Paparazza Moderna is a photographic project that emerged as part of the artistic work of the duo Lake Verea. Centered on the portraiture of modern architecture, the project began with Luis Barragán to showcase a perspective far removed from conventional architectural photography. If anything characterizes their approach to architecture, it is precisely this oblique gaze at space, which reveals the less obvious aspects of structures that have now become iconic.
https://www.archdaily.com/1114420/paparazza-moderna-by-lake-verea-explores-modern-architecture-through-photographyArchDaily Team
Most of us share childhood memories of drawing little houses—a triangular roof, a door, a window, and a tree beside it. What sets architects apart from the general public, however, is that we continue to make these drawings long after we grow up. Naturally, our skills usually mature along the way. Just as our residential architecture becomes more complex and refined, our representation of trees must also evolve (that broccoli-like scribble is unlikely to impress clients or professors). While trees are rarely the focal point of a drawing, they play a crucial role in architectural composition, establishing scale, casting shadows, and representing specific landscape designs.
The Housing Development Company of the Federal District (CODHAB-DF) recently launched Accreditation Call No. 001/2018 which aims to accredit companies to provide temporary home renovation and minor repair services in areas of social interest. Registration must be completed online at www.codhab.df.gov.br/credenciamento/01-2018 by 6:00 PM on March 26.
Belo Horizonte. Foto: Mariana Gil/WRI Brasil. Image Cortesia de TheCityFix Brasil
Cities are critical to the functioning of many countries. With the rapid population growth of recent decades, urban centers have had to face a series of challenges, a primary one being mobility planning. In Brazil, with the enactment of the National Urban Mobility Policy (PNMU) in 2012, Brazilian cities received new guidelines to plan and guide policy actions toward establishing more sustainable mobility. To this end, the PNMU requires the development of Urban Mobility Plans for cities with over 20,000 inhabitants as a prerequisite for receiving federal budget allocations. Ultimately, this requirement aims to transform cities and the way Brazilians commute daily.
The architects and photographers of studio FLAGRANTE have shared with ArchDaily a series of photographs capturing the recently completed Japan House São Paulo, designed by Kengo Kuma in collaboration with local office FGMF.
Part of a global initiative by the Japanese government to “create a vision of contemporary Japan,” Japan House opened in May 2018, combining art, technology, and business to offer an escape into modern-day Japan.
Isluga. Image via Flickr. User Pablo Trincado, Licensed by CC BY-SA 2.0
Chile's history can be read through its towns. Blending the architectural and building traditions of its indigenous peoples with the influence of European immigrants, these small localities reveal how their inhabitants have occupied and appropriated the territory according to their needs, customs, and specific contexts.
With a landscape that changes drastically from north to south, certain patterns emerge, shaped by climate and geography. From the use of adobe and stone in desert regions to meticulous craftsmanship with native woods in the south, along with the rich colonial architecture of the central valleys, these 24 examples offer significant lessons that every architect should study closely. Read on to discover them below.
Created by the Ecuadorian firm ENSUSITIO, the Con Lo Que Hay Workshop is a course taught separately to architecture students at the Universidad Tecnológica Indoamérica (UTI) and the Pontificia Universidad Católica del Ecuador (PUCE), offering them the opportunity to work on their first real commission. As a result, students must navigate not only the design itself, but also engage with communities, clients, budgets, and, of course, their own peers.
"We do not see architecture as a product," write Enrique Villacís alongside Cynthia Ayarza and Lorena Rodríguez, co-founders of ENSUSITIO, who serve as the workshop's tutor and professional advisors, respectively. "It is an organic process built day by day alongside its inhabitants, from diagnosis to use and maintenance, including the *minga*—collective construction. Everything is built under the principles of 'what is available'—materials, local wisdom, and our own contributions that value ancestral knowledge within a contemporary context," they add.
On this occasion, we present three projects developed on the periphery of Quito: a collection center, a dining hall for an evangelical congregation, and an outdoor therapy space.
Heidegger wrote that humanity should dwell poetically.
Yet in a society driven by materialism, uniform residential buildings dominate the landscape. Is there a way of living that is better suited to human nature? This remains a question we cannot help but explore.
From October 12 to 15, World Architecture magazine, in partnership with Aranya, hosted the second Aranya Architecture Forum. Prominent Chinese and international architects, alongside cross-disciplinary leaders, gathered by the sea to discuss the relationship between architecture, art, life, and humanity.
Under the theme “My Perceptual Space,” the main forum was complemented by sub-forums featuring dialogues between architects and cross-disciplinary figures. The event also marked the launch of the Aranya Architect Debut Award, China’s first-ever award dedicated to architects’ debut projects. Additionally, a diverse program of cultural activities offered fresh perspectives on understanding architecture and space.
During the design process of a building, design professionals from various disciplines are called upon to propose solutions that ensure client requirements and expectations are met.
Design decisions, which until the 1980s were often not grounded in objective criteria, have gradually become more evidence-based. This shift aims to reduce design and execution errors, material waste, and operational inefficiencies, while also systemically recognizing best practices.
https://www.archdaily.com/1114540/post-occupancy-evaluation-how-to-design-better-projects-by-evaluating-existing-buildingsAna J.G. Limongi França, Rosaria Ono, Sheila Walbe Ornstein e Simone Barbosa Villa
Humanity has always been obsessed with pushing its limits, setting records only to break them time and time again. Consequently, our cities' skylines have always been defined by those who hold power in any given era: once it was churches, then state institutions, and in recent decades, private skyscrapers have arisen to remind us who can reach the highest—literally.
Do you know what the tallest building in Latin America is? Specialized organizations like the CTBUH (Council on Tall Buildings and Urban Habitat) have established parameters to objectively measure a building's height, discounting antennas and other additions used to tack on extra meters. Let's take a look at what the CTBUH says about the tallest skyscrapers in Latin America.
La Minerva is an iconic monumental sculpture in Jalisco's capital, created by Joaquín Arias in 1957 and commissioned by then-governor Agustín Yáñez. Years passed, and it was during the 1986 World Cup in Mexico that, following a victory by the Brazilian team, their coach gave the players the afternoon off, and the celebration ended up taking place there—at the intersection of López Mateos, Vallarta, Golfo de Cortés, and Circunvalación Agustín Yáñez avenues. Since then, La Minerva has become the preferred venue for both celebrations and demonstrations. However, weathering and traffic-induced vibrations took a heavy toll on its structure.
We are pleased to announce a strategic partnership between the ARKRIT Collective and ArchDaily en Español to regularly publish critical essays that foster debate, rigorous argumentation, and discussion around architecture.
ARKRIT is a research group within the Department of Architectural Design at ETSAM in Madrid. Over more than a decade, it has established itself as a hub for reflection and knowledge production by and for architectural criticism. Founded by Professor of Architectural Design Dr. Antonio Miranda Regojo-Borges, its members include PhDs and university academics working across various European and Latin American research centers.
Prison to Prison, Uruguay's official exhibition at the 2018 Venice Biennale, explores the existence of an unprecedented Freespace within the intimate relationship between two different architectural models of prisons.
The exhibition, curated by Sergio Aldama, Federico Colom, Diego Morera, Jimena Ríos, and Mauricio Wood, is an invitation to spark new dialogues and discussions that transcend the objects of study themselves, enriching our perspective and reconnecting us with the cultural dimension of architecture.
Construye Solar 2017: Proyecto Wallmapu / Universidad Mayor. Image Cortesía de Construye Solar
With a seminar on sustainable construction, La Ruta Solar kicked off Construye Solar 2019, the third edition of the competition that invites universities from Chile and around the world to design and build housing prototypes with high thermal and environmental standards, as well as low construction costs.
The event, which took place at the Chilean Chamber of Construction Auditorium in Santiago, Chile, and was sponsored by the Technological Center for Innovation in Construction (CTeC), was attended by the Undersecretary of Social Evaluation, Alejandra Candia, and the Chief of Staff of the Undersecretary of National Assets, Mario González, along with key speakers from industry and academia who shared their experience in developing innovations focused on sustainable housing.
Have you ever wondered how an exhibition design is conceived? Or how it coordinates the staging of the displayed content?
Historically, what we know today as a museum began as a place to gather pieces and objects organized by typology. This is evident when looking at images of the so-called cabinets of curiosities or wonder rooms, which organized a vast array of rare objects and species (animal, plant, and mineral) brought back from the great explorations of the 16th and 17th centuries.
Centuries later, these collections began to gain traction, and former palaces transformed their hallways into long, continuous galleries, to which only their guests and residents had access. Later, in the 19th century, the emergence of pavilions dedicated primarily to the display of artifacts brought us closer to the modern concept of museums. We regularly publish various museum projects. But beyond their architecture, have you ever noticed the crucial role that exhibition design plays? Below, we outline some of the key concepts of exhibition design.
The Faculty of Architecture and Art at Universidad del Desarrollo held activities as part of the Detonating Experience II 'Contact with Matter,' which takes place three times during the program and aims to introduce future architects to each curricular cycle. Each exercise brought students closer to the construction and design of full-scale objects. The "Table" Workshop was led by the prominent firm Grupo Talca, featuring architects Rodrigo Sheward and Martín del Solar, while the EDII "Mast" was directed by professors Yanko Bugueño and Diego Martínez along with teaching assistant Magdalena Gallegos.
As part of the official program of World Design Capital CDMX 2018, thirteen renowned architects, designers, urban planners, writers, and artists will analyze the challenges, policies, and opportunities facing our cities. In a century marked by the city as a key driver of social interaction, discussing how urban areas function is essential to making them more sustainable and efficient, while improving the quality of life for their residents. The speakers will present their vision, share best practices, and contribute to the dialogue on new strategies for change that foster the well-being of our cities and their populations through design.
In recent years, we have witnessed the rise of the concept of “citizen participation,” particularly in the political sphere. As is often the case, this surge is not without controversy and carries inherent risks. Much like what occurred with the term “sustainability,” participation can be relegated to a smoke screen used to conceal specific types of political despotism. A clear example of this can be found in the Netherlands; in September 2013, King Willem-Alexander announced “the transition to a participatory society” to justify dismantling the welfare state through neoliberal policies and some of the harshest budget cuts the country has ever faced.
Clearly, urbanism and urban planning have not been immune to this trend. While the development of statutory urban planning instruments (General Plans, Partial Plans, Special Plans, etc.) is legally required to incorporate public participation mechanisms, the reality is that these are often reduced to public comment and exhibition periods. Consequently, actual participation is replaced by mechanisms that belong strictly to the realm of communication and information sharing.
If you are taking your first steps in Revit, or would like to understand its practical integration with BIM, the following tutorial will be of great help. The course was developed by Mexican architect Alan Rodríguez Carrillo, who published a step-by-step tutorial on his YouTube channel to model the famous Farnsworth House, designed by Mies van der Rohe in the 1940s, in Revit .
Divided into six videos, the tutorial explains in detail how to model columns, walls, floors, doors, furniture, facades, ceilings, lighting, and even the visualization options for one of the Modern Movement's most iconic projects in Revit.
Floating is one of humanity's oldest ways of living and traveling. Today, this ancestral practice is drawing significant interest due to the increasing frequency of flooding caused by climate change.
Riverside communities in the Amazon rainforest have used various floating strategies for centuries. By studying local architectural solutions and utilizing contemporary materials technology, architect Marko Brajovic and designer Nacho Martí, co-directors of the Architectural Association Visiting School Amazon, organized an international workshop to experiment with floating architecture.
La Casa Ensamble Chacarrá / Ruta 4. Image Cortesía de Ruta 4
As a subspecies of bamboo, guadua has been used as a construction material from the Spanish conquest to the present day. Its strength, lightweight nature, and flexibility offer numerous structural advantages and applications. Since it is native to the forests of Colombia and Ecuador, it has been widely used in local building projects. Additionally, its ease of cultivation and processing makes it a highly sustainable material.
This selection highlights six projects where guadua has been used as both a structural and aesthetic resource.
Modern and surreal, yet without compromising on functionality and comfort, the bathrooms designed by emerging architects and designers at the current Casa FOA interior design exhibition in Santiago, Chile, seek to rethink a traditional space within an innovative context, aiming to trigger a different experience for both users and spectators.
On December 20, the final curatorial review of the first National Essay and Research Competition, Written Architecture 2017, took place at the national headquarters of the Colegio de Arquitectos de Chile.
Organized by Grupo Arquitectura Caliente and co-organized by Ediciones ARQ, the competition awarded the 20 best articles out of 87 submissions in the undergraduate and graduate categories, representing 18 architecture schools across 9 different Chilean cities.
The competition was directed by Gabriela García de Cortázar and featured a jury of 30 prominent academics and professionals on the Evaluation Committee.
Below is the article by Universidad de Chile student Pablo Schmidt, winner of the Graduate Category.
Courtesy. Image via Secretaria Municipal de Urbanismo e Licenciamento - SMUL
The new illustrated version of the Building and Works Code (COE) is now available online. Released by the São Paulo Municipal Secretariat of Urbanism and Licensing (SMUL - PMSP), this edition features graphic design by oitentaedois, making the legislation more accessible to the general public.