In 2025, the architectural field has been marked by a dense calendar of exhibitions, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of intelligence (artificial and natural)—both on professional practice and workplace culture, as well as its use as a pedagogical tool. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, AI and intelligence, adaptive reuse and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.
In recognizing this project, the award jury praised its ability to intervene in a sensitive yet rational manner, using design to foster inclusivity, resilience, sustainability, and overall well-being. The design achieves these goals by rejecting rigid functional zoning. Instead, a permeable circular courtyard integrates diverse community activities, organizing circulation and connecting multiple open rooms into a cohesive whole.
Today, September 2, the seven winners of the 16th Cycle (2023–2025) of the Aga Khan Award for Architecture were announced, following on-site reviews of the 19 shortlisted projects revealed in June. Established in 1977, the Award seeks to identify and encourage building concepts that respond to the physical, social, and economic needs of communities with a significant Muslim presence, while also addressing their cultural aspirations. To understand the vision behind this cycle's winners, ArchDaily's Editor-in-Chief, Christele Harrouk, spoke with Farrokh Derakhshani, who has been with the award for over four decades. He described the initiative as "a curated message to the world," a message that evolves with the times.
The Belgian Pavilion at the Venice Architecture Biennale 2025 presents a prototype that integrates landscape architecture into architectural interiors. Designed by Bas Smets in collaboration with Stefano Mancuso, the exhibition transforms the pavilion into a microclimate modeled after the understory of a subtropical forest, creating an indoor jungle that actively regulates temperature and humidity. The curatorial concept, supported by the Flanders Architecture Institute and its director, Dennis Pohl, promotes landscape thinking as an active design force rather than exterior decoration. In this video interview from Venice, Bas Smets and Dennis Pohl explain to ArchDaily editors how the project positions architecture as a platform for climate resilience and proposes a shift in design paradigms, from static images to evolving, living processes.
In the complex ecosystem of architectural development, where innovative concepts meet market realities, a distinct role exists to bridge diverse professional interests and realize impactful spaces. Elisa Orlanski Ours exemplifies this function. This is the domain of Elisa Orlanski Ours, a designer, educator, and industry leader. As Chief Planning & Design Officer at Corcoran Sunshine Marketing Group, Elisa founded her department two decades ago. Now, her extensive portfolio spans condominium skyscraper master plans and individual branded villas across continents, including significant New York City developments like Hudson Yards and 220 Central Park South, as well as international developments in collaboration with prominent architectural firms like SHoP Architects, BIG, Herzog & de Meuron, Adjaye Associates, and SO-IL. Her strategic perspective on bringing projects from schematic phase to final sale provides valuable insights into the industry's intricate workings. ArchDaily's Managing Editor, Maria-Cristina Florian, had the opportunity to discuss these critical topics with Elisa in the following interview.
Architectural landmarks often cluster together. In Tokyo, the iconic Omotesando is a well-known stretch where global "starchitects" built flagship luxury retail spaces in the 2000s. Hong Kong has a lesser-known but equally powerful architectural agglomeration along Queensway—though historically more corporate and less publicly engaging. Beginning in the 1980s, this corridor became home to a series of landmark buildings by some of the world's most prominent architects: Norman Foster's HSBC Headquarters, I.M. Pei's Bank of China Tower, Paul Rudolph's Lippo Centre, and the nearby Murray Building by Ron Phillips—now revitalized as a hotel by Foster + Partners. The area is further enriched later on by Heatherwick Studio's renovation of Pacific Place and Tod Williams Billie Tsien Architects' Asia Society Hong Kong Center.
A Pan-African Biennale of Architecture is planned for 2026 in Nairobi, Kenya. According to the curator, it "represents an unprecedented opportunity to reclaim Africa's architectural narrative, reasserting the continent's role as a global leader in urban resilience, sustainability, and cultural expression."
Omar Degan, the curator in partnership with the Architectural Association of Kenya, is a practicing architect, professor, and teacher. He leads an architecture office known as DO Architecture Group, which was established between Italy and Somalia—two places deeply connected to his identity. His work focuses on what he describes as "fragile contexts" around the world, including areas affected by natural disasters, refugee camps, slum upgrades, and underserved neighborhoods.
Søren Pihlmann is the curator of the Danish Pavilion at the 2025 Venice Architecture Biennale. The exhibition, commissioned by the Danish Architecture Center, is titled Build of Site, and focuses on exploring sustainable architectural practices through the lens of reuse and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the Biennale's Giardini, into an active exhibition space for material experimentation. The installation highlights techniques that incorporate recycled and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.
Architect Andrea Faraguna is the curator of the Kingdom of Bahrain's national pavilion at the 19th Venice Architecture Biennale. The exhibition, titled Heatwave, is a site-specific installation that explores passive cooling strategies for public spaces, inspired by Bahrain's traditional architecture and reimagined through contemporary approaches. Its technical response to the global challenge of rising urban temperatures was recognized by the Biennale's international jury, which awarded it this year's Golden Lion for Best National Participation. While on site in Venice, ArchDaily's editors had a chance to discuss with curator Andrea Faraguna about the context that gave rise to the pavilion, the mechanisms put in place, and his perspective on events such as the Venice Architecture Biennale.
DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.
From new delivery methods for adaptive re-use and mass timber structures to digital fabrication, new research aims to provide guidance on emerging construction methods and technologies.. Image Courtesy of Perkins&Will
Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.
In a world confronting complex challenges, innovation in architecture plays a distinctive role. Unlike industries driven by rapid innovation cycles, architecture must balance creativity with practical solutions that are deeply rooted in human experience. What will it take for the architecture industry to fully harness its potential in shaping the future of our built environment?
In 2024, architecture continues to evolve in response to global challenges, with an increasing focus on sustainability, cultural context, and social responsibility. ArchDaily's interviews with leading architects, such as Kengo Kuma and Anne Lacaton, highlight how design is shifting towards environmental and community-centric solutions. These conversations also shed light on the emerging voices from the Global South, where innovative practices are addressing unique socio-political and environmental challenges. Architects from regions like Africa, Asia, and Latin America are offering fresh perspectives, pushing the boundaries of traditional architecture to reflect their diverse cultural narratives and local contexts.
The architecture of Studio Muoto is one that encompasses endless definitions of what architecture should be, but most importantly, of what architecture can become. The scope of work of the Paris-based practice founded in 2003 by Gilles Delalex and Yves Moreau includes projects in the fields of architecture, exhibition design, urban planning, teaching, and research. All of this has led to an architecture of minimal structures that age gracefully, an architecture that evolves and adapts with time, and that is sustainable economically and environmentally.
Adjacent to Toronto's Pearson International Airport, the Bombardier Aircraft Assembly Center represents a landmark project in Canadian aerospace design. Located next to Canada's largest airport, it blends 70,000 m2 (750,000 ft2) of technical precision with a focus on people. ArchDaily's editor Moises Carrasco had the opportunity to speak with Lilia Koleva, partner at NEUF architect(e)s and founder of the firm's Toronto office, which led this project. Koleva shared insights into her professional journey and reflected on the challenges of building and growing NEUF's Toronto-based office. She also discusses the Bombardier Campus, describing it as a defining project in her career, and how it showcases NEUF's ability to tackle large-scale, technically demanding projects while maintaining a focus on the people who use the space. This project builds on the office's prior expertise in industrial design and expands its portfolio of human-centered architectural solutions. Koleva also reflects on the importance of fostering collaboration, adaptability, and a clear understanding of client needs; qualities that have defined her approach to architecture and leadership at NEUF.
In an era marked by rapid urbanization, climate emergencies, and evolving societal needs, architecture has a complex role to play and a responsibility to engage actively yet sensibly with cultural, political, and economic considerations. In this context, Níall McLaughlin stands out for his balanced approach rooted in historical contexts, yet aware and responsive to contemporary challenges. His studio, Niall McLaughlin Architects, embraces a dialogue-centric approach, fostering a collaborative environment. ArchDaily's senior editor Maria-Cristina Florian had the chance to sit down with Níall McLaughlin and discuss his perspective on the role of architecture in today's society and the emerging challenges of architectural education.
Recognized for completing 36 distinct yet cohesive public projects across Mexico in just 36 months, Colectivo C733 showcases the impact of collaborative design on public spaces and communities. The 36 projects were part of a national effort to revitalize vulnerable urban and rural areas in Mexico, earning them the 2024 Obel Award focused on the theme of "Architectures With". The team behind the designs, Colectivo C733, is a collaborative group formed by the joint offices of architects Gabriela Carrillo (Taller Gabriela Carrillo), Carlos Facio, and José Amozurrutia (TO), along with Eric Valdez (Labg), and Israel Espin. In a recent conversation with ArchDaily's Editor-in-Chief, Christele Harrouk, the collective discussed their approach to public architecture, the process of integrating diverse voices, and remaining flexible to the challenges of local conditions.
