All architecture is grounded in the earth. This pliant, resilient raw material is the origin of extruded ceramic tiles—clay transformed from its natural state into an architectural solution without relinquishing any of its authenticity. Exagres' work is rooted in this natural material, carefully transforming the clay with skillful precision and guiding it on this journey rather than forcing it.
The new headquarters for Cybernet Systems was designed around the Japanese architectural concept of flexibility, promoting well-being, collaboration, and productivity. As a global leader in Computer-Aided Engineering, supporting industrial production through advanced digital solutions, the headquarters, located in the Fuji Soft Akihabara Building in Tokyo, embodies the company's commitment to creating a dynamic, technology-driven community.
Developed by MB-AA (Matteo Belfiore Architect & Associates) and Shukoh, in collaboration with Cybernet Systems, the project translates corporate values into spatial design. Minimalism, natural light, and openness define the environment. Transparent partitions and adaptable layouts foster communication while allowing each employee to personalize their workspace. Well-being, creativity, flexibility, and technology form the core of the project.
Spain combines cultural diversity and a long constructive tradition that is directly reflected in its architecture. The country is home to influential schools, a consistent body of theoretical production, an active generation of architects, and a well-established construction industry with strong capabilities in innovation, standardization, and export. Contemporary Spanish architecture is marked by a plurality of approaches and by the articulation between material tradition, technology, and performance.
In this context, materials play a central role in the conception, expression, and functionality of buildings. Steel, glass, brick, stone, and wood remain essential inputs in architectural practice, but their role goes far beyond raw matter. Once industrially processed, these materials unfold into a wide range of products and systems such as technical panels, ventilated façades, structural components, extruded cladding, and brise-soleil systems.
Since its opening in April, Expo Osaka has welcomed millions of visitors from around the world, standing as a true showcase of innovation, architecture, and design. Among its highlights is the Grand Ring, designed by Japanese architect Sou Fujimoto, considered the largest timber architectural structure in the world. Under the theme of Expo 2025 — “Designing Future Society for Our Lives”, along with Saving Lives, Empowering Lives, and Connecting Lives — more than 150 countries have used their pavilions to address key topics in contemporary architecture, such as circular construction, cultural memory, and innovation and technology aimed at shaping a sustainable built environment for the future.
In recent years, working from home has become increasingly common, creating a need for domestic spaces that accommodate both professional and personal life. This is especially true for artists, where the integration of living and working spaces is essential. Often, these spaces must also serve as areas for exhibiting artistic production, such as paintings, sculptures, ceramics, and more.
This fusion of work and living environments has influenced architectural and interior design trends, prioritizing flexibility, multifunctionality, and aesthetics that foster both creativity and comfort. Open-plan layouts, modular furniture, and adaptable lighting solutions are now key elements in designs that support the seamless coexistence of work and personal life.
A surface does more than simply cover a space—it transforms it, infusing personality, rhythm, and soul. It evolves from being a mere backdrop to becoming an active element that shapes the atmosphere through the interplay of material, form, and light. The balance of the touch, the thickness, incisions, tones, and luminous reflections can transform surfaces into sensory experiences. Textures can evoke stability or lightness, grooves introduce dynamism, colors define moods, and light sculpts depth and movement. Ceramic, with its aesthetic and functional versatility, is particularly well-suited to this role, offering architects a broad palette of creative possibilities.
Created by a series of angled parallel lines that form a mesmerizing zigzag, the herringbone pattern has withstood the test of time and remains present in diverse design styles. Named after the resemblance to a fish's bones –a herring, for instance–, this classic V-shaped pattern arranges rectangular blocks in different proportions. With varying block edge length ratios, such as 2:1 or sometimes 3:1, the versatile design adapts to a wide range of uses, dimensions and materials.
The arrangement of the blocks, even when used in single colors, creates a subtle texture and adds visual interest. While the herringbone arrangement may seem simple at first glance, the strong directional quality of the typically 45-degree angle lines requires a careful design process for a seamless and consistent look. The pattern can be found in walls and floors, from fabrics to wood and tiles. By playing with geometric shapes, it continues to be a trend that infuses style and structure into interior design while complementing a space's overall aesthetic. Below we dive into Architonic’s catalog to present different ways to apply it, exploring ceramic, wood, and synthetic herringbone patterns.
In the quest to preserve certain architectural, historical, and cultural features of original Catalan homes, apartment renovations are conceived as a means of connecting the past and the present through the recovery and/or restoration of coverings, flooring, carpentry, facades, and more. The history of ceramics in Spain has evolved over the years, experiencing periods of productive flourishing as well as decline. However, the expressive language, versatility, and adaptability of hydraulic tiles to tradition and the future stand out in homes' interior and exterior spaces with their wide combination of colors, textures, and patterns.
The historical local markets of San Lorenzo and Sant'Ambrogio in the centre of Florence, Italy, have been a meeting point for local people for decades; a privileged location from which a sense of community, belonging and sharing has grown. The structure-symbol for local residents and a major tourist attraction, they recently underwent a series of renovation works to update their image and strengthen relations with customers and retailers, with a view to preserving their identity and authenticity.
In pool design, one big challenge is to make sure that the pool blends in with the rest of the architecture. If it is being designed from scratch, the materials must meet the necessary design criteria, as well as the technical requirements of areas exposed to the elements and in direct contact with water.
These were the premises that Sebastián Arquitectos took into account in this project for a villa—Casa EA!—, using a single floor tile collection by Gres Aragón. Set in the midst of Litago nature reserve, at the foot of Mount Moncayo in Zaragoza (Spain), the villa blends in beautifully with its surroundings.
Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.
Embracing this perspective and demonstrating a commitment to sustainability through waste reduction and resource conservation, VitrA has created an entire washbasin with 100%* recycled waste materials, including discarded ceramics from its production process. This innovative product has been designed to have a minimal environmental impact and reduce the global warming potential of its production by 30% per product, transforming materials once considered waste into valuable resources.
Architecture, understood as a cultural product, is strongly influenced by diverse stimuli that include historical, geographical, and cultural aspects, among others. Together, these elements form a heritage that may (or may not) endure through time. Although architecture tends to adapt to each culture, modeling its traditional techniques according to its context and shaping the surrounding environment, there is no guarantee that the traditional elements in it will endure or remain unchanged over time. This is largely due to the constant evolution of society and technology, which sometimes tends towards universality and the adoption of a common language, rather than one of their own.
Given this scenario, it is essential to explore an approach where innovation and technology do not replace tradition and artisanal production; instead, they arise as a means of exploration towards emerging routes. Adopting novel techniques and innovative materials that are adapted to specific local needs makes it possible to maintain an authentic expression that responds to the demands of the environment. This approach, which could be termed neo-craft, allows for the preservation of a distinct voice that reflects the authenticity of the local context. At the same time, it contributes to a universal perspective, merging the local with the global.
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
Aiming to balance the calm and uniformity of minimalism with the tactile appeal of raw, textured materials, ceramics emerge as a versatile medium to bridge the gap between sterile spaces and those that might become overwhelming. Whether incorporating large formats or small mosaics, or embracing organic or geometric aesthetics, the diverse range of ceramic options enables the infusion of character into spaces while maintaining a sense of order and cohesion. But it is not a simple task. In the pursuit of this harmonious blend, we explore specific types of ceramic cladding that have been effectively applied in architectural projects, enriching the visual language of minimalism while grading its complexity with precision.
The duality of sunlight in the field of architectural design presents fascinating contrasts, especially when addressing the question of how to interact with it through the built environment and the materials that define architecture. The sun's influence in this discipline has become an essential part of the cultural heritage of some countries, as evidenced by Spanish architecture, where the interaction with sunlight manifests through elements such as lattices. These lattices are recognizable on the facades of buildings from the Middle Ages, exemplified by structures like the Alhambra, to 20th-century constructions such as Casa Gomis, considered historical monuments.
The facade, being the skin of the building, is the architectural component that is usually directly exposed to sunlight. Based on this premise, we seek to establish a dialogue between openness to the environment and the need for protection, thus creating a synergy between functionality and aesthetics. In this context, sunscreen facades have been developed through various approaches, standing out for their ability to address this design condition. For this reason, we have selected solar control solutions from Spanish brands, distinguished by their technical characteristics and materiality through various approaches.
Heatherwick Studio has revealed the design of a new shopping district in the historic city of Xi’an in Shaanxi, China. The proposal aims to highlight the city’s rich heritage of ceramic-making and, through this, to create a sensory experience for visitors in opposition to the restricted act of online shopping. Spanning over 1115,000 square meters, the development features a mixture of functions, from offices, apartments, and a hotel, to a variety of green spaces, rooftop terraces, gardens, and a sunken terrace, all doubling as social spaces. The project is under construction and scheduled for completion in 2024.
The small town of Illueca lies in a rift valley, flanked by the massifs of the Sierra de la Virgen and Sierra de la Camamila mountain ranges, which run close to the Moncayo Nature Reserve (Zaragoza, Spain). It is in this setting that Permán & Franco Architects Studio have built a primary-care health center, with a distinctive design and ventilated façade by Faveker.
The Illueca Health Centre stands in a new development area of the town, providing the region with healthcare services, including 11 nearby towns and villages. It was built on an almost 1,400 m2 plot of land featuring an over two-meter drop between the entrance at street level and the land used as a base for the building.
The Santa Creu & Sant Pau Hospital Research Institute, designed by Pich Aguilera Arquitectes in conjunction with 2BMFG Arquitectos, stands in the Santa Creu & Sant Pau Hospital complex in Barcelona –one of the biggest Modernist Spanish architectural ensembles, declared a World Heritage Site by the UNESCO.
The Research Institute stands out for its striking ceramic envelope and its capacity to blend in with Sant Pau Hospital’s Modernist buildings, while also focusing on high energy savings and improved comfort inside the building. The ceramic slats were made to measure for the project by Faveker, a specialist in high-tech façade solutions.
