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ARCHISONIC® Cotton MOSAIC and ARCHISONIC® Felt CIRC shaping spaces with sustainable elegance. Image Courtesy of Impact Acoustic
What defines a space first when entering: the sound or the visual impression? Architecture is often communicated through structure and surfaces, yet one of its most essential components moves unseen through the air: sound. It shapes how a space feels long before a wall or ceiling is noticed. Computational design brings these dimensions together, allowing architects and designers to create unique structures where acoustics and aesthetics inform one another rather than exist in parallel. By leveraging advanced algorithms, complex design processes transform into intuitive, accessible solutions that shape bespoke acoustic and visual highlights for every project. This approach combines parametric logic with material innovation, balancing efficiency, sustainability, and expressive design in equal measure.
Louisiana Channel, a web TV platform based at the Louisiana Museum of Modern Art in Denmark, is launching a new film titled Søren Pihlmann: Make Materials Matter. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of Pihlmann Architects, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to materials. The film provides a behind-the-scenes look at the process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale. Led by Søren Pihlmann, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the Giardini, transforming it into a material laboratory and experimental construction site. The result is a process exhibition that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.
Like the famous Russian Matryoshka doll, opening a package often feels like uncovering endless layers. Inside a cardboard box, there might be molded Styrofoam, then several plastic air pillows, and finally, individual plastic wrapping around each piece. Even a small product can leave behind a trail of plastic waste far larger than its size. Now imagine this logic applied to a construction site where every component, every delivery of materials, often arrives wrapped in multiple layers of protection. What already seems excessive in retail becomes monumental when repeated daily on large construction projects.
What is the link between architecture and pastry? What design strategies are applied in the contemporary interiors of bakeries and pastry shops? While architecture can serve as inspiration for the design of forms and configurations of edible elements, it also contributes the techniques of descriptive drawing, architectural composition, and staged planning to the culinary language. Focusing their thinking on people and their needs, both disciplines strive for precision, with interior design being a broad field where the use of figures, colors, materials, and various equipment can be explored to enhance user experiences.
From the interior design of sports facilities to wellness spaces, contemporary architecture continues to experiment with incorporating different uses, installations, and materialities that make it possible to reach broader audiences, generate new spatial experiences, and enhance the simultaneous development of various activities. While each sport requires its own type of architecture, such as climbing training, for example, architecture and design professionals are striving to create atmospheres where exercise becomes more than just a physical experience, but also a psychological one, connecting mind and body through a state of physical renewal, relaxation, and sociability.
Since its opening in April, Expo Osaka has welcomed millions of visitors from around the world, standing as a true showcase of innovation, architecture, and design. Among its highlights is the Grand Ring, designed by Japanese architect Sou Fujimoto, considered the largest timber architectural structure in the world. Under the theme of Expo 2025 — “Designing Future Society for Our Lives”, along with Saving Lives, Empowering Lives, and Connecting Lives — more than 150 countries have used their pavilions to address key topics in contemporary architecture, such as circular construction, cultural memory, and innovation and technology aimed at shaping a sustainable built environment for the future.
From the field of architecture and construction, the concept of material reuse is closely tied to circular economy and the reduction of carbon footprints, paving the way toward a more sustainable and responsible future. By incorporating recycling practices, recovery, restoration, and/or the reuse of demolition materials, resource efficiency along with the reduction of energy consumption makes it feasible to experiment with techniques, applications, and new materials that honor the memory of spaces while also bringing new life to both interiors and exteriors.
ESPARTAL Pavilion / ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins. Image Courtesy of TAC! Festival de Arquitectura Urbana
The TAC! Urban Architecture Festival is held annually in Spain with the aim of bringing contemporary architecture closer to the public through installations in various cities, including Granada, San Sebastián, Valencia, Vigo, and San Fernando. Organized by the Ministry of Housing and Urban Agenda in collaboration with Fundación Arquia, the festival seeks to promote experimentation in architecture by constructing temporary pavilions for cultural events and gatherings. The 2025 edition of the festival will take place in two locations: Casa Mediterráneo in Alicante and Plaza Stagno in Las Palmas de Gran Canaria. The pavilions are selected each year through an open call for young architects up to 45 years old. This year's winners have already been announced: the ESPARTAL project by ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins; and DE ROCA MADRE by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro.
Inside Out, Downside Up Pavilion / Slaatto Morsbøl. Image Courtesy of Copenhagen Architecture Forum Copenhagen Architecture Forum (CAFx)
The first edition of the Copenhagen Architecture Biennial will take place from 18 September to 19 October 2025. Organized by CAFx (Copenhagen Architecture Forum), the event marks a transition from the previous annual Copenhagen Architecture Festival to a more expansive platform for architectural exploration. The theme of the inaugural edition, "Slow Down," invites participants to reflect on how the rapid pace of modern life affects the built environment. According to the organizers, this thematic shift encourages the envisioning of spaces that promote sustainability, longevity, and mindful engagement with our surroundings. In line with this vision, the organization launched an open call earlier this year for pavilion proposals that embody principles of circular design while serving as hubs for public programming during the event. Two winning proposals, modular structures by Slaatto Morsbøl and Tom Svilans x THISS Studio, were selected, each offering an approach to architectural deceleration.
Cafés in museums and galleries do more than provide convenience — they have become an essential part of today’s cultural experience. As Claire Bishop explains in her idea of the “expanded aesthetic experience,” cultural spaces now include hybrid environments that encourage new ways of engaging, socializing, and reflecting. In this context, cafés are not just places to rest; they extend the visit on both sensory and symbolic levels, offering moments of interaction and contemplation in carefully designed settings. By blending architecture, art, and hospitality, they help create immersive and welcoming atmospheres — a concept already hinted at by Brian O’Doherty, who viewed exhibition spaces as an integral part of the artwork itself.
In recent years, architecture has increasingly embraced adaptability, flexibility, and responsiveness as core design principles. This evolution reflects a shift from traditional notions of static, permanent structures to dynamic environments that can adjust to changing needs and conditions. Central to this transformation is the concept of "soft architecture", which leverages pliable materials and innovative systems to create spaces that are functional, sustainable, and user-centric. Soft architecture takes shape through membranes that breathe, façades that move, structures that inflate or fold, and surfaces that bend rather than break. It involves designing for transformation — not only in how a building performs environmentally, but also in how it can accommodate shifting functions, user interactions, or temporary occupations. This approach to building challenges traditional notions of durability and control, proposing instead a more responsive and open-ended architecture. It reflects a growing awareness that buildings, like the societies they serve, must be able to evolve.
Søren Pihlmann is the curator of the Danish Pavilion at the 2025 Venice Architecture Biennale. The exhibition, commissioned by the Danish Architecture Center, is titled Build of Site, and focuses on exploring sustainable architectural practices through the lens of reuse and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the Biennale's Giardini, into an active exhibition space for material experimentation. The installation highlights techniques that incorporate recycled and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.
When creating exhibition spaces, the design of the experience, the proposed route, and the transmission of certain perceptions and senses contribute to establishing different bonds and connections between the displayed objects and their visitors. Understanding a showroom as a space designed to creatively and experientially showcase products and services, what design strategies could enhance users’ interior experiences? How does interior design engage in dialogue with exhibition architecture?
During the Time Space Existence exhibition, organized by the European Cultural Centre in Venice, Pritzker Prize-winning architect Alejandro Aravena and his firm ELEMENTAL unveiled a full-scale prototype for a new approach in incremental housing solutions. Titled the USB Core, standing for Basic Services Unit housing prototype, this proposal aims to demonstrate how efficient construction can provide all the essential housing components in a minimal space. The prototype is also the result of a collaboration between the architecture office and concrete manufacturer and researcher Holcim, and is built out of a newly developed type of net-zero concrete mix. It also incorporates fully recycled aggregates, in alignment with circular economy principles. The collaboration aims to demonstrate a more environmentally conscious yet cost-effective way of providing essential services to at-risk communities without harming the planet.
While on site in Venice, ArchDaily's managing editor Maria-Cristina Florian had the chance to sit down with Alejandro Aravena and discuss the implications of this collaboration, the urgent need for housing, and the role of the architect as the coordinator of a process involving many actors.
A new architecture and design exhibition opened on April 11, 2025, at the Danish Architecture Center in Copenhagen. Titled Recycle!, it explores recycling and reuse as a new way of creating, living, and building within the urgent context of the current climate crisis. The exhibition goes beyond presenting recycling and reuse as necessities; instead, it frames them as positive cultural shifts taking root in the construction industry and society at large. One of the exhibition's goals is to highlight the importance of resource awareness by posing the question: How can we increase the conservation, reuse, and transformation of what we already have?
Courtesy of The Singapore Pavilion, Expo 2025 Osaka
DP Architects group, in collaboration with Kingsmen Exhibits, designed the Singapore Pavilion for the Expo Osaka 2025. With the grand opening on 13th April, the pavilion is now welcoming visitors. The concept of the pavilion centers around the tagline "Where dreams take shape," aiming to offer an insight into the country's culture and impactful innovations. The pavilion, taking the shape of a 17-meter-high sphere clad in recycled disks, creates a multi-sensorial exhibition showcasing actions and innovations that encourage a more sustainable future.
Officially open since April 13 as part of Expo 2025 Osaka, the German Pavilion, designed by LAVA Architects. brings to life the theme of the circular economy. Previously unveiled under the title "Wa! Doitsu" (translated as "Wow! Germany"), the Pavilion explores concepts around circularity, showcasing the "terminological culmination of the sustainability discussion." Focusing on returning all consumable goods to the cycle of the economy, achieving zero waste, and minimizing resource consumption, the theme is visible throughout the entire design.
MVRDV has recently completed Mega Mat, a temporary installation for public gatherings and performances made from recycled plastic mats. Created for Bangkok Design Week, the joint goal of the architects and the Thai Creative Economic Agency was to design a space that also raises awareness about plastic waste and recycling in Thailand. The result is an infographic public space that, in addition to featuring bright, eye-catching colors, follows a color-coded system to organize information about the country's plastic waste processing. Mega Mat takes recycled plastic to reinterpret an everyday household item: the Sua, or mat, on which Thai families have been sitting for generations. This fresh take on a familiar object showcases the potential of using recycled plastic in daily life, embodied in a versatile public space now installed in the heart of Bangkok.
