Housing production has been relying on the same spatial configurations for almost a century, catering to a vision of domestic life that no longer constitutes the norm. The widespread housing shortage, the issue of affordability, the rise of single-person households, and an aging population prompt a re-evaluation of existing housing models to address a broader range of demographics and adapt to the changing needs of city dwellers. The following explores contemporary collective housing models that provide the framework for new dwelling experiences and support current lifestyles.
Mass Housing: The Latest Architecture and News
Rethinking Volume Builders through Customizable Contemporary Designs with Metricon
Use the term ‘volume builder’ in front of an architect, and there’s a fair chance they’ll shudder. Conjuring a vision of homogenous, mass-produced boxes squished together, ruining the look of leafy suburbs traditionally populated by impeccably designed homes, volume building is often seen as the poor cousin.
However, not all volume builders are cut from the same cloth.
Marwa Al-Sabouni Explains How Syrian Architecture Laid the Foundations for War
In 2014, Syrian architect Marwa al-Sabouni won the Syria category of the UN Habitat Mass Housing Competition for a housing scheme she developed for the city of Homs, her hometown. Now over two years later, Thames and Hudson has published her book Battle for Home: The Vision of a Young Architect in Syria. Throughout all of these events, al-Sabouni has remained in Syria. As the Guardian puts it: “As bombs fell around her, Syrian architect Marwa al-Sabouni stayed in Homs throughout the civil war, making plans to build hope from carnage.”
In this TEDSummit video, Al-Sabouni argues “that while architecture is not the axis around which all of human life rotates... it has the power to... direct human activity” She believes that the Old Islamic cities of Syria were once harmonious urban entities which advocated for co-habitation and tolerance through their intertwining. However, she posits that over the last century, beginning with French colonization, the Ancient towns were seen as un-modern and were gradually “improved” with elements of modernity: “brutal unfinished concrete blocks, aesthetic devastation and divisive communities that zoned communities by class, creed, or affluence.” This urban condition, she argues, is what created the conditions for the uprising-turned-civil war.