As part of the Design Doha 2024 Biennial, Glenn Adamson and Péter Tamás Nagy present the exhibition “Colors of the City: A Century of Architecture in Doha” investigating the architectural evolution of the capital of Qatar based on multiple global influences that characterize it. Running until March 30, 2024, the exhibition offers a journey through Doha's architectural history featuring various styles such as Classicism, Art Deco, and Modernism, contemplating the Qatari adaptations of these styles developed by architects from Europe, America, the Middle East, and South Asia.
When a brief to design a new office space asks for something fresh, energetic, and modern – a space where employees enjoy being and, crucially, enjoy working in, which helps them to focus on individual tasks but also to relax, collaborate, and create – there are few better places to begin than a color wheel. As the world of work and the varied environments it takes place in become less formal and restricted in their design, architects, designers, and, more importantly, their clients are handing the boring, monotone office its redundancy papers and looking outside the establishment at more expressive colorful options.
While blue’s ability to improve concentration, stimulate thinking, and provide mental clarity helps to increase productivity, the human body needs regular periods of rest and relaxation, too. For this, warm colors like yellows provide relaxation through warmth and comfort – perfect for break-out areas. Meanwhile, reds and oranges promote creativity and expression, meaning they can be useful for areas designated for social collaboration, whilst green encourages a calmer, more balanced approach, for a different kind of meeting.
Nowadays, the cycles of change around society and architecture have generated new urban models, emerging technologies, and design trends that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the EGGER Decorative Collection 24+, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.
https://www.archdaily.com/1012771/from-wood-stone-steel-and-uni-colors-a-decorative-collection-for-fast-moving-trendsEnrique Tovar
Pantone has just just announced “Peach Fuzz” or PANTONE 13-1023,” the 2024 Color of the Year. Known for its color standards and digital solutions in the design community, Pantone announced the color aiming to move towards empathy and understanding. A hue between pink and orange, the color is soft and inviting and offers “tenderness and communicating a message of caring, community, and collaboration.”
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I Was Born Installation / HAJIME YOSHIDA ARCHITECTURE + YOSHIHIRO MIKAMI. Photo: Courtesy of HAJIME YOSHIDA ARCHITECTURE + YOSHIHIRO MIKAMI
A space is much more than just its appearance. Textures, smells, and sounds can strongly affect the user's experience. Based on this, sensory architecture can transform the interaction between people and the built environment into something even deeper.
The year 2024 brings forth an intriguing array of Color of the Year selections from renowned paint manufacturers, each offering a unique perspective on the hues that will influence our living spaces. Striving to capture the moods and aspirations of the coming year, color experts have veered towards soft and calming shades, hoping to bring a sense of serenity to counter the hectic and tumulus passing year. Countering the bold color chosen by Pantone in 2023 as their previous Color of the Year, Benjamin Moore embraces a softly saturated and nuanced shade, AkzoNobel emphasizes calmness and stability, Sherwin Williams aims to inspire mindfulness, Graham & Brown fosters warmth and tranquility, and C2 Paint focuses on freshness and sustainability.
Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia”by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.
Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.
https://www.archdaily.com/1007798/balancing-neoclassical-and-futuristic-design-the-utopian-dream-bathroom-conceptEnrique Tovar
Colors have played an essential role in the history of modern architecture - from Le Corbusier's theory of polychromy to the aesthetic conceptions of the Bauhaus. However, we find ourselves at the beginning of an era where the interpretation and implementation of colors in architecture are undergoing a transformation based on their impact on the built environment.
Throughout the month, we conducted an open call to listen and learn from our readers, exploring their predictions and thoughts related to the future of colors in architecture. After reviewing an immense number of comments and opinions, it was surprising to discover commonalities regarding the importance of considering energy efficiency in color choices. Check out the main viewpoints below.
With the proper know-how, readily available earth, sand, chalk, lime, or gravel can yield a versatile, strong, and durable construction material. Its colorful results vary from region to region, depending on the natural soil component, climate, and treatment. While some prefer to minimize any added processing, others relish the exploration of rammed earth surfaces. Different textures and mesmerizing layers of multitoned or multicolored earth can be used to create a solid surface that enriches the visual quality of a space and carries a sense of warmth to any project.
From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, Purepecha, and Mexica (Aztec) thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, Mexican architecture showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate Octavio Paz argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.
To trace a timeline, it is possible to take as a starting point pre-Hispanic architecture, which exhibited a diversity of nuances due to Mexico's vast territorial extension. This allowed diverse cultures to find their niche and develop their characteristic architectural styles. Subsequently, the era of Spanish colonization, which itself drew influence from Islamic architecture, represented a noteworthy turning point in architectural development. This phase endured until the advent of Mexican Independence in the 19th century. In turn, this marked the initiation of social and cultural movements, both during and after the Mexican Revolution in the early 20th century.
https://www.archdaily.com/1005554/materials-that-define-the-contemporary-mexican-architectural-aestheticEnrique Tovar
Many architectural projects have been giving special attention to cabinetry and built-in furniture. These custom-made wood pieces are designed for specific purposes and can be used to organize the space, which can be living rooms, bedrooms, studies, kitchens, and bathrooms. Besides functionality, these elements also introduce different materials, textures, and colors into the environments. This article will explore some examples of how colorful cabinets and furniture can make architectural projects more vibrant.
The work of the French-Swiss architect Charles-Édouard Jeanneret is, among many other adjectives, comprehensive. Le Corbusier explored a wide range of scales in his work, from furniture design to urban planning for entire cities. His diverse portfolio also encompassed painting, varied projects, and writing books. One thing that isn't talked about as much, however, was the color theory he developed and applied to several of his architectural designs and artistic endeavors. Deeply rooted in his belief that color plays a significant role in evoking emotions and creating spatial illusions, Le Corbusier's color theory was described in his book "PolyChromie Architecturale" (polychrome architecture), published in 1931. There, he introduced his concept and a carefully curated range of colors that were intended to be used in specific architectural contexts.
Colors directly influence space perception. Through them, it is possible to stimulate the user's mood - making the environment calmer or more dynamic - and also change our perception of space without changing a centimeter of any wall. Dealing with them is not always easy. In a time when we want rooms with more personality (or more "instagrammable"), learning to compose with different shades and textures is essential.
Even though Isaac Newton’s experiments and observations led to the development of the color wheel during the 17th century, his revolution in the understanding and application of colors continues to influence the creation of architecture and design projects. Arranging colors in a circular format, Newton mapped the color spectrum to create the first color wheel. As a visual representation of how colors relate to each other, it has been a fundamental tool for artists, architects, and designers to understand color relationships and therefore create appealing palettes for each space. Beyond merely “eyeing” color combinations, applying the color theory based on the geometric relationships in the color wheel helps designers determine which colors are suitable together. Color has the ability to play with spatial perception, create a sense of atmosphere, and evoke emotional responses, making it essential for design.
By exploring the multiple possibilities of the color wheel, we create a guide to enhance architectural design through three color combinations: monochromatic, analogous, and complementary.
Light and color are intrinsically linked, as color cannot exist without the presence of light. In 1665, Isaac Newton made a momentous discovery when he observed that white light breaks down into different colors as it passes through a prism, creating a spectrum. This discovery laid the foundation for understanding the nature of light and developing color theory, which had a significant impact not only in the scientific field but also in artistic disciplines such as painting, photography and architecture.
https://www.archdaily.com/1001361/laminated-glass-skylights-infused-with-vibrant-colors-the-kaleidoscopic-stationEnrique Tovar
Las Palmas, Canary Islands. Drone photo by @sebastien.nagy
Fascinating and photogenic, colorful cities often catch the eye not only of the thousands of tourists visiting every year but also of many architects around the world. From an aerial viewpoint - which happens to be how many visitors get their first glimpse of these cities from the window of an airplane - one can see the colorful picture created by the many different shades of roofs and rooftops.
There are many different reasons for this diversity of colors. Some cities use specific colors on roofing as a climate strategy, while others simply have a tradition of painting houses in a certain way. In any case, these colorful cities are unquestionably very visually appealing.
With a high proportion of white mixed with a small amount of colorful pigments, pastel colors provide a range of pale, subdued tones. Related to soothing and calming environments, these colors have a timeless quality and can be seen throughout different architectural styles, such as rococo, art déco or the mid-century modern years. Applied in exteriors, interiors, or both, pastel tones make rooms feel more light, airy and spacious.
From subtle accents to taking the spotlight in a project’s overall strategy, pastel colors are a versatile alternative that can be used in multiple ways and varying degrees. Following Ricardo Bofill’s color proposals, Paulo Mendes da Rocha’s interiors and Michael Graves’ buildings, contemporary architecture plays with soft colors for aesthetic and functional purposes, as well as providing a sensory experience. Analyzing different examples of their application in architecture and design, we showcase how four prevailing colors –mint green, pale pink, lemon yellow and light blue– are currently taking the stage.
Research by the Science Museum Group based on objects from different periods of UK history shows how their colors have transformed over time, leaving vibrant tones behind and becoming grayer every day.
Cat Sleeman examined more than seven thousand photographs of everyday objects from the Science Museum Group Collection in research funded by the Creative Industries Policy and Evidence Center (PEC). From cameras to lamps and other household objects, they were organized into 21 different categories according to their use. The analysis was carried out based on counting pixels of different colors and also addressed the shape of the objects.
