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The future of architecture isn't just being drawn—it's being coded. Since mathematician John W. Tukey coined the term "software" in 1958 in The American Mathematical Monthly, its influence has steadily expanded, from revolutionizing science and engineering to quietly transforming architecture. What was first embraced as an innovation for structural calculations and drafting has since revealed a much broader potential, becoming a creative driver in architectural narrative and practice.

While that transformation has already taken root—software now embedded in the way we design and think—it continues to evolve. At the recent AIA Conference on Architecture & Design in Boston, current innovations made it clear that we're entering a new chapter: one where software and artificial intelligence aren't just enhancing workflows but actively shaping sustainability, regulation, and decision-making. Architects and software developers now treat code with the same logic as a material—shaped not by modeling or carving, but through parameters, cycles, constant evolution, and feedback. At the same time, architects are working with AI as a co-pilot in the design process, collaborating with it to support decision-making and enhance the design.

Following two International Exhibitions — Broken Nature: Design Takes on Human Survival (2019), which explored the human relationship with natural phenomena, and Unknown Unknowns (2022), which examined the limits of scientific understanding — Triennale Milano now calls on the global cultural, scientific, and artistic communities to confront the pressing issue of inequality.

In an epoch when the risk of species extinction, war and ever-growing geopoliticaI imbalance loom over our future, lnequalities proposes to look again at the sphere of human relations and the increasing inequalities running through it.

The Croatian Pavilion presents "Intelligence of Errors" at the 19th International Architecture Exhibition – La Biennale di Venezia, an artistic and research-driven project that repositions spatial and policy-related errors as generative tools for design. Commissioned by the Ministry of Culture and Media of the Republic of Croatia, the exhibition is curated by Ida Križaj Leko, a practicing architect and head of the interdisciplinary university specialist program Urban Studies at the University of Rijeka. In dialogue with the central Biennale theme, Intelligens. Natural. Artificial. Collective., the pavilion investigates how recognizing and analyzing errors can contribute to the development of collective intelligence under non-ideal conditions.

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MVRDV has released images of "Out of the Box", a 12,025 sqm residential tower in Tianmu, one of Taipei's northernmost neighborhoods. Designed for Win Sing Development Company, the project began in 2019 and was developed using a system of standardized elements digitally distributed based on criteria such as habitability, efficiency, and access to community services. These elements are expressed in the tower's irregular, gridded façade, which features a layered marble cladding.

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Designed by David Chipperfield Architects, Muzej Lah, a new contemporary art museum, is set to open in the summer of 2026 in Bled, Slovenia. Located at the foothills of the Julian Alps, the museum will house the Fundacija Lah art collection, developed over more than three decades by Slovenian philanthropists Igor and Mojca Lah. The collection will be made publicly accessible for the first time with the opening of the institution.

The intersection of neuroscience and architecture/design has brought innovations to the way spaces are conceived.Recently, the relevance of inclusive and regenerative design has come to the fore, addressing the need to create environments that welcome human diversity, including older adults and neurodiverse individuals. This approach not only broadens accessibility but also promotes environmental regeneration and user well-being.

At the heart of design lies the intersection of technique and creativity—a space where ideas take shape and environments are reimagined. In a world prevalent with mass-produced objects, the focus is shifting toward something more deliberate, where every decision opens up new possibilities and allows design to break free from the conventional. Think of the LC1 armchair by Le Corbusier or Mies van der Rohe's Barcelona chair—not simply furniture, but outcomes that illustrate a studio-driven freedom where ideas, materials, and finishes are allowed to converse, not conform. These pieces don't just fill a room; they reimagine it. This spirit of innovation now extends to every detail, from kitchen to bathroom fittings, where the range of choices—materials, form, and function—becomes an opportunity to craft something truly unique.

Copenhagen and Hamburg-based architecture office ADEPT has won first prize in the international competition to transform a former Karstadt warehouse in the historic center of Braunschweig, Germany, into the Haus der Musik. The 18,000-square-meter cultural complex will include a new concert hall, a public music school, and community-oriented spaces. Emphasizing adaptive reuse, the project retains the existing load-bearing structure and architectural rhythm, positioning the intervention as a continuation rather than a replacement.

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Architectural competitions have long offered a space for experimentation: platforms where ideas can be tested, typologies reimagined, and critical questions addressed through design. Freed from some of the constraints of commercial commissions, competition entries often reflect ambitious visions for how architecture can respond to environmental, cultural, and social challenges. Whether focused on future habitats, public institutions, or small-scale community infrastructure, these proposals give shape to the values and priorities driving architectural thinking today.

This month's Unbuilt selection brings together eight competition-winning projects submitted by the ArchDaily community. Each received first, second, or third place in recent local and international competitions. The featured proposals span a wide range of programs and geographies: a sustainable library in Lima, a Martian habitat exploring closed-loop systems, an adult orphanage designed for empowerment in India, a new French school in Athens, and a placemaking initiative in Singapore rooted in local folklore. While varied in scale and scope, they all highlight architecture's capacity to engage context, foster inclusion, and propose new ways of inhabiting space.

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What can our existing buildings teach us about building for the future? In a time of dwindling resources, architects are increasingly called to engage in dialogue—with the site, its history, and the untapped potential of what already stands. Rather than defaulting to demolition and new construction, the future of architecture may rest in uncovering the possibilities for innovation within buildings that have already stood the test of time.

The Aga Khan Award for Architecture (AKAA) has announced the 19 shortlisted projects for its 2025 cycle. Selected from a pool of 369 nominations, these projects will compete for a share of the USD 1 million prize, one of the most significant awards in the field. The shortlist was determined by an independent Master Jury composed of nine members: Azra Akšamija, Noura Al Sayeh-Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong. The Jury will meet later this summer to review on-site evaluations and select the final recipients of the 16th Award Cycle (2023–2025).

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The proposed mixed-use tower at 175 Third Street is the fifth building planned across four sites within the Gowanus Wharf development in Brooklyn, New York. With views toward Manhattan and the Statue of Liberty, the 1,080,000 sq ft proposal includes affordable housing, retail and artist spaces, fitness areas, social and entertainment spaces, culminating in a rooftop with lounging zones and an outdoor pool. The project also envisions a 28,000-sq-ft public waterfront esplanade designed by Field Operations, intended to contribute to the ecological rehabilitation of the Gowanus Canal, continuing the broader transformation of this industrial neighborhood. Other project collaborators include dencityworks | architecture, AKRF, bucharest.studio, DeSimone, Ettinger Engineering Associates, Fried Frank, Hatfield Group, Impact Environmental, and Jenkins and Huntington.

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