GIFs are hugely popular and are constantly being shared on the Internet by lots of people. Whether it's expressing some feeling that seems unexplainable with words, freaking out over fluffy cats, endless memes or even hypnotic scenes from movies we love (like the above scene from Jacques Tati's "Mon Oncle"). We see the use of this format increasing in Architecture, and one thing is for certain, we love it.
This article, written by Svetlana Kondratyeva and translated by Olga Baltsatu for Strelka Magazine, examines the most interesting cases of the role of culture in sustainable urban development based on the UNESCO report.
UNESCO published the Global Report on Culture for Sustainable Urban Development in the fall of 2016. Two UN events stimulated its creation: a document entitled Transforming our World: the 2030 Agenda for Sustainable Development, which emphasizes seventeen global goals for future international collaboration, was signed in September of 2015 at the Summit in New York. Habitat III, the conference held once in twenty years and dedicated to housing and sustainable urban development, took place in Ecuador in October of 2016. The question of culture’s role in urban development, and what problems it can solve, was raised at both events. To answer it, UNESCO summarized global experience and included successful cases of landscaping, cultural politics, events, and initiatives from different corners of the world in the report.
The career of Gottfried Böhm (born January 23, 1920) spans from simple to complex and from sacred to secular, but has always maintained a commitment to understanding its surroundings. In 1986, Böhm was awarded the eighth Pritzker Prize for what the jury described as his "uncanny and exhilarating marriage" of architectural elements from past and present. Böhm's unique use of materials, as well as his rejection of historical emulation, have made him an influential force in Germany and abroad.
This article was originally published by Archipreneur as "Turning Ideas into Products: 5 Architects who Successfully Sell their Designs."
The emergence of interconnectivity, smart and sensor-driven designs, home automation, clean energy, shared knowledge, and efficient software have created numerous opportunities for those looking to build their businesses around products. This includes architects who, by design, have a large skill set that allows them to engage with a wide variety of business models.
The idea of automating or productizing architectural design services is a contentious one and it trickles down to the very definition of architecture. But when it comes to the business aspect of the profession, it becomes clear that many among today’s most renowned architects owe their success to the idea of productizing their services.
Graduation often leaves a void in a new architect’s life. After five years or more (lets face it, usually more) of being with the same friends, colleagues and teachers, it’s only natural that the transition from academic to professional life is accompanied by a feeling of nostalgia for long discussions in college corridors, late nights designing together, parties, and, above all, a student routine.
The most common route after receiving a degree is facing the (savage) job market. Finding an internship and becoming an architect, finding a job in a new office, and spending some time getting to know the insides of studios, offices, and architectural firms seems to be one of the options that most interests new architects. The idea of starting your own business in the long-term future seems to be adequate compensation for those years of dedication to projects that are not always tasteful or aligned with the ideals of those who have just left college.
This article, originally titled "DC’s Museum Of African American History Is The City’s Greenest," was originally published on Lance Hosey's Huffington Post blog. It is part of a four-part series about the Smithsonian National Museum of African American History and Culture.
Fifteen years ago, when I worked on the design of a high-performance museum, the concept was considered so unusual that the media questioned the very idea. The US Green Building Council (USGBC) had only very recently introduced its Leadership in Energy and Environmental Design (LEED) rating system, so much of the public wasn’t familiar with the concept. Over the following decade, it became more and more popular in every building type, including museums. A watershed year was 2008. The Water + Life Museums in Hemet, CA, became the first LEED Platinum museum, quickly followed by the California Academy of Science, which has been called “the world’s greenest museum.” The same year, the Grand Rapids Art Museum became the first LEED-certified art museum. By 2016, International Museum Day could highlight ten LEED-certified museums in the US alone.
Now the Smithsonian has completed its first LEED Gold project, the National Museum of African American History and Culture (NMAAHC). (The Silver-rated National Museum of the American Indian [NMAI] was the first Smithsonian project to become a certified green building, although it wasn’t designed to this standard and didn’t achieve it until seven years after opening in 2004.) By many measures, the NMAAHC is easily the greenest museum in Washington.
What makes a city different from a town? What is the distinction between these two seemingly similar collections of buildings and streets? Why can we trace towns back to the Stone Age, while the first city remains a mystery? Although a village and a city can be considered similar, the city has a unique and innovative element that makes it stand out: the citizens and civitas.
While villages were merely an efficient urban system for groups of people that live together, the foundation of a city entails the institution of a very concrete idea of society, of a commitment between individuals to organize the world based on shared criteria.
The civitas is precisely this idea of social order, the accumulation of traditions, laws, principles and beliefs that gave rise to the civil community. Urbs is the urban model especially dedicated to institutionalizing this idea of society. Be aware that we’re not talking about streets or houses here, but of the moment of the establishment, that is, of the foundation of the city. As Fustel de Coulanges would say, while the civitas is a time-honored inheritance accumulated over centuries, the urbs is founded in one day. Filling it with streets, houses, and shops as a consequence.
This article was originally published by Archipreneur as "Top 10 Apps to Help You Achieve Your Goals and Build New Habits."
With the daily distractions of Facebook, emails and calls, it can become difficult to keep your eye on the ball. This is why having an app that tracks habits and helps you stay organized can make a huge impact on your professional and personal success.
There are numerous digital tools dedicated to optimizing workflow, communication and time management, helping business owners and freelancers realize their full potential. This can also apply to goal setting. Goals are closely connected to our daily habits. Whether you’re looking to start a new project, learn to use a new tool or launch a product, your habits will play a crucial role in moving things forward. This is why we have compiled a list of great apps and tools that will help you keep track of your work dynamic and make good habits while breaking bad ones.
The principal architect of LA firm Morphosis, Thom Mayne (born January 19, 1944) was the recipient of the 2005 Pritzker Prize and the 2013 AIA Gold Medal, and is known for his experimental architectural forms, often applying them to significant institutional buildings such as the New York's Cooper Union building, the Emerson College in Los Angeles and the Caltrans District 7 Headquarters.
This article was originally published on ArchSmarter.
For all the work you do in Revit, there’s a keyboard shortcut that can help you do it faster.
Here’s a roundup featuring some of my favorite Revit keyboard shortcuts to create and organize your model. Keep reading to learn how to create your own shortcuts.
This shortcut cheat sheet is also available in a convenient pdf form; simply sign up here to download it.
As editors on the Projects Team at ArchDaily, we wanted to reflect on the projects published in 2016—and, based on those submissions, to consider what we hope to see from the submissions we will publish in 2017.
During 2016, the projects we published had a high level of visual impact. Axonometric views were part of the vast majority of our publications, democratizing understanding by creating easily accessible views which closely resemble reality. Secondly, the development of immersive video technology has allowed us to publish full 360-degree tours through the interiors of works of different sizes, generating images which are increasingly representative of the physical reality of the work in question.
“When you read Love in the Time of Cholera you come to realize the magic realism of South America.” Yvonne Farrell, Shelley McNamara and I were in a corner of the Barbican Centre’s sprawling, shallow atrium talking about the subject of their most recent accolade, the Royal Institute of British Architects inaugural International Prize, awarded that previous evening. That same night the two Irish architects, who founded their practice in Dublin in the 1970s, also delivered a lecture on the Universidad de Ingeniería and Tecnologia (UTEC)—their “modern-day Machu Picchu” in Lima—to a packed audience in London’s Portland Place.
Farrell and McNamara, who together lead a team of twenty-five as Grafton Architects, are both powerful thinkers, considered conversationalists and unobtrusively groundbreaking designers. For a practice so compact, their international portfolio is exceptionally broad. The first phase of the UTEC in the Peruvian capital, which began following an international competition in 2011, represents the farthest territory the practice have geographically occupied. The project is, in their words, a “man-made cliff” between the Pacific and the mountains – on one side a cascading garden, and on the other a “shoulder” to the city cast from bare concrete.
This article was originally published by The Architect's Guide as "How To Earn A Six Figure Architecture Salary."
Architecture salary. Perhaps one of the most talked about and passionately debated topics in the design community. I receive more emails on this subject than almost anything else.
Previously, in 5 Factors Affecting Your Architecture Salary, I covered several variables that contribute to your income. However, for this article I want to highlight the areas that will produce the best return on your investment of time and money.
While earning six figures doesn't mean what it used to, it is still a very admirable (and achievable) goal. So how do you go about reaching this significant architecture salary milestone? Let's discuss.
Architecture, as a profession and discipline, has come a long way since Vitruvius. It continues to evolve alongside culture and technology, reflecting new developments and shifting values in society. Some changes are conscious and originate within the field of architecture itself, made as acts of disciplinary or professional progress; others changes are uncontrollable, arising from architecture's role in the wider world that is also changing. Below are just some of the changes that have taken place in recent decades:
In Le Corbusier's 5 points of architecture, he advocates the inclusion of flat roofs hosting roof gardens, providing valuable outdoor space for the inhabitants of the building in order to replace the ground lost to the construction of the building. But while this acknowledgement of outdoor space was important for people, Le Corbusier's sculptural concrete roof gardens were little consolation to the non-human flora and fauna that were displaced by his works.
Recent improvements in our understanding of ecosystems and the environment, as well as a better scientific understanding of the needs of plants, have changed this dramatically. In the past few decades, green roofs and living roofs have exploded in popularity, and now adorn every kind of building--from small private houses to the gigantic surface of Barclay's Center in Brooklyn.
We've collected together some excellent examples of these living roofs, including the structural detailing that makes them possible. Read on for 13 spectacular green roofs that achieve environmental benefits including reduced stormwater runoff, and reductions in energy use and the heat island effect.
Besides the kitchen, the bathroom often takes top priority when building or renovating a home. However, choosing a look is not always easy, so here we have gathered 13 stunning bathrooms from previously published projects to provide inspiration in your own designs. Each is filled with inspiring ideas for your own project; from relaxing tubs to sleek showers, one of these bathrooms is sure to suit your style.
As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.
This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world’s megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.
A building’s materiality is what our bodies make direct contact with; the cold metal handle, the warm wooden wall, and the hard glass window would all create an entirely different atmosphere if they were, say, a hard glass handle, a cold metal wall and a warm wooden window (which with KTH’s new translucent wood, is not as absurd as it might sound). Materiality is of just as much importance as form, function and location—or rather, inseparable from all three.
Here we’ve compiled a selection of 16 materials that should be part of the design vocabulary of all architects, ranging from the very familiar (such as concrete and steel) to materials which may be unknown for some of our readers, as well as links to comprehensive resources to learn more about many of them.
The largest of the Caribbean islands, Cuba is a cultural melting pot of over 11 million people, combining native Taíno and Ciboney people with descendants of Spanish colonists and African slaves. Since the 1959 revolution led by Fidel Castro, the country has been the only stable communist regime in the Western hemisphere, with close ties to the Soviet Union during the Cold War and frosty relationship with its nearby neighbor, the United States, that has only recently begun to thaw. While the architecture in the capital city of Havana reflects the dynamic and rich history of the area, after the revolution Havana lost its priority status and government focus shifted to rural areas, and the buildings of Havana have been left to ruin ever since. Iwo Borkowicz, one of three winners of the 2016 Young Talent Architecture Award, has developed a plan that could bring some vibrancy, and most importantly some sustainability, back to Havana, the historic core of the city.
A huge cathedral with tall towers and a magnificent dome rises slowly in the municipality of Mejorada del Campo, 20 kilometers from Madrid. It seems like a common occurrence, but it is not. The building has been under construction for 50 years - brick by brick - by one man: Justo Gallego Martínez, farmer, ex-monk and a self-taught architect of 91 years of age.
Learn about his life's work (literally) after the break.
We experience our cities daily through ordinary acts, whether it’s commuting, looking for a quiet place, having lunch downtown, or even exercising. However, one of the most exceptional ways to experience the different roles of a city's urban space is through traditional festivals, rooted in local cultures presented through different clothing, culinary arts, dances and other arts.
Through these festivals, one can see the uses and the demands of the urban public space, in which cultural actions offer new ways to take over the city - at a time when the streets are no longer just a transit space and become a space of leisure and residence, overtaken by a different atmosphere.
New cultures are built on new practices. Through travel, architects can expand their repertoire and gain new influences for their projects. Here, we take a look at some traditional festivals around the world that serve as a good excuse to unveil new ways of thinking about a city and, as a result, to see great architectural works.
Great architects are like great writers. Our abilities to observe the world around us down to the tiniest details, and then make the most remarkable connections, have in time given humanity great stories and experiences - whether through imagined or real spaces. As Charles Eames put it, "Eventually everything connects - people, ideas, objects. The key to quality of the connections is the key to quality per se."
As architects, we have a nearly endless succession of connections to make, from materials, to geography, to time, to people, to experiences and statements of our own beliefs, all coming together in the design of a space. Novels are therefore a great way to remind yourself of the creative possibilities that architecture holds, encouraging you to dream about what architecture could be; and what experiences could be. These 7 non-architectural novels each have their own qualities that could open up the architectural world (and provide you with an enjoyable reading list in your time off). Enjoy!
Most visitors to the Galapagos Islands point their cameras towards the exotic animals and away from the local people. They direct their full attention to the natural landscape, as if to intentionally deny the existence of the urban space of the city, since the presence of any form of architecture would seem in logical conflict with the islands’ identity as a protected wildlife reserve.
The architecture of the Galapagos is both a conceptual and physical contradiction. Like a Piranesian joke, the San Cristobal typology of the proto-ruin falls somewhere on a spectrum between construction and dismantlement. With their “permanently unfinished” construction state seemingly in flux, it is unclear whether many of these buildings display a common optimism for vertical expansion or are instead symptoms of a process of urban decay.
2016 has been a momentous year for Chinese architecture. From the completion of the Harbin Opera house by MAD to the Aga Khan Awards recognizing Zhang Ke of Standard Architecture for his micro-scale design of the Hutong Children’s Library and Art Centre in Beijing. It seems the general perception of Chinese architecture has finally moved beyond the big, weird and ugly.
Since we’ve started to branch out into China, the ArchDaily China team has been able to discover the rich layers beyond just these rising Chinese stars. As part of the country's large-scale urbanization process, last year, we posted some of the large-scale projects designed by China’s (largely unknown) Design & Research institutions such as train stations and cultural centers.
In addition, we’ve also come across a series of smaller, lesser known, younger practices that focuses more on small-scale experimental work. Here are our top ten favorites: