The designs for the Australian Pavilion at Expo 2025 in Osaka, Japan, have been unveiled by Australia’s Minister for Trade and Tourism. Designed by global firm Buchan, the scheme celebrates Australia’s natural beauty. Under the theme “Chasing the Sun,” the pavilion is aligned with Expo's larger theme: developing and adopting the best practices to drive sustainable co-creation. In essence, the theme is meant to capture the confident optimism the nation possesses, inspiring creative solutions and international cooperation.
Until October 16, 2023, the second edition of TAC! Urban Architecture Festival will take place in the city of Valencia under the temporary Mediterranean pavilion designed by Manuel Bouzas. Located in the Plaza Músico López Chavarri in the Carmen neighborhood, the pavilion pays homage to vernacular architecture in response to the Mediterranean climate and the role of the Mediterranean shutter, a mechanism that for centuries provided an effective, simple, and lightweight solution for sun protection, allowing habitable spaces to adapt to climatic conditions.
Once a year, in the vast and unforgiving Black Rock Desert of Nevada, a city arises. Thousands of people unite to form a temporary metropolis with a collective spirit. Burning Man 2023 removes all restrictions on expressing oneself, allowing forms to be unexpected. This year, Burning Man Festival’s theme was Anamilia, transforming The Black Rock Desert into a blank canvas for creation, a playground for self-discovery, and a haven for radical self-expression.
The topic "ANIMALIA," encouraged participants to set off on a voyage that blurred the line between reality and fantasy. ANIMALIA pays tribute to the animal kingdom's diversity, from the animals that live in the transitional areas of the desert to the mythical and fictitious animals that appear in our dreams. Inspired by the sea, the sand, the sky, and the imaginative, this year’s installations and pavilions range from a fish installation representing fresh waters to a living knit work pavilion that takes form with textiles, to a geometric structure showcasing a cube’s potential.
Most biennales and architecture events, especially the recent ones, have influenced and shaped the dialogue of the ones that followed. In fact, during a conversation earlier this year with Lesley Lokko, the curator of the 2023 Venice Architecture Biennale, she explained and affirmed that “all exhibitions […] take sustenance from those that came before”, further noting that “if I look back at the dozen or so Architecture Exhibitions over the past twenty years, each one has contributed in some way to the discourse of the next.”
After a three-year break, Hello Wood’s builder festival returns to welcome students, architects, and young professionals from all across the world to join the 10-day builder camp to test their wooden construction abilities, learn to collaborate, and participate actively in on-site design and construction. For the first time in Hello Wood’s 13-year history, this year’s workshop takes place at a new location, in the crater of an abandoned basalt quarry on Haláp Mountain in Hungary. The workshop also aligns with and supports Veszprém’s title of 2023 European Capital of Culture, which also includes over a hundred other villages and towns across the Bakony-Balaton region. The event took place between July 6 and 15, ending in a two-day music festival open to all.
While visiting this year’s Serpentine Pavilion, the ArchDaily team has a chance to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences. The ArchDaily team also talked to Hans Ulrich Obrist, artistic director at the Serpentine Galleries, about the pavilion as a platform for architecture and the arts.
As one takes a visual tour through the city, one might spot structures that break the rhythm of finished architectural products. These are buildings encased in grids of metal or wooden sections, sometimes wrapped in colored nets, that communicate a moment of construction, repair, renovation, or demolition. They are called scaffolding systems, temporary structures built in the city to aid in the erection or maintenance of buildings. However, they have evolved to speak their own architectural language. As city-making is a continuous process, scaffolds serve as beacons, proposing silhouettes of the height, shape, or forms of new buildings. They step into the sidewalks, acting as shade or obstructions to the flow of human and vehicular traffic. In contrast to the permanence of architecture, they exhibit a sense of temporality that helps communicate time, the growth of neighborhoods, and the evolution of a city.
Courtesy of Aranya Theater Festival, MAD Architects Qi Ziying
Ma Yansong revealed The City of Time, a performance space and the location of a 300-hour artist residency created for the Aranya Theater Festival in China. Following the metaphor of avian migration, the Migratory Birds 300 is an artist residency program that brings together 300 creators from diverse fields and backgrounds. From June 12 to June 25, Ma Yansong’s architectural intervention will host a wide array of artistic expressions, including shows, installations, sculptures, performance art, paintings, and videos, including 131 group works and 194 individual projects.
Einstein’s Special Theory of Relativity introduces the mind-blowing concept that time – as we know it – is not as stable and reliable as it first seems. As a defining characteristic upon which all of human history is referenced, the fallibility of time is a confusing prospect. 15 minutes, for example, seems an eternity while waiting in line, and yet the 300,000 years of human history equates to less than a day in the lifetime of the Earth.
So when we talk about ‘saving the planet’ by slowing and reversing climate crisis, what we really mean is extending our own existence upon it. Because no matter what we do, this rock will continue to spin for billions of years yet. In reality, humanity itself is only a temporary installation.
These four outdoor installation projects use the Earth’s environment and borrow its resources to investigate our human relationship with time, and how it affects our lives down here on the surface.
The Serpentine has announced the official opening of the 22nd Pavilion, designed by French-Lebanese architect Lina Ghotmeh, at Serpentine South on June 9th, 2023. The Pavilion is titled À table, a French invitation to sit down together at a table and engage in an open dialogue while sharing a meal. The interior space of the pavilion is defined by the large table that encircles the perimeter, offering an opportunity for conviviality and the sharing of ideas, concerns, joys, and traditions. The 300-square-meter structure, inspired by the architect’s Mediterranean heritage, is designed to be lightweight and fully demountable to ensure a minimal carbon footprint. The Serpentine Pavilion will be open and free of charge every day from June to October 2023.
The Naomi Milgrom Foundation has revealed the design of its tenth MPavilion, designed by Pritzker Prize-winner Tadao Ando, set to open during Australian summer, on November 16, 2023. Reflecting the architect’s architectural approach, the design unveiled the “use of striking geometric interventions in nature and […] concrete.” Once ready, the intervention will become the architect’s first commission in Australia. Created as a new gathering place situated within Melbourne's cultural and botanical garden precinct, MPavilion 10 responds directly to the park's surroundings by emphasizing spatial purity and utilizing the geometric shapes of circles and squares.
Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. As we approach the inauguration date of the 2023 Serpentine Pavilion, designed by Lina Ghotmeh and titled “À Table", French for sitting together to eat, we look back at the last six editions of the famous annual structure.
Organized and hosted by the European Cultural Centre (ECC), a non-profit organization committed to promoting culture through international exchanges, the sixth edition of the Time Space Existence exhibition “will draw attention to the emerging expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion.”.
Architects, designers, artists, academics, and photographers, from 52 different countries will come together to explore and contemplate the philosophical concepts of Time, Space, and Existence, through different mediums and from diverse perspectives. Highlighting a total of 217 projects, the exhibition will run from the 20th of May until the 26th of November, 2023, at Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, in Venice, during the 2023 Venice Architecture Biennale. Throughout the six months of opening, the show will be complemented by a program of talks, conferences, and workshops.
Temporary pavilions and installations, such as those used in events, exhibitions, or festivals, present themselves as a great challenge when addressing the circular economy in architecture due to their ephemeral condition. It seems contradictory to address resource management and try to extract the maximum value from the materials and minimize waste and pollution while designing a structure that is meant to be used for a limited period of time. However, there are several strategies to rethink the way we are designing these structures in order to promote circularity.
Tadao Ando. Image Courtesy of Tadao Ando Architect & Associates
The Naomi Milgrom Foundation announced Tadao Ando as the winner of the commission to design the MPavilion 10 in Queen Victoria Gardens in Melbourne. This will be Ando’s first project in Australia, as he will be taking part in the country’s foremost annual architecture commission and design festival. Now in its 10th edition, the MPavilion gives complete freedom to the designers to create their concepts and realize their vision, hoping to encourage new and unique design languages to further develop this vital site in the cultural and community life of Melbourne. Details of Tadao Ando’s design will be revealed in May, and the pavilion is scheduled to open to the public on November 16, 2023.
When streets lay empty, sidewalks untouched, and shutters hung heavy, the city seems lost of life. When businesses close, offices go remote and economic activity declines, the mechanisms that operate a city are idle. Vacant space and land are often perceived as “failed”, reflecting urban decline and economic blight. Emptiness, however, holds hope for possibilities and change. When urban voids are at the brink of transformation, what happens in the meanwhile?
Biennales, exhibitions, and architecture focused festivals provide a platform for opening debates, conducting research, and driving innovation, but they can also contribute to the incremental changes that shape the image and the character of a city. Through temporary installations and experiments, this type of events have the opportunity to open lines on inquiry into the quality of urban spaces, inviting visitors and residents to slow down, break away from their daily routine and interrogate their local environments. The effects might not be immediate, but by cumulating these impressions and moments of contemplation, architecture and design festivals can have a long-lasting impact on the cities that welcome them.
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