Somewhere between 1914 and 1915, Le Corbusier designed the Maison Dom-Ino, a groundbreaking modular structure that replaced the heavy load-bearing walls with reinforced concrete columns and slabs. The open floor plan with minimal thin elements, coupled with large glass facades, would ensure healthy natural daylight for the interior spaces as well as desirable architectural transparency that could blur the boundaries between interior and exterior —at least metaphorically.
Romullo Baratto is an architect and urban planner, with a Masters in architecture and cinema from FAU-USP. Apart from ArchDaily, he also works as an independent photographer and filmmaker at studio Flagrante trying to explore the relations between movement and space through images. He was part of the curatorial team for the 11th São Paulo Architecture Biennial in 2017.
Oscar Niemeyer's Unfinished Architecture for Lebanon's International Fair Inscribed on UNESCO's World Heritage in Danger List
On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world. The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project's abandonment during the country's civil war in 1975. Inscribed on UNESCO's World Heritage List and World Heritage in Danger List, on January 25th, 2023, the 70-hectare site is located between the historic center of Tripoli and the port. In 2022, the renovation of one of the structures on the site, the Niemeyer Guest House, by East Architecture won the Aga Khan Award.
There are many ways to get to know a place. Ask a group of people who know Venice; chances are good that everyone has some mental image of the city and its canals. Once again, ask how many have already visited the Venetian capital. Few or no one may have done so. While traveling is a complete way to experience a place, it's not the only way - images of cities, areas and buildings are everywhere, from advertising to the arts, from Instagram to cinema, and they leave deep impressions on our memory and imagination.
Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music - for a long time considered to be the art closest to ours - and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily - and not only visual - experience of the built environment.
If you haven't gotten a chance to visit Brasília, Joana França's photographic projects offer a comprehensive interpretation of the capital of South America's most populous country. França has dedicated a significant part of her career as an architecture photographer to the pursuit of amassing an impressive archive of images of the city planned by Lúcio Costa and Oscar Niemeyer.
We recently published an exceptional selection França's aerial photographs of Brasília divided by scale - residential, monumental, gregarious and bucolic. These overhead views solidify what, in theory, is already evident: the city lacks human scale, or the human scale of Brasília is just vast and (perhaps) not very human at all.
"What characterizes and gives meaning to Brasilia is a game of three scales... the residential or everyday scale... the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility... Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping... We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside." - Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.
Photographer Joana França shared with us an impressive series of aerial photographs of the national capital of Brazil, Brasilia. The photoset is divided into four sub-series each presenting a scale: residential, monumental, gregarious and bucolic.
The Lisbon Architecture Triennale announced as the winner of the fourth edition of the Début Award the São Paulo office Vão, formed by Anna Juni, Enk te Winkel and Gustavo Delonero. The office is known for a transdisciplinary practice that seeks to dilute the boundaries of the professional field in order to enhance architectural reflection. In previous editions, the award recognized the work of Bonell+Dòriga (Spain, 2019), Umwelt (Chile, 2016) and Jimenez Lai, from Bureau Spectacular (USA, 2013).
Jean-Luc Godard, through his films, talks about architecture almost as easily as he talks about cinema itself. In honor of the nouvelle vague icon, who passed away today at the age of 91, we revisit How Architecture Speaks Through Cinema.
There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote sound novels in silent days. Like Alain Resnais, who sculpts. And like Socrates, Rossellini I mean, who creates philosophy. The cinema, in other words, can be everything at once, both judge and litigant. — Jean-Luc Godard 
There are two ways to get to Cape Verde, by sea or sky. Either way, we are surprised by the landscape of immense rocky masses sprouting from the Atlantic’s navel before setting foot on land. Unpopulated until the middle of the 15th century, the volcanic archipelago is made up of ten islands, nine of which are currently inhabited, with unique characteristics in each one of them — some more touristy, like Sal, others more rural, like Santo Antão — and a version of Kriolu Kabuverdianu, which is not the official language (Portuguese occupies this place), but which is by far the most widely spoken.
São Vicente is the second most populous island in the country and makes up the northern insular group called Sotavento, along with Santo Antão, Santa Luzia, São Nicolau, Sal and Boa Vista. Its largest city, Mindelo, has a port vocation and has historically been the point of departure and arrival for people and goods. Marked by traffic, the city is a place of passage and intense cultural exchanges. It is also home to the first museum built in the country, the National Centre for Art, Crafts and Design — CNAD.
The Lisbon Architecture Triennale has released the list of finalists for the Millennium bcp Début Award. This year, ten offices from four continents reach the final stage of this award, which celebrates and encourages the creative, intellectual and professional growth of emerging talents at a crucial and transformative stage in their careers.
The list of finalists includes Atelier Tiago Antero – ATA (Portugal), Atelier Tropical – Valerie Mavoungou (Congo), Ben-Avid (Argentina), messina | rivas (Brazil), Nana Zaalishvili (Georgia), Rohan Chavan (India), Savinova Valeria (Russia), Spatial Anatomy (Singapore), vão (Brazil) and Vertebral (Mexico). The winner of the current edition will join a select list of winners that includes Bonell+Dòriga, from Spain (2019), Umwelt, from Chile (2016) and the American Jimenez Lai, from Bureau Spectacular (2013).
Architect, researcher and teacher Marina Tabassum was elected winner of the Lisbon Triennale Millennium bcp Lifetime Achievement Award. Marina is the first person from the global south to receive the honor, joining Denise Scott-Brown from the USA (2019 winner), the French duo Lacaton & Vassal (2016), Kenneth Frampton from the UK (2013), Álvaro Siz from Portugal (2010) and Vittorio Gregotti from Italy (2007).
Few other materials can convey architectural atmosphere as well as the glass. A to-go choice for the modernists, due to its transparent nature, glass still holds a solid place within the material palette for architects around the globe. Such unique element is the subject of Archiving Flux / Stasis, a photographic exhibition by Erieta Attali hosted by the Greek Ministry of Culture in Casa Romana, Kos Island, Greece, set to open its doors in July 21st.
Agriculture and the food industry seem to have little in common with architecture, but it is precisely the overlap of these three areas that interests Ghanaian-Filipino scientist and architect Mae-ling Lokko. Working with recycling agricultural waste and biopolymer materials, Lokko searches for ways to transform the so-called agrowaste into building materials.
For varied reasons, architects have been driven away from professional practice. Sometimes, however, they continue to design buildings in other media and support. Vinicius Libardoni is an Italian-Brazilian architect and artist who migrated from Autocad to metal engraving, passing through woodcut, and has been building imaginary architectures ever since.
Manhattan's dense landscape has just received another skyscraper, this time designed by a Portuguese Pritzker Prize Winner. At 137 meters high and with 35 floors, 611 West 56th Street, Álvaro Siza's first building in New York, was just completed, on the outside. The luxury apartment complex, which is also Siza's first work in the United States, has several facilities for its residents, such as a swimming pool, a spa, a gym, a playground for children and rooms for events.