Architecture and urban planning in Latin America face deeply rooted social, environmental, and economic challenges shaped by historical inequalities, rapid population growth, and unplanned urbanization. Addressing these issues requires innovative solutions that balance housing needs, ecological preservation, and respect for local identities. Amid this complex landscape, several visionary female architects are making a difference with creative and impactful approaches.
Who would think that a freshly painted wall, so smooth and glossy, could hide such a serious problem? Paint is one of the finishing touches that brings beauty and protection to both indoor and outdoor spaces. But beneath this layer of color, there’s an invisible coat that, silently, accumulates in our ecosystems and even in our bodies. Recent research from Switzerland identifies construction paint as one of the largest sources of microplastic pollution in oceans, rivers, and other environments. These microplastics, less than 5 mm in size, enter ecosystems through weathering, accumulating in marine and terrestrial animal bodies — and ultimately, in humans. Although the long-term effects on human health are still under study, evidence so far indicates that continuous exposure may contribute to various physical and metabolic health issues. Yet, sustainable alternatives are emerging, offering a way to create healthier spaces while minimizing environmental impact.
Lydia Kallipoliti is a recognized architect, author, and educator whose research has transformed the way architecture engages with the pressing challenges of sustainability, technology, and environmental politics. As an Associate Professor at Columbia University's Graduate School of Architecture, Planning, and Preservation (GSAPP), Kallipoliti's approach to architectural education encourages students to confront critical issues such as waste, reuse, and closed-loop systems. Her pedagogical philosophy empowers students to see design not only as an aesthetic or functional pursuit but as a powerful tool for addressing global ecological crises, urging them to think systemically and creatively about the future of the built environment.
In addition to her role in academia, Kallipoliti has authored works such as The Architecture of Closed Worlds and Histories of Ecological Design: an Unfinished Cyclopedia, which delve deeply into the relationship between architecture and environmental politics. Her research and writings have sparked discourse on methods for architects to reconsider traditional design paradigms and embrace sustainability as a core tenet of architectural practice.
Office ParkScheerbarth, selected as one of ArchDaily's 2024 Best New Practices, was founded in Berlin in 2019 by principals Moojin Park and Benjamin Scheerbarth. Together, they create a synthesis between architecture, urban planning, and social science, drawings on cultural and educational contexts from Korea, the US, and Germany. Their work creates spaces that welcome versatility, challenges, and growth. The duo embodies a fusion of cultures, nationalities, and diverse disciplines, approaching each project from multiple perspectives and emphasizing adaptability, respect for ownership, and the continuous pursuit of knowledge and innovation. Challenging norms and regulations of the built environment, Moojin Park and Benjamin Scheerbarth share a commitment to pushing and exploring design boundaries. They met during their Master's studies in the US, where their shared vision took shape and marked the beginning of their journey together.
What is urban renaturalization? How is it possible to reintegrate nature into the urban environment? With increasingly limited access to nature for the population and growing exposure to environmental hazards such as noise or air pollution, resource scarcity, climate change, and more, the development of "renaturalized" spaces in cities is seen as a tool capable of improving the quality of life for citizens and designing spaces for gathering, resting, and leisure areas for the common good, while also balancing urban development with biodiversity and the benefits of ecosystems. One of the many architecture firms involved with this concept is 08014 arquitectura, based in Barcelona, which, through its Plaza-jardín Rocafort and Paseo Comte D'Ègara projects, aims to revitalize certain urban areas, paying particular attention to improving the quality of life for citizens and their connection to the natural environment.
Polycarbonate, commonly used in roofing and industrial cladding, has gone beyond its initial applications to become a material widely used across various architectural typologies. Its combination of strength, lightness, easy installation, and ability to allow natural light to pass through has made it an attractive option for residential, educational, and even cultural architecture projects. In homes, polycarbonate not only helps create bright and comfortable environments but also allows for creative use of translucency to generate private spaces without sacrificing visual connection to the outdoors.
It's often said that trends come back, but terrazzo appears to be the exception—never truly fading from popularity. With a long tradition of craftsmanship, terrazzo has maintained its relevance over the centuries, continuously adapting to evolving creative expressions. Whether in homes, restaurants, or libraries, it demonstrates remarkable versatility, offering a unique combination of technical qualities, mottled aesthetic, and timeless appeal. As it evolves, terrazzo adapts to modern building standards and growing environmental awareness, ensuring its relevance in contemporary architecture and design while expanding sustainable solutions.
Spain, with its vast territory and notable diversity of landscapes, has been a reference point in the development of external infrastructures, both in urban and rural areas. Tourism has played a key role in this process, focusing on creating spaces that maximize the enjoyment of the natural environment and integrating local landscapes into urbanized areas. The construction of these infrastructures has had two main aspects: the adaptation of cities for both their residents and tourists and the development of rural or coastal areas, where nature is the main attraction. This has led to interventions ranging from creating waterfront promenades, viewpoints, and natural parks, to urbanization projects in previously untouched areas. Furthermore, urban growth has driven the creation of green infrastructures such as botanical gardens, ecological trails, and reserves that aim to protect the environment while being sustainably open to the public.
Sumayya Vally, architect, curator, and founder of Counterspace architecture office, joins the jury for the 2024 Obel Award. This international architectural prize, organized by the Henrik Frode Obel Foundation, honors projects that significantly impact people and the planet. The 2024 theme, "Architecture WITH," invites a re-examination of the architectural profession, emphasizing collaborative and co-creative processes that integrate diverse bodies of knowledge into the core of design. Vally's perspective on redefining architectural roles aligns with the theme's focus on non-hierarchical, co-creative approaches.
In the interview conducted by Louisiana Channel, architect Andrés Jaque discusses his foundational interest in architecture and his perspective on its role in shaping society. Jaque, founder of the Office for Political Innovation, emphasizes the creative potential of architecture to intervene in reality and reconnect all elements of the environment. He also goes into perspective on the political aspect of architecture, an interest from which the name of his office derives, as well as his perspectives on the true meaning of sustainability.
Over-providing traditionally implies offering more than is necessary, often carrying a negative connotation due to the potential for excess and waste. However, could there be scenarios within the built environment where over-providing proves advantageous? The question critically examines how overprovisioning might enhance a building's flexibility and adaptability to diverse and evolving conditions.
The underlying assumption of accurately providing what is needed for a building is that stakeholders—including owners, architects, and designers—can accurately predict and cater to a structure's current and future needs. This assumption, however, is challenging to realize, as societal, economic, and cultural shifts frequently occur in unpredictable ways. In this context, over-providing emerges as a counterintuitive yet potentially beneficial strategy. As buildings and structures inevitably transform, those designed with inherent adaptability reduce the need for costly renovations or complete rebuilds.
In Beirut, the Interdesign Building stands as a striking yet enigmatic structure. Never used since its conception in 1973, the building was designed by Lebanese architect Khalil Khouri and, in some ways, it represents a physical testament to the region’s hopes and struggles. During the inaugural edition of We Design Beirut, the exhibition “All Things Must(n't) Pass: A Subjective Recount Of Khalil Khouri’s Life And Career As A Designer” opened the building to the public, aiming to tell the story of its architect, Khalil Khouri, through the lens of his son and grandson, Bernard and Teymour Khoury. On this occasion, ArchDaily’s Editor in Chief, Christele Harrouk sat down with Bernard Khoury at his DW5 office to discuss the life of his father and a little-known chapter of Lebanese architectural history.
The 21st century has dramatically transformed school architecture, driven by new educational philosophies, technological progress, and social values emphasizing sustainability and inclusion. This change goes beyond mere aesthetics, deeply reshaping how physical spaces contribute to education. Traditional narrow hallways and rows of desks have been replaced by dynamic, flexible spaces that are well-integrated with their surroundings and the community. These modern designs prioritize versatility and multifunctionality.
“This is going to be amazing! I feel so excited,” says Zhu Pei about his now under-construction Majiayao Ruins Museum and Observatory in Lintao, Gansu province. The Beijing-based architect designed his building like a deeply embedded cavernous space evoking a giant fragment of ancient pottery, resembling an archaeological site from the Neolithic Age discovered here a century ago. The building is so unusual that it cannot be described in common architectural terms. For example, a vast cast-in-place concrete hyperbolic shell lies prone on the ground, blocking the cold wind from the northwest in winter. The architect used the sand and gravel from the local Tao River to produce a special rough concrete with horizontal scratches on the surface, symbolizing the traces of thousands of years of erosion. All of Zhu’s buildings are quite remarkable. Yet, despite their novelties, they are rooted in culture, nature, and climate. They are designed based on his architectural philosophy, Architecture of Nature, articulated in five fundamental points: incomplete integrity, sponge architecture, cave and nest, sitting posture, and structure and form.
In early 2021, Saudi Arabia unveiled the Line, a 170-kilometer-long linear city, part of the NEOM project. NEOM has since expanded with proposals for the region, including a ski destination set to host the 2029 Asian Winter Games, a floating port city at Oxagon, and cliffside hotels at Leyja. However, the Line continues to be one of the most debated of the proposals due to its scale and unprecedented design. According to the official releases, the city would measure 170 kilometers in length, 200 meters in width, and 500 meters in height, making it the 12th highest skyscraper in the world. In its final phase, it is expected to welcome 9 million residents, nearing the size of London or New York’s five boroughs.
On October 23, 2023, during the closing of the Line Exhibition in Riyadh, Saudi Arabia, ArchDaily’s Editor in Chief, Christele Harrouk spoke to Tarek Qaddumi, Executive Director of The Line Design at NEOM, asking questions that probe into both the conceptual aspects and the technicalities of The Line project. In this video interview, the conversation addresses notions such as accessibility, transportation, and sustainability, while also exploring the concept of Cognitive Cities and the intended phasing of the project.
These days, it is common to hear multiple voices addressing the diverse issues of contemporary architecture. The topics are numerous, ranging from sustainability and inclusion to social justice and the crisis in land use. At first glance, there is no common ground where all these concepts can coexist transversally. However, if we look back, we can see that beyond the formal architectural concepts, the true purpose of architecture (probably) lies in the people and the lives that develop within it.
Thus, many would argue that life is likely more important than architecture, which could open up a broad debate. What is certain is that currently, narratives and voices are emerging and consolidating, aimed at renewing architectural tools and languages. This transformation seeks to turn the built environment into a space that promotes a more equitable and optimistic future for all. One of these voices is that of Tatiana Bilbao, recognized for her process-centered approach where life and human interactions play a crucial role in defining habitats.
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Increasing urbanization, excessive waste production, excessive consumption of material goods, and exploitation of natural resources. There are many factors that contribute to the environmental impact of humans on Planet Earth. Scarcity of raw materials and the use of non-renewable resources is already the reality of some locations, and nature can no longer reclaim renewables at the same pace as it is exploited. The impact of human activities is so remarkable that scientists have pointed out that we are living in the new geological age of the Anthropocene (the Greek word for “the recent age of man”). The construction industry in particular is a major resource consumer and waste generator. In the European Union, the construction and use of buildings represents about 50% of all resource extraction and energy consumption, and about one third of all water consumption. [1] In 2014, 52% of all waste was attributed to the construction sector. [2].
Located in Mexico City, the municipality of Iztapalapa has some of the most densely populated areas within the metropole. Serving a population of 1,800,000 people, many of them with lower incomes, the municipality struggles to provide sufficient public spaces and amenities. In an effort to correct this, the administration set out to take underutilized and abandoned plots of land and transform them for public use. Utopia Estrella is one of these initiatives. Located near Mexico City’s largest water treatment plant, the project combines a socially engaging architectural program with a pedagogical approach to the role of water infrastructures in the larger ecosystem. Designed by Cano Vera Arquitectura, the project has been recognized as the Gold Prize Winner of the Holcim Awards 2023 for Latin America. In a video interview for ArchDaily, Juan Carlos Cano of Cano Vera Arquitectura discusses the impact of this project, its goals, and the unique conditions that led to its development.
