in not only form, but also in spatial quality.

Some of Calatrava's projects use an almost modern-day gothic vocabulary—where big spans, vaults and thin lines define large spaces. Other works, such the St. Nicholas Cathedral in New York, mobilize larger masses and big, stacked walls.

Watch the interview above to learn how Calatrava sees the intersection of art and architecture. 

Florida Polytechnic Science, Innovation and Technology Campus / Santiago Calatrava © Alan Karchmer for Santiago Calatrava Inside Santiago Calatrava's WTC Transportation Hub in New York © Michael Muraz Margaret Hunt Hill Bridge / Santiago Calatrava © Alan Karchmer AD Classics: Bac de Roda Bridge / Santiago Calatrava © Flickr littleeve / www.flickr.com/littleeve. Used under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>Creative Commons</a> + 5

Welcome to Your Upgraded ArchDaily!

00:20 - 17 June, 2015

Dear Readers,

Over the last 7 years we have built and maintained a huge database of thousands of buildings to provide you with the inspiration and knowledge that you need for your next project - an important part of our mission.

However this tremendous database lacked the structure that would allow you to use it with that purpose. Sure, you could navigate by building type or by country, you could use the My ArchDaily section to bookmark your favorite projects for reference, or you could browse an endless photo gallery. But this lack of a proper structure prevented us from delivering what you needed, and what you were constantly asking us for via emails or our contact form: a way to easily find the projects that inspire you.

But because ArchDaily started out by using an open-source CMS, we were confined to its features, and all of our ideas to deliver a better ArchDaily to you had to deal with that. So a few years ago we started working on our own platform, designed with the architect in mind. Buildings became objects, typologies became facets, and our database started to take shape. These features have been available at ArchDaily México and ArchDaily Brasil for a while now, but we had to overcome several other issues before migrating ArchDaily.com to our platform. As you can understand, dealing with hundreds of thousands of visitors who view millions of pages every day is no easy task, especially when you move them to a new platform with many new features.

But that day has finally come, and it will enable us to deliver new features and tools as we continue to develop them, without having to worry about legacy platforms. We are now in full control of our database, and we will continue to work to make it useful and accessible to you. At first, you won't see many differences, but under the hood is a completely new system.

What you will see over the coming days is a new faceted search that will allow you to quickly browse our buildings database, and a new version of My ArchDaily.

So in the next few hours some things won't work as expected, or might not work at all. But our development and editorial teams will be working around the clock to make sure that everything gets fixed quickly, and for that we need your help. Any errors that you find, missing images or drawings, messy text, missing videos, etc, please use the form below.

Thank you for trusting ArchDaily as your source of inspiration and knowledge, and rest assured that we will work as hard as we can to continue bringing you new features and tools to help you in the important duty of designing our built environment.

- David Basulto, Founder & Editor in Chief of ArchDaily