Ephemeral Architecture: The Latest Architecture and News

“Self Similar,” a sprawling and immersive land artwork created by Jim Denevan has just debuted in Abu Dhabi, UAE as part of a more extensive city-wide exhibition. Curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, along with Alia Zaal Lootah, this city-wide exhibition showcases 35 distinct site-specific artworks by both local and international artists. Scheduled to run until January 30, 2024, the exhibit is a diverse collection aiming to engage audiences.

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Throughout the modern era, pavilion architecture has consistently reflected cutting-edge architectural trends. These temporary or semi-permanent structures, often featured in exhibitions, fairs, cultural events, and sports gatherings, provide a platform for exploring new materials and design concepts. Pavilion designs are intended for easy assembly and disassembly and are typically used for short durations, making it crucial to consider reducing environmental impact without sacrificing aesthetics and innovation. In this endeavor, wood emerges as a key ally.

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Until October 16, 2023, the second edition of TAC! Urban Architecture Festival will take place in the city of Valencia under the temporary Mediterranean pavilion designed by Manuel Bouzas. Located in the Plaza Músico López Chavarri in the Carmen neighborhood, the pavilion pays homage to vernacular architecture in response to the Mediterranean climate and the role of the Mediterranean shutter, a mechanism that for centuries provided an effective, simple, and lightweight solution for sun protection, allowing habitable spaces to adapt to climatic conditions.

As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.

In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.

“With the forgiveness of the master [Le Corbusier], the house is a machine to carry with you and the city a machine to which you connect”. That phrase was said almost 60 years ago by David Greene, the founder of the English group Archigram. He was speaking on the presentation of the Living Pod, a capsule house that could be transformed into a trailer. The idea was that the structure could be connected and disconnected from the cities, forming the Plug-In City. Designed as an airtight capsule, the interior was small and comfortable, with multiple compartments. The Living Pod was one of many similarly utopian and daring projects by this group that seemed to have a fixation on nomadic and mutant structures like the Walking City and the Instant City.

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Videos

Staged stories on community and identity, ephemeral architecture showed that in 2022 it doesn't have to be permanent to be powerful. A direct and popped-up public installation can shift from preparation to action, reclaiming and defining what makes a community unique. Highlighting installations to acknowledge linguistic diversity in NYC, a giant table to celebrate culinary in Barcelona, and a large-scale net in Dubai to represent the local culture, among others, these initiatives seek to understand ways in which local and regional expressions can help cities to be more equal and diverse.

Globalization has connected the world boundaryless. While it has also made information more accessible, it has led to homogeneity and identity crisis at melding unique societies and cultural expressions. Cultural differences are undeniable as globalization grows. Hence, as architecture produces common living standards, it can also highlight singularities. Festivals, installations, and pavilions, 2022 was the year to express local memories to be recognized and celebrated, setting Community and identity as central topics in ephemeral architecture throughout the year.

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The ninth edition of the MPavilion opened with an orange canopy installation designed by Bangkok-based practice all(zone) in collaboration with AECOM and Schiavello Architects. From December 2022 to April 2023, visitors will experience a vibrant and joyful setting made of upcycling materials, featuring an architectural lighting program by Melbourne-based design practice Bluebottle.

The installation is part of the summer program of free events in the Queen Victoria Garden. Since 2014, MPavilion has prided itself on being a driving force for architectural and design excellence in Australia, commissioning outstanding architects such as MAP Studio Magnani Pelzel Architetti Associati (2021), Glenn Murcutt (2019), and Estudio Carme Pinós (2018).

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Videos

NEWSUBSTANCE transforms an oil rig into a 35 meters tall public art installation in Weston-super-Mare, UK. The mega-platform features a 10- meter-high waterfall, a wild garden, and a 6,000-piece kinetic installation, including Ivan Black's work and Trevor Lee's art pieces. From 24 September to 5 November 2022, "SEE MONSTER" will welcome the public to inspire conversations about reuse, renewables, and the great British weather, as part of the festival UNBOXED: Creativity in the UK.

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In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.

This year’s theme for the famous annual Burning Man festival revolves around the notion of “Metamorphosis”. Taking place in the Black Rock Desert of Nevada, from the 25^th of August till the 2^nd of September, each year artists and architects from around the world get creative and imagine installations and pavilions responding to one general question.

For the 2019 edition, Burning Man has already revealed the design for the Central Temple by Geordie Van Der Bosch. Read on to discover more about 2 interventions, taking part in this year's event, an Ornamental Shade from San Francisco and a Desert Sauna from Finland.

As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.

In the wistful irony of creating liquid fire through sheets of paper, David Oliva of Barcelona-based firm SP25 Arquitectura and Anna Juncà of Atelier 4 collaborated to fabricate an installation piece for the LLUÈRNIA festival of fire and light in Catalonia. Titled, "Origami Lava", the field of flame cloaks the 100 m² surface of an abandoned building using over 10,000 pieces of origami.

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