Work seamlessly with CAD and Lumion 3D rendering software for immediate model visualizations

This article was originally published on Common Edge.

I am by no means an expert on public-private partnerships. But for about 10 years, as the University of California Berkeley’s campus planner and then campus architect, I watched these developments play out in higher education—sometimes from a front-row seat, sometimes as a participant. During that time, this strategy, promoted with great enthusiasm and optimism, was touted as the answer to whatever problem arose. And yet the definition of a public-private partnership was slippery. The concept itself seemed to be all things for all people, depending on what was needed, who was recommending it, and what equivalents (if any) existed outside the university. The bandwagon continues to play today, making it ever more important to nail down the pros and cons of this development strategy, not only for colleges and universities, but for all public decision-making.

Simone Farresin from the Italian studio Formafantasma talks about his practice, together with his partner Andrea Trimarchi, their work, and the different approaches to projects. He also tackles their participation in the Milan Design Week, and the political role of creatives in the world.

Lighting has evolved remarkably throughout architectural history, driven by significant technological advances. Despite these changes, its central purpose of enhancing aesthetics, functionality, and safety has remained consistent. In this evolution process, a milestone can be traced with the transition from fluorescent lighting to LED lighting, marking a turning point that has reduced costs and energy consumption. Furthermore, it has fueled creativity, thanks to the versatility of LED lighting. These new design possibilities are evident in organic lighting layouts, which mimic linear patterns of lighting arrangements on walls and ceilings, whether suspended or recessed.

In this context, as architects and designers have moved away from symmetrical, rigid, and parallel mirror patterns, Alcon Lighting has detected a trend where linear lighting highlights asymmetrical architectural features and lines. In this way, layouts that do not appear to follow a rigid design pattern are being adopted.

The question, "How can we control natural light in interior spaces?" is fundamental in architecture. Unregulated direct sunlight can cause discomfort such as visual strain and undesirable heat gains. Therefore, it is crucial to control its entry effectively. Some design solutions include installing shading devices, planning spatial orientation, and building forms for indirect natural light. Window treatments like films or heat-reflective glazing can also be used.

However, there are innovative strategies to control natural light more efficiently through advanced glazing panels like the Kalwall 175CW. This translucent insulated glazing unit is compatible with most third-party curtain wall systems. By manipulating the translucency of the glazed material, it's possible to influence the visual and thermal comfort of spaces. At the same time, this can enhance the architecture of modern spaces, adding substantial aesthetic and emotional value.

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Art can be a catalyst for architects to see the built environment through a different lens. It provides a unique opportunity to delve into the viewpoints of trained architects who have transitioned into the visual arts and artists who explore cities and their inner workings through their personal stories.

Located in New York City, the Whitney Biennial is considered the most important and longest-running survey of contemporary art in the United States. Along with the Venice Biennale, it is considered one of the world's most important recurring art exhibitions. This year's theme, "Even Better Than the Real Thing," delves into concepts of identity and bodily autonomy, amplifying the voices of those historically marginalized. This includes looking at stories that study the connection between personal narratives and growing feelings of precariousness surrounding the constructed world. These are artists from this year's Whitney Biennial touching on topics related to architecture and cities.

Marble held profound significance in Greek and Roman architecture due to its abundance, luminous surfaces, and subtle veining. Its durability ensured structures' longevity, while its cultural symbolism of purity and divine favor made it ideal for temples, theaters, and amphitheaters. As a symbol of perfection, marble facilitated intricate craftsmanship for decorative elements, inspiring architectural marvels and exquisite art, leaving a legacy of sophistication and refinement. 

Today, marble remains a symbol of excellence and refinement, prevalent in contemporary architecture and art. Its timeless beauty and durability continue to captivate clients and designers alike. In sculptures, furniture, and decorative pieces, marble's natural elegance elevates any environment. Companies like antoniolupi integrate marble into their designs, combining creativity and meticulous craftsmanship to redefine the possibilities of this natural stone in innovative projects. The Italian company—a leading designer and manufacturer of high-end products—has ventured beyond conventional boundariesin a quest for innovation, embarking on projects that redefine the possibilities of this naturalstone.

This article was originally published on Common Edge.

Traditional architecture is perceived as being historical architecture, both by the general public and by design professionals. Put another way, “traditional” = “style.” There’s no awareness of the process of tradition that creates what’s later considered a style. Modernism takes this perception one step further and frames traditional architecture as “not of our time,” and therefore obsolete.

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With over 30,000 visitors, the GROHE SPA installation at the Pinacoteca di Brera during Milan Design Week 2023 left a lasting impression, eventually receiving the Red Dot ‘Best of the Best’ award. Building on this success, GROHE is returning for Milan Design Week 2024 with an immersive experience in one of Milan’s most prestigious locations: the Palazzo Reale. The former royal palace near the Duomo serves as a cultural nexus and is home to international art exhibitions, making it the ideal scenery for its premium sub-brand GROHE SPA and the celebration of the revitalizing power of water.

From April 16-21, the courtyard of Milan’s historic Palazzo Reale will transform into an exhibition space. Conceived by the in-house LIXIL Global Design and Brand Identity team, the installation pays tribute to the history of the building by evoking its past and interweaving it with the contemporary GROHE SPA "Salus per aquam" (Latin for "Health through Water") concept.

As humans, we’re under the comforting illusion that we’re masters of our own destiny, strong-willed and unaffected by influence. However, the crucial role played by interior design in the success of commercial spaces proves this not to be the case. Every aspect of these environments is carefully crafted to encourage customers to part with their cash—and be happy to do so—from the lighting and temperature to the acoustic and, perhaps most significantly, the visual landscape.

Whether by drawing consumers in with captivating individualism, relaxing them with luxury and hospitality, painting a stylish world where both consumer and product co-exist, or giving subtle prompts to diver deeper and discover more, the influence a commercial environment’s surfaces have on its success is huge.

The flexibility of architecture allows it to continuously change and adjust its form in response to technological progress, social and artistic trends, and the collective experiences we undergo. Large-scale global events, such as the transatlantic migrations of the 19th century, the impact of tuberculosis on design, and most recently, the effects of the last major global health crisis (COVID-19), have all played significant roles in shaping the evolution of architecture.

In the context of the climate crisis, the role of architecture and urbanism has been extensively debated, as it represents one of the greatest challenges of this century. It is undeniable that while there are active efforts through policies and innovation to prevent reaching a point of no return, architecture is already adapting to the changes and extreme conditions caused by it. Rather than thinking of a distant or dystopian future scenario, the gradual changes in climatic conditions have been drivers for modifying, through architectural operations, how we conceive contemporary buildings.

“The Mindfulness City will be a sustainable city. To be mindful is to be aware — to perform best,” said Giulia Frittoli, partner and head of landscape at BIG. The Kingdom of Bhutan is a landlocked Buddhist country in the eastern Himalayas, nestled between China and India. It covers 14,000 square miles and has a population of nearly 800,000.

The Royal Office of Bhutan asked BIG, Arup, and Cistri to develop a plan for a new Mindfulness City in Gelephu in southern Bhutan, near the border with India. The city will span 386 square miles and include a new international airport, railway connections, hydroelectric dam, university, spiritual center, and public spaces.

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