Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

The summer of 2025 has brought extreme heat across Europe and beyond, with record-breaking temperatures and widespread climate-related impacts. Red alert warnings have been issued in France, Italy, and Spain as temperatures exceeded 46°C in parts of the Iberian Peninsula. These conditions have led to school closures, restrictions on outdoor work, and pressure on urban infrastructure, including power grids and public transport systems. The heatwave has simultaneously intensified wildfire risk across the Mediterranean. In western Turkey, ferocious wildfires near Izmir forced the evacuation of over 50,000 people as high winds and low humidity fueled rapidly spreading flames. In Spain's Catalonia region, two people died in a wildfire that raced across farmland and old structures in Torrefeta on July 1. Similar disasters have occurred in Greece, France, and Italy, with evacuations throughout southern Europe as widespread heat‑induced drought exacerbates fire season intensity.

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BIG, artist Doug Aitken Workshop, NIRAS, Volcano, and RWDI have won a competition to redesign three public spaces surrounding major music venues in Ørestad, Copenhagen. The initiative, titled Byens Scene ("The City's Stage"), aims to revitalize the areas around DR Koncerthuset, Bella Arena, and Royal Arena, transforming them into an interconnected landscape for everyday use and public performances.

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For over five decades, Swiss photographer Thomas Mayer has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the top architectural photographers, Mayer carries an abundant fascination for light and space.

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The first photographs of the long-anticipated David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) have been unveiled, captured by architectural photographer Iwan Baan. Designed by Pritzker Prize-winning architect Peter Zumthor, in collaboration with Skidmore, Owings & Merrill, the building marks the culmination of a process spanning more than two decades. The museum recently offered an exclusive preview of the building in its raw architectural state, ahead of the installation of artworks. Major construction was completed at the end of 2024, and portions of the lower levels are already accessible to visitors. The galleries are scheduled to officially open in April 2026, when they will house LACMA's permanent collection.

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At the Steirereck am Pogusch restaurant, architecture and gastronomy seem to speak the same language: that of the sensitive transformation of raw materials. Local ingredients, like leaves, roots, and flowers, are turned into surprising dishes, where simplicity is elevated to the extraordinary. Likewise, the building, far from being a static structure, offers a unique tactile and visual experience. One of the most intriguing elements is the use of stabilized foamed aluminum panels that, rather than evoking the coldness and rigidity often associated with metal, have been manipulated to transcend their conventional characteristics. They seem to breathe, with their porous, textured surfaces absorbing and reflecting light, creating a play of shadow and brightness that evokes the lightness and organic quality of natural materials.

In high-end architectural design, traditional access panel fasteners like visible screws and magnetic closures often disrupt aesthetics and functionality. These outdated methods can loosen over time, lack durability, or require visible frames, making them unsuitable for premium spaces. Whether you need to access electrical systems, HVAC components, or plumbing, choosing the right installation method is crucial for a seamless integration into your space.

Early hidden solutions like French cleats and Z-clips improved appearance but introduced new challenges. These systems require sequential panel removal and extra clearance, making maintenance difficult—especially in areas needing frequent access. The unavoidable gap that appears at the top of panels also compromises the aesthetic appeal, as well as cutting out sections of panel for wall sockets.

The NSW Independent Planning Commission has approved the public domain works for Sydney's Harbourside redevelopment, marking a significant milestone for the project designed by Snøhetta in collaboration with Hassell and Mirvac. First unveiled in December 2021 as the winning entry in an international design excellence competition, the scheme aims to transform Harbourside at Darling Harbour into a new, iconic destination at the heart of the city. The proposal reimagines the waterfront at Tumbalong / Darling Harbour with more than 11,200 square meters of renewed public space, featuring significant trees, planted areas, sculptural sandstone pathways, and integrated public artworks.

By the mid-nineteenth century, American universities began to distinguish architecture from civil engineering and the applied sciences formally. Architecture was emerging as a discipline defined by both technical competence and conceptual inquiry, spatial imagination, and cultural agency. As this disciplinary identity evolved in the postwar decades, its built expression coalesced into the emerging architectural language of Brutalism.

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In modern architecture, materials must meet a range of functional, aesthetic, technical, and environmental demands. Gres Aragón offers ceramic tile solutions that respond to all aspects of a project—from façades and interiors to exteriors, pools, staircases, and industrial spaces—while maintaining a consistent design language.

With more than 80 years of experience and deep expertise in the extruded tile manufacturing process, Gres Aragón has established itself as a trusted partner for architects and interior designers. Its product offerings are based on four core principles: visual continuity, extreme durability, high-tech performance, and a strong commitment to sustainability.

Paris Fashion Week Men's Spring/Summer 2026 has just concluded, featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines. Through carefully curated architectural environments, these shows engage viewers on multiple sensory levels, weaving together visual impact with spatial and material stories that echo the themes and philosophies behind each collection. This intersection between fashion and architecture opens up new possibilities for storytelling, inviting audiences to explore how fashion design and spaces can resonate together to create immersive experiences.

Saint Laurent presented its menswear collection at Tadao Ando's Bourse de Commerce, where the building's cylindrical concrete form and filtered natural light provided a minimal and contemplative backdrop. Louis Vuitton, by contrast, staged its show in the plaza of the Centre Pompidou, where Studio Mumbai's intervention introduced a large-scale, hand-painted installation inspired by Snakes and Ladders. These site-specific choices reflected distinct approaches to engage with architectural context, illustrating how contemporary fashion presentations can extend beyond the runway to enter into dialogue with their surroundings.

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The seventeenth edition of the Spanish Biennial of Architecture and Urbanism (BEAU) will take place in December 2025. The event consists of an exhibition hosted in a former thermal power station repurposed as a cultural center in Ponferrada, in northeastern Spain. This edition will be curated by architects Ander Bados Sesma, from Atelier Ander Bados, and Miguel Ramón López, a Ponferrada native and architect at Estudio Lamela, under the curatorial proposal titled flujos comun.es ("common flows"). Their curatorial proposal responds to the theme of the open call: Architecture as a Policy for Change, an invitation to reflect on the role of the discipline in processes of social, economic, and environmental transformation. Within this framework, flujos comun.es presents a critical perspective on the challenges associated with hyperconnectivity. The call for proposals and project submissions is currently open, and will be until the end of July, depending on the category.

In certain parts of the world, construction is still dominated by wet systems—concrete, masonry, and cementitious materials that are poured, cured, and fixed in place. While this has long been considered the norm in some south-east Asia countries, such as Singapore, Thailand, Malaysia, and China, in most of these regions, they typically share a common trend where labor is relatively inexpensive. This serves as one of the reasons to make concrete more easily available, as one of the typical downside of concrete is its intensive labour cost - this further differentiates concrete as a cheaper and more efficient material system to be building out of.

However, not enough considerations in the region are given to the sustainability aspect when using these wet construction materials,often overlooking the significant drawbacks of its material lifecycle and the difficulty to recycle it without downcycling - making it one of the more unsustainable materials available to be built out of.

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Early-stage design may be where everything begins, but without careful consideration, it's also where everything breaks down. On average, firms report that nearly 15% of all work done generates zero revenue, much of it tied to concept design. Relying on a patchwork of tools like Rhino, Excel, Revit, and Miro, architects often spend weeks swapping between platforms just to get a concept and presentation out the door. Data gets trapped in screenshots, rework piles up, and by the time the model is ready for documentation in Revit, the creative momentum is long gone. Snaptrude 3.0 Was Built to Fix that.