Heritage preservation and economic viability have long been treated as competing priorities in urban development. Architects typically face a stark choice - to design for community continuity or design for financial returns. Contemporary projects in Mumbai render this binary false. Through strategic programming, material choices, and spatial organization, architects enable buildings to generate sustainable revenue while strengthening, rather than displacing, existing communities.
At a time of ecological collapse and rising food insecurity, architecture is increasingly called upon to engage not only with landscapes but with the systems that sustain and regenerate them. Among these systems, agriculture occupies a paradoxical role, as both a leading contributor to environmental degradation and a potential agent of ecological recovery. Industrial farming has depleted soils, fragmented habitats, and driven climate change through monocultures, fossil-fuel dependency, and territorial standardization. In response, agroecology has emerged as a counter-practice rooted in biodiversity, local knowledge, and the cyclical rhythms of nature. It reframes farming not as extraction, but as regeneration of ecosystems, communities, and the soil itself.
This reframing opens space for architecture to contribute meaningfully. To align with agroecology is not only to support food production, but to engage with the broader cultural, spatial, and ecological conditions that sustain it. It implies designing with seasonal variation, supporting shared use, and building in ways that respect both the land and those who work it. Architecture becomes more than enclosure — it becomes a mediator of cultivation, reciprocity, and coexistence.
The theorist André Corboz, known for his contributions to the critical reading of territory, proposes that the cities should be understood as a palimpsest. That is, a surface continuously rewritten, where traces of previous layers remain visible even after successive interventions. For him, the city is not a static entity, but an organism in constant transformation, where historical, functional, and symbolic layers overlap. This is why working on restoration or rehabilitation projects for historical buildings is particularly complex, requiring careful thought about the approach to be taken: should extensions and renovations seek complete coherence with the original language, or assert themselves as architectural expressions of their own time?
Amidst global economic adjustments and a domestic focus on high-quality development, Shanghai has implemented a strategic shift in its urban development approach—moving from 'incremental expansion' to 'connotative enhancement.' Guided by the concept of a "people-oriented city", Shanghai has elevated urban construction from mere physical space aggregation to a comprehensive endeavor aimed at optimizing functional quality, revitalizing spatial vitality, and boosting residential resilience through urban renewal initiatives. This transformation is framed not merely as a response to resource constraints but also as an intentional approach to urban development principles. Its core proposition lies in: under the policy framework of strictly controlling incremental land use, how to unleash development potential through the "reproduction" of existing spaces.
One notable example is Tai Hang, among the earlier settlements established by the Hakka people in Hong Kong. Originally located along a water channel that flowed from the nearby mountains to the sea, the area was once a vital washing site for villagers—hence its name, which literally means "Big Drainage." Before extensive land reclamation, Tai Hang sat quite close to the shoreline. Today, it lies nearly 700 meters inland.
NDSM Lusthof / Studio Ossidiana. Image Courtesy of Studio Ossidiana, Riccardo de Vecchi
As climate instability reshapes design priorities, architecture is increasingly drawn into ecological debates not as a spectator but as a participant. Among the concepts gaining traction is rewilding, a practice rooted in the restoration of self-sustaining ecosystems through the reintroduction of biodiversity, the removal of barriers, and the rebalancing of human presence in the landscape. Though often associated with conservation biology, rewilding also opens up new spatial and architectural imaginaries — ones that challenge conventional notions of permanence, authorship, and use.
HouseEurope!, a registered non-profit organization focused on promoting the social and ecological transformation of Europe's built environment, has received the 2025 OBEL Award. Presented annually by the Henrik Frode Obel Foundation, the award recognizes architectural contributions with the potential to drive meaningful change. Aligned with this year's theme, "Ready Made," the OBEL Award Jury selected HouseEurope! for its efforts in raising awareness and fostering public engagement around the need for a shift in construction and housing practices across Europe.
What does a change in use and/or scale in buildings imply? How can a church or chapel be transformed into a home? While the architecture of many contemporary sacred spaces shows a remarkable capacity for adaptation and evolution, the creative boundaries of many professionals extend beyond their conception as structures of spirituality or worship. Globally, the conversion of large churches and small chapels into private residences reveals a wide field for intervention and exploration, one that can preserve, restore, adapt, and/or renew the character of spaces originally conceived for other uses and scales, which for various reasons have been abandoned, become obsolete, or now require transformation.
Adaptive reuse has become a buzzword in the architecture industry. Framed as a sustainable and economical solution to urban decay, the practice has been adopted by cities facing pressures of climate change, real estate constraints, and cultural preservation. Architects are increasingly being hired to rehabilitate the old rather than build anew. Within this discourse is a growing sentiment towards who gets to reuse and how.
Copenhagen and Hamburg-based architecture office ADEPT has won first prize in the international competition to transform a former Karstadt warehouse in the historic center of Braunschweig, Germany, into the Haus der Musik. The 18,000-square-meter cultural complex will include a new concert hall, a public music school, and community-oriented spaces. Emphasizing adaptive reuse, the project retains the existing load-bearing structure and architectural rhythm, positioning the intervention as a continuation rather than a replacement.
The Empire State Development (ESD) Board of Directors has approved a major office-to-residential conversion project at 5 Times Square, New York City, as announced by the New York state government. Originally built in 2002 as the headquarters for Ernst & Young, with Kohn Pedersen Fox (KPF) as the design architect, the building has been largely vacant since the corporation vacated the premises in 2022, with vacancy rates remaining around 75 percent. Gensler's proposal aims to repurpose this underutilized office space into a mixed-use complex, introducing up to 1,250 new homes, including 313 permanently affordable units.
In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th VeniceArchitecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.
On 19 June 2025, the exhibition will expand to include models of the three winning proposals, which will be announced during the EUmies Awards Day 2025 at Palazzo Michiel in Venice. This event will also unveil the winners of the Young Talent Open, which extends the awards' reach beyond the Creative Europe countries to include participants from the Council of Europe member states and the Asia-Pacific region. All selected works will be documented in a publication and incorporated into the EUmies Awards Archive, contributing to a growing repository of architectural experimentation and discourse.
The twentieth century marked a definitive shift in the realm of architecture, as the Modernist movement broke from traditional building styles and encouraged experimentation and innovation. With the help of new materials and technologies, these times represent a crucial moment in the history of architecture as both cities and building styles evolved at an unprecedented rate. The structures that stand testament to this day are, however, nearing the age of a hundred years old. Their stark design features are not always embraced by the public, while the functionalist principles often hinder the adaptability of their interior spaces. Given that they also often occupy central positions within the city, there is increasing pressure to demolish these structures and redevelop the area in its entirety.
DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.
