From left to right: Oanh Nguyen Henriksen (Photo: Tuala Hjarnø), Susana Rojas Saviñón (Photo: Estudio Ome), Javier Ors Ausín, Sumayya Vally (Photo: Lou Jasmine), Charles Kettaneh and Nicolas Fayad (EAST Architecture Studio, Photo: Julien Lanoo)
Since its launch in 2020, the ArchDaily Next Practices Awards have spotlighted forward-thinking architecture practices that are redefining the boundaries of the discipline. Over five editions, the initiative has recognized 105 practices from 44 countries, amplifying voices from around the world and fostering a global conversation about architecture's evolving role in society. Across the winning practices, recurring values emerge: contextual sensitivity, sustainable material use, co-creation with communities, experimental and interdisciplinary approaches, memory and heritage, social responsibility, and human-scale interventions.
The program reflects what is next: the ideas, practices, and projects that should be brought forward. 'Next' embodies practices that find solutions to today's urgent challenges while anticipating the needs of tomorrow. By spotlighting these practices, we hope to illuminate the paths that can lead to a more meaningful and resilient future for architecture and beyond.
Nairobi's architectural identity was transformed by Kenya's independence in 1963. As the new nation sought to define itself, the city became a testing ground for a modern architecture that could embody progress while responding to African culture, climate, and local conditions. This opened a period of architectural experimentation, with different approaches emerging to the relationship between modernity, identity, and place.
The Kenyatta International Convention Centre is perhaps the clearest expression of this moment. Its architecture brought together modernist principles with references to African forms, establishing a distinctive response to the ambitions of a newly independent nation. Around it, Kenyan and international architects developed other interpretations of modernism, from the sun-shading facades of Reinsurance Plaza to the sculptural silhouette of Nation Centre, alongside religious, educational, and civic projects that expanded the architectural vocabulary of the city.
Danish architecture practice AART has won the international competition for Rigets Skatkammer (The Royal Treasury), a new 1,300-square-meter underground extension to the museum at Rosenborg Castle in Copenhagen. Developed in collaboration with VEGA Landskab, Fogh & Følner, and Artelia, the proposal places approximately 600 square meters of new exhibition space beneath the historic moat, while partially re-establishing the water surrounding Christian IV's Renaissance castle. The project is intended to provide new visitor facilities and exhibition spaces for the Royal Danish Collection, which includes the Danish Crown Jewels and historic costume collections and currently attracts more than 500,000 visitors annually.
Every housing crisis eventually becomes a land question, and every land question eventually becomes a values question. The United States' West Coast has arrived at that point. As cities from Los Angeles to Seattle search for parcels to build the affordable housing they have promised for years, they keep landing on the same answer: the park or the greenbelt. What looks like a zoning decision is a referendum on which form of wellbeing a city is willing to sacrifice for another.
In compact homes, the kitchen is rarely only a room for cooking. It often operates as an edge: a service wall or a boundary between domestic work and social life. Its importance lies not only in food preparation, but in how it organizes the rest of the home, particularly due to limitations of plumbing and ventilation requirements. Before a living room can feel open, the kitchen often has to absorb the practical intensity of daily life: water, heat, smell, appliances, groceries, and storage.
This is especially visible in dense East Asian interiors, where domestic space is frequently shaped by limited area, changing family structures, hybrid work, and the cultural specificity of cooking. The open kitchen may be framed as a lifestyle feature, but in many apartments it is also a planning problem. It has to negotiate domestic labor, support informal gathering, and sometimes, as space-saving strategies, replace the hallway or foyer. More than a design gesture, the kitchen edge is therefore a spatial agreement between service and living.
Designing a museum interior means negotiating between the needs of the collection and those of the visitor: objects must be protected and carefully displayed, while spaces need to remain accessible, legible, and engaging. Scale, circulation, security, lighting, structure, and technology all become part of the design, often working quietly in the background so that the exhibits remain the focus. So, how do you fit 4.5 billion years of Earth's history into a museum interior? The renovation of the Natural History Museum Oslo, home to one of the largest geological and anthropological exhibitions in the Nordic countries, offers a clear example of how these demands can come together within an existing architectural framework.
A week of architecture news has highlighted the growing connections between environmental change, public systems, and the evolving role of architectural practice. Extreme weather events in different regions have drawn attention to the vulnerability of settlements, infrastructure, and territorial networks, while new approaches to housing demonstrate how changes in procurement, construction, and governance can influence architectural outcomes. At the same time, the recognition of established practitioners points to the lasting impact of architectural ideas across generations, as the profession continues to engage with questions of resilience, systemic change, and the broader conditions shaping the built environment.
The Suzhou Museum of Contemporary Art is now officially open to the public on the shores of Jinji Lake in Suzhou, China. The 60,000 m² building was designed by BIG – Bjarke Ingels Group, ARTS Group, VIA.inc, and SHUISHI for the Suzhou Industrial Park Culture, Sports and Tourism Bureau. The project is designed as a village of 12 pavilions beneath a continuous, ribbon-like roof, with a covered corridor that traces a path through the landscape as a network of exhibition spaces. The layout is inspired by the tradition of Suzhou's UNESCO-listed gardens. The project opens after a series of preview exhibitions, including the firm's Materialism exhibition, which remains on view. The building complex is set to become a new venue for contemporary art, design, and public life, marking BIG's first completed art museum.
Mexico's rapid urban growth over recent decades has left many cities struggling with fragmented neighborhoods, high crime rates, and severe shortages of quality public spaces. In many low-income urban areas, informal development occurred alongside raw infrastructure like drainage canals, rail lines, and steep ravines, dividing communities and creating hazardous vacant zones. To address this spatial segregation and lack of civic amenities, public agencies and architects across Mexico are intervening in these abandoned buffer zones to construct public parks. By converting former physical barriers into accessible pedestrian corridors, these projects rejoin separated neighborhoods, re-establish safe visual sight lines, and provide spaces for community gathering and daily recreation.
Across architecture and the building industry, women contribute to a wide range of fields, from design practice and construction to research and leadership. Their work reflects different approaches to some of the profession's most pressing questions, including environmental performance, adaptive reuse, and the creation of healthier and more responsive spaces. However, disparities remain visible in areas that influence professional recognition. For example, women continue to be significantly underrepresented in architecture in the United Kingdom. According to the Architects Registration Board, only about 31% of registered architects are women.
Due to popular demand, we are briefly reopening applications for the ArchDaily Student Ambassador Program 2026/2027.
ArchDaily started inside a university, with two architecture students who believed that architectural knowledge should travel further than it did. Eighteen years later, that conviction hasn't changed — but the insights, the tools, and the opportunities have grown. We are launching the Student Ambassador Program to give the next generation of architects a direct role in bridging their university and the global architectural conversation.
MVRDV has revealed the design for WOMA, a mixed-use development planned for Wynwood Norte, Miami, in collaboration with Quito-based developer Uribe Schwarzkopf and Miami-based architect of record Kobi Karp. The development is planned on the site of a former coffee roasting company and takes cues from Wynwood Norte's industrial character and evolving creative community. Located alongside the nonprofit Bakehouse Art Complex, the project is intended to contribute to the area's growing network of spaces dedicated to art, fashion, and making.
On 1 September 2026, the Balearic Social Housing Model was announced as the recipient of the 2026 OBEL Award. The focus of this award's cycle was "Systems' Hack," calling on architecture to critically engage with the systems that underpin contemporary society and to examine how these interconnected networks might be reconfigured in response to accelerating global challenges. The Balearic Social Housing Model, created by economist and independent consultant Cris Ballester and architect and civil servant Carles Oliver, is a six-point approach to public housing developed between 2019 and 2023, providing additional value and comfort to traditional affordable housing by bringing procurement, architecture, materials, energy, tenure, public capacity and learning together as responses to current social, environmental and economic challenges. In this interview with ArchDaily, the model's creators discuss its origins, ambitions, and material challenges in making social housing a desirable place to live.
Seen from the water, Tallinn presents the skyline of a Hanseatic merchant town. During the Soviet period, most of the seafront was a restricted military zone, leaving the harbour as one of the few places where the city and the sea could meet. Even Linnahall, the vast concrete venue built for the sailing events of the 1980 Moscow Olympics, was positioned in part to preserve the view of the old town for ships approaching the harbour. For half a century, Tallinn grew away from the water that had made it a trading city, so when independence was restored in 1991, some of the capital's most valuable land was also among the least familiar to its inhabitants.
Tallinn's recent architecture is largely an architecture of reconnection. The city has been reopening what was cut off and adapting what lost its purpose, while building new structures where the boundaries between city, infrastructure and landscape are still being negotiated. The factories around the medieval centre, from Rotermann's mills near the port to the submarine yards at Noblessner, had lost their original purpose. Their gradual conversion has since become one of the defining stories of contemporary Tallinn. Much of this architecture is deliberately quiet, deriving its impact from the way old structures, new uses and the waterfront have been brought back into the life of the city.
At a moment when architects across the globe are revisiting earthen construction, reassessing vernacular technologies, and forging visceral connections between communities and the land beneath their feet, others are sketching habitats for the Moon and designing the built environments of a Martian colony. Architecture firms, engineers, and space agencies are investing serious intellectual effort into structures that would need to be raised from scratch on another world. Two impulses, one returning to the soil, the other reaching for the stars, are unfolding simultaneously within the same discipline. And the tension between them raises an uncomfortable question: what, exactly, are we trying to escape?
Water management, air quality, and heat mitigation are usually planned through systems much larger than the spaces where people actually experience them. Drainage networks sit below the street. Air pollution is measured across entire cities. Yet these conditions are felt much closer to the body: while waiting for a bus in the sun, walking through a flooded street, crossing an exposed plaza, or looking for somewhere to sit when the air itself feels difficult to breathe.
Heat makes this question especially urgent. As cities become warmer, streets, parks, transit areas, and other public spaces are increasingly becoming sites where design can reduce exposure through shade, planting, airflow, and water. For architecture, that brings part of climate adaptation into the spaces people use every day.
Japanese architect Kengo Kuma has been selected to receive the Andrée Putman Lifetime Achievement Award at the 2027 Créateurs Design Awards (CDA). The award, one of two Legacy Awards presented by the organization, recognizes a career that has influenced architecture and the built environment across generations and geographic contexts. Kuma will receive the honor during the CDA Awards Ceremony, which will take place at the Shangri-La Paris on January 16, 2027.
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What narratives do materials carry, and how can the visible "traces" of artisans engage in a dialogue with manufacturing processes and industrialization?Between design and construction, the act of thinking through making can become a guiding principle for a design philosophy. Combining wood, industrial materials, and reused objects, Atelier CRAFT's approach is rooted in reversible architecture, guided by its manifesto: "Transform design through making." Based in Saint-Ouen, Paris, the practice explores the relationships between humans and materials, the act of making, and manufacturing processes.
Amid growing economic, political, and climatic instability, the 2026 OBEL Award highlights the need for architectural approaches that rethink both existing and emerging infrastructures. The title for this edition is "Systems' Hack," where "systems" are understood as interrelated mechanisms governed by shared rules and "hacking" is framed as a strategic intervention that seeks to alter how these mechanisms operate. Within this framework, the OBEL Foundation has announced the Balearic Social Housing Model as the winner of this year's award, while also announcing a new cycle in 2027 under the same topic. The Balearic Social Housing Model is recognized for "transforming the role of social housing administration in the Balearic Islands between 2019 and 2023," proposing new approaches in response to an acute housing shortage and a critically limited public rental housing stock in Spain.
Elia Zenghelis. Photo: Harvard Graduate School of Design
Elia Zenghelis, Greek architect, co-founder of the Office for Metropolitan Architecture (OMA), and one of the most influential architectural educators of the late twentieth century, died on August 30, 2026, at the age of 89. His death marks the passing of a figure whose influence on architectural thought extended far beyond the buildings he designed, shaping the intellectual formation of several generations of architects through decades of teaching across Europe and the United States.
Born in Athens in 1937, Zenghelis studied architecture at the Architectural Association School of Architecture in London, completing his studies in 1961. He joined the practice of Douglas Stephen and Partners, where he worked until 1971, while simultaneously beginning to teach at the AA in 1963. At the school, he became a prominent voice for a more radical, avant-garde architectural discourse, helping to transform the AA into a fertile ground for radical ideas.
