Serbian Pavilion: The Latest Architecture and News

The Serbian Pavilion at the 19th Venice Architecture Biennale consists of an immersive installation made of wool. The exhibition, titled Unraveling: New Spaces, was curated by architect Slobodan Jović and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the Biennale's Giardini, is occupied by an ephemeral installation that follows the principles of circular design, effectively producing no waste. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the Biennale's exhibition.

+ 64

The Serbian Pavilion at Expo Osaka 2025 emerges as a compelling example of sustainable architecture infused with cultural storytelling, seamlessly integrating cutting-edge technology and emotional resonance. Designed by Aleatek Studio, the pavilion takes inspiration from Belgrade's protected Ratno Ostrvo (Great War Island) to realize the concept of a "Floating Forest." It stands out as the only Expo pavilion featuring a living façade, with over 95% of its materials recyclable and 80% intended for reuse in future construction. The design strategy also aligns with the theme "Play for humanity" of the upcoming Specialised Expo 2027 to be held in Belgrade.

+ 17

The National Pavilion of Serbia, curated by Iva Njunjić and Tihomir Dičić, has just announced its exhibition at the 2023 Venice Biennale, which explores architecture's futures, presents, and pasts through the lens of an international Trade Fair in Lagos, Nigeria, in 1977. The trade fair was a product of non-aligned cooperation between Yugoslavia and Nigeria.

The Serbian contribution to the 17th Venice Architecture Biennale explores the connection between a city's economy and its urban structure -that the curatorial team defines as the life-work relationship- investigating the prospective futures of mono-functional industrial cities. Titled 8th Kilometer and developed by MuBGD, the exhibition uses the mining town of Bor, located in eastern Serbia, as a study case for how economic activities have not only shaped the urban environment but the forms of collectivity connected to it.

+ 4