
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

In 2017, Ramboll Studio Dreiseitl and RSAA/Büro Ziyu Zhuang were commissioned by Guangdong Zhuguang Group Co., Ltd. to create an ecologically transformative urban design and waterfront landscape along the northern bank of the Pearl River in Guangzhou's CBD. The planning phase of the project spanned nearly a year.

From the Arquia Foundation Blog, architect Adrià Guardiet shares an article reflecting on three perspectives on unfinished architecture—projects where time and their occupants play a central role.
Certain architectures work with time as a design variable. Some are conceived as open, dynamic, growing structures. Others operate around the memory of the site. To name just two examples.
In these projects, time is often introduced as an entelechy—that is, as a specifically intellectual device. Yet time appears far more explicitly when architecture is pending completion, left unfinished due to economic, political, biological, or other reasons. These are what we have come to call meanwhile architectures: projects that find fertile ground for development in unstable contexts.

Walking is the most common form of transportation in the world and a basic human right. It connects us directly with our surroundings, does not pollute the city, and offers numerous health benefits, such as reducing chronic diseases, obesity, and diabetes. This is the message that the ITDP and Streetfilms convey in the film The Right to Walk, released this year.
If walking is so beneficial, why is it so difficult to do in urban environments? Rapid urban growth and car-centric planning have increasingly restricted space and respect for pedestrians. Every year, 1.3 million people are killed in traffic, half of whom are pedestrians, cyclists, or motorcyclists. Furthermore, traffic accidents result in 20 to 50 million hospitalizations annually, making them the leading cause of physical disability worldwide. More than 90% of traffic fatalities occur in low- and middle-income countries like Brazil, which has the highest number of traffic deaths per capita in South America.


This week, the latest edition of Concéntrico, the Logroño Architecture and Design Festival in Spain, came to a close. For the second consecutive year, we have participated in this initiative, which invites residents and visitors to discover and rediscover spaces of interest in the city's historic center. Over five days, a series of temporary installations by creators from around the world became resting places for pilgrims, urban stages for enjoying a glass of wine, and adventure playgrounds for local children.

The Ruin Experience project, developed by architect Sergio Navarro García, proposes an intervention in the ruined buildings scattered across the countryside of Lorca, Murcia (Spain), where the local population gradually abandoned these robust houses to move to the city. The project offers an alternative approach to intervention, engaging directly with the environment and leveraging its resources to create sensory complexes where people interact with nature through architecture.
El Mesillo, the site selected for the intervention, is a unique, hidden enclave in the municipality of Lorca, defined by a direct and deep-seated relationship between its inhabitants and nature through agriculture. Historically, this bond was even closer, giving rise to the creation and use of entirely natural creams and treatments. Water, soil, air, sun, essential oils, homemade lotions and concoctions, fruits, vegetables, and, of course, a proper siesta, served as home remedies for minor ailments and daily stress.
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On December 20, the final curatorial review for the first edition of the National Essay and Research Competition, Arquitectura Escrita 2017, took place at the national headquarters of the Colegio de Arquitectos de Chile.
Organized by Grupo Arquitectura Caliente and co-organized by Ediciones ARQ, the competition awarded the 20 best essays out of 87 submissions in the undergraduate and graduate categories, representing 18 architecture schools across 9 different Chilean cities.
The competition was directed by Gabriela García de Cortázar, with a jury committee made up of 30 prominent academics and professionals.
Below is the research essay by Pontificia Universidad Católica student Francisco Cardemil, winner in the Undergraduate Category.

Since 2016, we have joined forces with Spotify, the world's largest music streaming platform. Since then, we have created our own playlists for those moments in every architect's life. At the same time, we have invited architects from Latin America and Spain to share the music that inspires them, or even better, the sounds that have shaped their careers.
To mark Women's Month, we have prepared a series of special articles: we highlighted 15 Mexican women architects who are building the future of their country, featured 5 outstanding Colombian women architects in design, research, and teaching, and presented a selection of the best biographies published by Un día | Una arquitecta.

Jorge and Andrés Kálnay began a journey back in 1920. By that time, Argentina had already built most of its public buildings, Alejandro Bustillo was traveling through Europe, Mario Palanti was erecting his colossal Barolo Palace, and Le Corbusier would have to wait nine years before setting foot in Buenos Aires.
Little did the architect brothers imagine, when they boarded a ship bound for the United States, that they would end up in the waters of the Río de la Plata, shaping part of Buenos Aires's current architectural memory.

Barcelona is an ideal city, boasting a surprisingly rich cultural scene, vibrant neighborhoods full of life, miles of beaches, and an idyllic year-round climate. Yet, without a doubt, it is its architecture that stands as a must-see for visitors and residents alike. The Sagrada Família, Park Güell, and Casa Milà are some of the most famous architectural landmarks and, consequently, the most visited by the tourists arriving daily in this magnificent city.
While there is growing interest in exploring the architecture that lies beyond the city's major icons and symbols, many tourists still bypass—or are simply unaware of—brilliant contemporary works such as Jordi Badia's Can Framis Museum, or the recent restoration of Sala Beckett by architects Flores & Prats, which received a jury mention in the 2017 Spanish Architecture Awards.

Recently, CCTN Design released renderings of the renovation scheme for the Shougang No. 3 Blast Furnace Museum. The architects have carefully preserved the iconic blast furnace of the original Shougang steel plant, including core industrial structures such as the main body of the No. 3 blast furnace, the hot blast stoves, the gravity dust catcher, and the dry dust collector. By opening up the original main control room that previously blocked the furnace on the west side, the design establishes a clear dialogue between the No. 3 blast furnace complex, the Xiuqi Lake to the west, and Shijingshan Mountain. Below, the design approach for the industrial heritage revitalization of the Shougang Museum is explained through three dialectical relationships.

Mexican architect Enrique Norten will receive the Fine Arts Medal in Architecture, the highest honor awarded by the National Institute of Fine Arts (INBA) to individuals who have made outstanding contributions to Mexico's art and culture. With this award, the Institute celebrates his career and his contributions to the country's culture.
Born in Mexico City on February 27, 1954, Norten was drawn to the world of design and determined to pursue creative work early on. At the age of 20, he began his architecture studies at the Universidad Iberoamericana.

Dear readers,
As the end of the year approaches, we would like to thank you all once again for making 2018 our best year yet. Thanks to your continuous support and our close connection with our readers, we now reach far more architects around the world, inspiring them to create better urban environments.

Every Sunday morning, 120 kilometers of Bogotá are transformed into an extensive cycling circuit. This is La Ciclovía, a cultural and recreational initiative in which some of the Colombian capital's streets are designated as wide bike paths, allowing both residents and tourists to travel across Bogotá by bicycle.
In a radio interview broadcast by RCN, architect Jaime Ortiz recalls the origins of the ciclovía in the 1970s, when it emerged as a proposal developed alongside other architects to open up major avenues as cycling spaces every Sunday.
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We interviewed Gabriela Etchegaray (curator) and Jorge Ambrosi (exhibition designer) about the participation of the Mexican Pavilion in the 16th International Architecture Exhibition at the Venice Biennale. They describe the geographical, imaginary, and cultural weight of Mexican architecture; responding to the theme of Freespace—proposed by the Biennale's Artistic Directors, Irish architects Yvonne Farrell and Shelley McNamara—this pavilion grounds the connections expressed in the interaction with the intangible and the incorporation of cultural heritage into architecture.
“Adonde vas Chiloé” is a platform created by the Colegio de Arquitectos de Chile. Conceived as a space for impartial, timely information focused on the local territory and its culture, the initiative has evolved over its three years as a radio program. Today, it serves as a platform to promote and showcase architectural work across the Chiloé Archipelago, aiming to establish itself as a national benchmark for professional association initiatives and a specialized medium for architecture, culture, and territorial development initiatives.

Urban form can be understood as the physical “face” of a city. The organization of public and built spaces is what determines a city's urban form. Consequently, a city can be sprawling – characterized by low population densities, a reliance on private transport, and long commutes –, or compact, featuring balanced densities and multiple centralities. Achieving this latter model requires robust land-use management closely integrated with public transit planning.


As you know, ArchDaily has joined forces with Spotify, the world's largest music streaming platform. From the very beginning, we have been sharing our own playlists for those key moments in the lives of all architects. At the same time, we have invited architects from Latin America and Spain to share the music that inspires them, or better yet, the sounds that have shaped their careers.
In this installment of ArchDaily en Español + Spotify, we share our most popular playlist: Música para Maquetear (Music for Model Making). If you have to spend your day among cardboard and renders, this ten-hour playlist will keep you company during those long late-night sessions.

A solar energy system has been under construction since September of this year at El Dorado International Airport in Bogotá, Colombia. It is currently billed as the largest photovoltaic project in Latin America, according to local and international media outlets such as El Tiempo and EFE.
Set to begin operations in the first quarter of 2019, the installation will feature over 10,000 solar panels and have a capacity of 2,800 kWp. It will generate 3,815,000 kWh annually, equivalent to the energy consumed by 1,590 homes. Additionally, the project will use 89.4 km of cabling—a length comparable to the distance between Bogotá and Villavicencio.

“Ensuring, through built works, that those ideas explained with these words stand up will be the best proof that those ideas are valid and these words true.”
(Campo Baeza – “The Built Idea”).
The Mendoza Association of Architects CAMZA has announced a new edition of Architecture Month MDA2018 under the theme "The Built Idea," to be held from August 28 to 31 at the Nave Cultural in the city of Mendoza.

From the Fundación Arquia Blog, architect Zaida Muxí brings us an article that provides basic clarifications on gender-perspective urbanism for beginners, exploring how to build cities from and for women, but not in an exclusive or exclusionary way.
To shape humanity in its truly comprehensive capacity within the dimension of gender, women's movements and feminist philosophical analysis have ethically exposed the alienation that over-identifies women with men and their symbols, while disidentifying men from women and their symbols.

Last Thursday, Iphan—the National Institute of Historic and Artistic Heritage—announced the third public competition for permanent positions in the institution's history. Authorized by the Ministry of Planning, Budget, and Management, the competition will fill 411 permanent positions nationwide: 104 for Analyst I, 176 for Technician I, and 131 for Institutional Assistant I.

'Trenzando' is now underway. Designed by architect Daniela Gutiérrez and built from shipping containers, this traveling cultural center aims to promote decentralization by activating and traveling across the railway networks of northern, central, and southern Chile. 'Trenzando' will bring cultural and technological development programs—including workshops, exhibitions, seminars, training sessions, laboratories, artistic performances, and film workshops—to non-metropolitan communities.

Working hand-in-hand with a wide range of product manufacturers and suppliers allows us to access valuable information to support design and construction processes using different types of materials.
To make this knowledge readily available, we have compiled a series of guides, manuals, and tips covering everything from working with laminated wood and installing cladding, to applying protective finishes and varnishes. Read 12 useful articles below.

It is time to welcome @archdailyco to Instagram! Our dedicated account on this social network is a new showcase for Colombian architecture. It offers both a local and global perspective: classics and rising talents; historic works and must-see future projects; brick, guadua, and concrete; the Caribbean and the Pacific; you and us.
To kick things off, we have selected three projects designed by El Equipo de Mazzanti, CONNATURAL, and Estudio Herreros alongside Bermúdez Arquitectos, featured below.
We invite you to follow our Instagram account and tag your photos of Colombian architecture with the hashtag #ArchDailyCo. On Tuesday, July 17, we will share the best photos uploaded by our readers!