Graphic artist and designer Martin Vargic of Halcyon Maps has created a fascinating set of infographics that showcase both the cultural typologies of each continent’s architecture as well as the evolution of its tallest buildings throughout history. Exploring the progression of height differences of the tallest buildings in Europe, North America, Asia, Africa, South America, and Oceania, Vargic’s visually-striking charts detail 5,000 years of building history, from ancient to modern times.
Check out the charts, after the break.
“Three floors in a day is China’s new normal,” says a representative for this 57-floor skyscraper that was built in just 19 days. Known as the “Mini Sky City” tower in Changsha, the 180,000-square-meter mixed-use building was built in record speed with modular, “LEGO-like” blocks. The process also claimed to have required less materials and significantly reduced the amount of air pollution commonly caused by dusty construction sites.
A time-lapse of the construction process, after the break.
Conceptual plans of Perkins+Will’s East 37th Street Residential Tower in New York City have been unveiled. Debuted in Cannes, France, during MIPIM, where the high-rise received a “Future Projects Award,” the 700-foot-tall Manhattan tower boasts a “shimmering, angled curtain wall” organized by five clusters of shared amenities and open-air gardens.
More about the 65-story, 150,000-square-foot condominium tower, after the break.
“If London doesn’t grow up, it will need to grow out.” Following last year’s report, New London Architecture (NLA) in cooperation with GLHearn (an independent property consultancy) have released the results of their annual London Tall Buildings Survey. In 2014, they forecast 236 new tall buildings for the British capital, a figure which has risen to 263 buildings over twenty stories for 2015. Alongside this, they believe that around 14,800 new homes are “under construction for London.”
See these numbers broken down after the break.
Adjaye Associates has announced plans to transform a 17-floor post-modernist structure in Johannesburg’s central business district into a luxury mixed-use building that will be known as the “Hallmark House.” Scheduled for completion mid-2016, the project aims to “combine an African aesthetic with a contemporary vision” and form a new typology for urban living.
“The transformation of Hallmark House is an opportunity to apply fresh thinking to urban community and to address changing lifestyles with a more fluid approach to the way we inhabit cities,” says David Adjaye.
Rogers Stirk Harbour + Partners (RSHP) has unveiled a massive commercial development planned for central Bogotá. The mixed-use project, ATRIO will be comprised of a 200-meter North Tower and 268-meter South Tower that will be connected by a large, open public space that will take up two thirds of the project’s site in the area of Centro Internacional on Avenida El Dorado and Avenida Caracas.
“The clients brief was not only to deliver class office accommodation but also to create a new public space at the heart of the city. The project is a really exciting opportunity to contribute to the resurgence of a civic society in Bogota,” says Simon Smithson, Partner and lead designer at RSHP.
Foster + Partners has unveiled plans for an 80-story mixed-use tower that will rise 318-meters on a prominent site in downtown Toronto at One Bloor West. The city’s second tallest building, “The One” skyscraper aims to “pioneer a new model of vertical retail” with an expansive, 60-meter commercial base that will anchor dense housing.
Egypt’s Minister of Housing Moustafa Madbouly has revealed plans to build the nation’s tallest tower in Cairo. The pyramid-like Zayed Crystal Spark tower will top out at 200-meters (656-feet) and occupy a 798,000-square-meter parcel in the city’s Sheikh Zayed district – a short distance from the historic pyramids of Giza.
Rüdiger Lainer and Partner plans to construct the world’s tallest wooden skyscraper next year in Vienna’s Seestadt Aspern area. 76 percent of the 84-meter tower is expected to be made from wood rather than concrete, saving approximately 2,800 tonnes of CO2 emissions (equivalent to driving a car 25 miles a day for 1,300 years).
“I think it is important everyone now in 2014 thinks in different ways. We have wood, which is a perfect construction material for building,” she said. “It was used 200 years ago and it was perfect then and is perfect now,” says Kerbler project developer Caroline Palfy, commenting on the architects’ decision to use wood due to its environmental benefits.
An interior loft view and more details, after the break.
The latest video from Crane.tv takes viewers into the Paris practice of Agence Chartier-Corbasson, where Thomas Corbasson, one half of the founding duo, explains the firm’s ongoing “competition of ideas” for developing an organic skyscraper.
Envisioned for what Corbasson describes as the “very dynamic city” of London, the “self-growing” tower is an exercise in biomimicry, drawing inspiration from coral and fractals to create “a sort of organic scaffolding.” As yet, the project has no client, but Corbasson is confident that the concept will be met with interest.
“It’s the social role of an architect to create something beautiful,” he told Crane.tv, “And if we can use something ugly like pollution to create beauty then I think we, as architects, are useful.”
Taking the urban high-rise “one step further,” BIG’s Vancouver House (formerly known as the Beach and Howe Tower) is a gesamtkunstwerk – total work of art. Detailed to the smallest scale, the grand scheme makes use of a difficult site trisected by the Granville overpass and burdened by setbacks, transforming it into a “lively village” at the city’s gateway.
Learn how Bjarke Ingels plans to revolutionize urban living by watching the video above.
Construction has commenced on Pei Cobb Freed & Partners’ 61-story condominium tower in Boston’s historic Back Bay. The $700 million development will be the tallest residential building in the city, and the tallest tower to rise since the 1976 John Hancock Tower, also designed by Pei Cobb Freed.
“The project allows us to consider once again how a tall building, together with the open space it frames, can respond creatively to the need for growth while showing appropriate respect for its historic urban setting,” says Henry Cobb of Pei Cobb Freed & Partners.
Taichung Mayor Lin Chia-lung has temporarily “pulled the plug” on Sou Fujimoto’s ambitious Taiwan Tower, saying he would rather pay a penalty for breaking the contract than spend an estimated NT$15 billion to realize the “problematic” project.
The Banyan tree-inspired tower was hoped to become the “Taiwanese version of the Eiffel Tower,” as well as a model for sustainable architecture by achieving LEED Gold with its energy producing features. Its steel superstructure, which proposed to hoist a triangular section of the Taichung Gateway Park’s greenbelt 300-meters into the air, intentionally had “no obvious form” and was to be perceived as a natural phenomenon.
London practice Avery Associates Architects has unveiled their designs for No.1 Undershaft, a 270-metre tall office tower directly adjacent to Rogers Stirk Harbour + Partners‘ Cheesegrater in the City of London’s central skyscraper cluster. The building is currently planned to be the tallest in this cluster and the second-tallest in London (after the Shard) – notwithstanding an as-yet-unrevealed plan for the site of the scrapped Pinnacle project which could potentially supersede it.
In celebration of Rogers Stirk Harbour + Partners’ relocation to their newly constructed Leadenhall Building, the London-based practiced has released a short film that captures the “making of” the 52-story, 225-meter skyscraper. RSHP, now occupying the building’s 14th floor, is said to be proud to be Leadenhall’s latest tenants:
“After 30 years at Thames Wharf Studios, it is important for us to be moving into a building that reflects the ethos and evolution of our design practice, clearly stated in its urban relationship with the Lloyd’s building opposite,” says the partners of RSHP. “We will begin this new phase of our history in a building that already feels like home but allows us the advantages of a contemporary, flexible office space in a prime location in the increasingly vibrant and exciting City of London.”
This past year was a record-breaking season for skyscraper construction. According to a new survey by the Council on Tall Buildings and Urban Habitat (CTBUH), 2014 saw the completion of 97 buildings that were at least 200 meters tall. Of those, 11 were 300 meters or taller, earning them the classification of “supertall.” These are the highest figures on record, with 2011, for example, seeing only 87 200-meters-plus buildings completed.
In addition, in 2014 the total height of completed buildings (23,333 meters) broke the 2011 record of 19,852 meters. With major countries like China becoming increasingly urbanized, and the world economy recovering from recession, the CTBUH expects that these numbers will only increase. See the details of CTBUH’s report, and learn what the numbers may predict about the future of skyscraper construction, after the break.
In a review of Rafael Viñoly Architects’ 20 Fenchurch Street, which is also known as the ‘Walkie-Talkie’ or ‘Walkie Scorchie’ after it emerged that its façade created a heat-focusing ray strong enough to melt cars, Rowan Moore questions London’s preoccupation with iconic buildings and its money-driven planning schemes. Using 20 Fenchurch Street as a key example, Moore argues that not only does the building seem “to bear no meaningful relationship to its surroundings,” but its Sky Garden - a terrace at the top of the building which claims to be “the UK’s tallest public park” – is a symbol of a bewilderingly unbalanced economy.
The idea of mixed-use residential buildings is rapidly gaining popularity in urban America. The concept of being able to work within walking distance of where you live is both convenient and economical. Matthew Rosenberg, design director of M-Rad Studio, recognizes this, and has proposed a dramatic live/work design for the Downtown Project of Las Vegas, Nevada. Titled Inter-Act Residence, the building (or, potentially, series of buildings) would incorporate modular offices and apartments, strategically arranged for interaction between residents.