This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The measure is based on the principle that it makes no sense to continue applying the same rules to two such different types of vehicles.

Mayor Valérie Plante has promised improvements to the city's cycling infrastructure. Her ideas align closely with those of Councilor Marianne Giguère, who is responsible for sustainable development and transportation. Giguère believes that, under current laws, the message to cyclists is that they must be just as cautious as drivers, “even though you [the cyclist] pose much less of a danger.”

Over the past five years, Lisbon has attracted significant international attention, driving major changes in the Portuguese capital's urban life. From foreign technology investment to the promotion of cultural initiatives, these transformations are both positive and negative—a complex issue currently debated through the lens of gentrification, echoing developments in other global cities such as Berlin, Portland, and San Francisco.

On the cultural front, the city boasts an impressive diversity of initiatives, ranging from the opening of major, world-class museums—such as MAAT and Coches—to a rich culture of urban graffiti murals. This scene is supported by initiatives like the Underdogs cultural platform, which has worked with artists from around the world since 2013 to bring these paintings to the city's walls.

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What is the manufacturing process of a chair like?

Our partners at Herman Miller opened the doors of their factories and offices in Michigan, United States, to show us the complex yet efficient design and manufacturing process of their various furniture pieces and products. During a three-day tour, we saw that their production involves a high level of detail and craftsmanship, where the experience and skill of their workers are essential.

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The IAB played a key initial role in consolidating the profession of architects and urban planners as an autonomous activity from engineering back in the 1940s and 1950s. It was organized as a representative institution, a voluntary association of architects, and a platform for the field's public policies. This applied both to guiding legitimate practices concerning the built environment, the landscape, and the city, and to educating both architects and society about an activity so fundamental to citizenship. Action across these diverse areas began with support for the regulation of architecture as a profession in Brazil (the creation of Crea/Confea in 1933), followed by the organization of the 1945 congress, and, in the case of São Paulo, support for the founding of the Faculty of Architecture and Urban Planning of the University of São Paulo (FAUUSP) in 1948.

Google has launched the Environmental Insights Explorer tool to provide users with access to data and technology that can contribute to the transition toward a lower-carbon world. The information is primarily based on data already available on Google Maps.

The goal is to enable cities worldwide to calculate their greenhouse gas (GHG) inventories to facilitate climate action planning. “The inventory can help prioritize investments in the areas of greatest impact, as it highlights key emission sources or hotspots and can be used as a baseline to measure progress,” the company states on the tool's website.

Yesterday, July 12, a partial collapse occurred at Plaza Artz Pedregal, a high-end shopping mall in southern Mexico City. Designed by the prominent Mexican architecture firm Sordo Madaleno Arquitectos, the collapsed section appears to be an overlapping cantilevered volume, as seen in social media videos of the incident and renderings released in 2016. The cause of the collapse remains under investigation.

Eleven years after its inauguration, the Madrid City Council has announced a renovation and upgrade plan for the monument to the victims of the March 11 (11-M) terrorist attacks at Atocha Station in Madrid, Spain, as reported by the Spanish newspaper El País.

Designed by Estudio SIC, the monument to the victims of 11-M was inaugurated in 2007, three years after the attacks perpetrated by a terrorist cell on March 11, 2004. The attack consisted of the simultaneous explosion of 10 bombs on four commuter trains, claiming the lives of 193 people and leaving more than 2,000 injured, making it the worst terrorist attack in Spain's history.

With the votes counted, the first round of the presidential election was not enough to determine the country's next political leader; candidates Fernando Haddad, of the Workers' Party, and Jair Bolsonaro, of the Social Liberal Party, will face off once again in the runoff vote on October 28.

Political differences and ideological discrepancies aside, the next president will have, among many other tasks, the responsibility of providing federal support for the development of Brazilian cities—home to about 87% of the country's population. To contribute to the debate and—if it is ArchDaily's place to do so—help undecided voters make up their minds, we have compiled below the proposals of both presidential candidates for the future of cities, based on their respective government platforms, covering topics such as housing, urban development, infrastructure, sustainability, mobility, and the right to the city.

As we previously reported, the firm Estudio Victoria—led by muralist Dasic Fernández, gallerist Esteban Barrera, and architect Juan Carlos López—was responsible for managing and designing the colorful, 400-linear-meter 'Paseo Bandera.' Inaugurated on December 20, it has transformed an iconic street in downtown Santiago into a bustling pedestrian promenade.

The ArchDaily team spoke with Dasic Fernández, whose work has taken over Santiago's main walls and who is now leaving the gray of Bandera Street behind through tactical urbanism. The interview explores in detail how this unprecedented intervention in Latin America was managed and designed, allowing pedestrians in the capital's downtown to reclaim urban space.

Last Thursday, during the opening of the exhibition featuring the 13 finalist projects – selected from 244 submissions representing 17 Brazilian states and the Federal District – the winners of the 5th Instituto Tomie Ohtake AkzoNobel Architecture Prize were announced.

The project Casa sobre las rocas by the Chilean firm Schwember García-Huidobro Arquitectos has been recognized at the German Design Award 2019. The accolade, awarded in Germany by the Ministry of Technology, "identifies and presents unique design trends," according to the organization.

Built in a forest in the town of Cunco, Chile, Casa sobre las rocas received a Special Mention in the Architectural Design Communication category of the competition. The project is a second home that prioritizes communal areas, featuring a Y-shaped floor plan designed to optimize views and natural light.

Aiming to offer low-income households genuine flexibility for expansion and adaptation during their housing process, the Robotic Timber Framing group at the Department of Architecture of the Universidad Técnica Federico Santa María, led by Luis Felipe González and Francisco Quitral, is developing timber housing structures that can be freely assembled and transformed by their occupants.

Without the need for metal fasteners, the components are joined using mortise and tenon joints, a process carried out by an industrial robot equipped with cutting tools.

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The restoration of a disused heritage asset, its repurposing, and sensitivity to the surroundings were the key concepts valued by the jury in selecting this winner of the 18th edition of the Clarin-SCA National Award for Architecture Students.

Agustín Ichuribehere, a student at the Faculty of Architecture and Urbanism of the Universidad Nacional de La Plata, guided by professor Martín Villanueva, designed the winning project. The proposal features a building for the Department of Music and Lutherie of the Universidad Nacional del Comahue, integrating an intervention on a heritage site: the former warehouses of "La Reginense" cider factory in Villa Regina, Rio Negro, Argentina.

Learn more about the proposal in the author's own words below.

In the constant ebb and flow of those moving through the city of São Paulo, you have likely noticed the distinctive graphic pattern repeated across various sidewalks. The classic pattern behind the modules that graphically form the map of the state of São Paulo was created in 1966 by architect and artist Mirthes dos Santos Pinto. It all began in the 1960s when then-mayor João Vicente Faria Lima launched a competition to design the city's new pavement. Mirthes, who at the time worked as a drafter for the São Paulo Municipal Works Department, created a stylized map of the State of São Paulo. Using square modules of black and white geometric tiles, the design alternated between solid colors and diagonally split tiles to create a continuous pattern.

The California Assembly voted in favor of SB 100, a Senate bill that sets the state on a path toward 100% renewable energy generation. The legislation establishes a new target of obtaining 60% of the state's electricity from renewable sources by 2030 and reaching 100% clean and renewable energy by 2045. Governor Jerry Brown has thirty days to sign the bill.

A project by the Federal University of Technology - Paraná (UTFPR) is cataloging the historical heritage of Curitiba and making all the information available on the website Arquivo Arquitetura. The portal is being gradually updated with all the research conducted since 2011 by more than 560 students, led by architects Giceli Portela and Iaskara Florenzano. In the near future, the goal is to install QR codes on tiles in front of all the buildings, allowing people to access the complete history of each building in real time.

There are now more than 350 Colombian projects published on ArchDaily. To celebrate this milestone, we have curated a selection that highlights the invaluable role of architectural models in conceptualizing, designing, and constructing contemporary Colombian architecture.

Far from the photorealism now achieved by 3D rendering specialists, the physical model endures as a critical tool for conceptual, spatial, structural, and constructive exploration, as showcased in the following selection:

Heritage-listed at both the state and federal levels, Teatro Oficina, designed by Lina Bo Bardi and Edson Elito, is at risk of having its surroundings profoundly altered by the construction of two 100-meter-tall residential towers. The project, led by the Silvio Santos Group, was approved by the National Historical and Artistic Heritage Institute (Iphan) during a meeting on May 29.

The exhibition “10 Exponents of the 21st Century: City, Architecture, and Design” launches the cultural activities at Espacio CDMX, a public space dedicated to promoting architecture, urban planning, and socially responsible design in the city, while also serving as a temporary creative venue and Information Center for World Design Capital CDMX 2018.

On the shores of Lake Titicaca, nearly 250 students from 15 countries kicked off TSL Puno 2018 in Peru, marking the 15th edition of the Latin American Social Workshop, led by the Latin American Coordinator of Architecture Students (CLEA) and the Peruvian Organization of Architecture Students (OPEA).

Continuing a tradition that began in 2002, architecture students from across Latin America are joining forces with public and private entities, architecture collectives, workshop leaders, faculty, and members of civil society to conceptualize, design, and build public amenities across the Spanish-speaking world.

Spanish photographer Fernando Alda explores the construction of the Pacific Center building in Panama, designed by local firm Ventura Arquitectos, in his most recent photo essay. Titled "An Aesthetics of Disappearance," Alda's work was exhibited in the Panamanian firm's pavilion during the inaugural Expo Modii 2018 in Panama City.

Scaffolding, energy dissipators, shoring, electrical installations, and safety netting define the temporary spaces that make up this photo essay. These compositions center on spaces rendered invisible while awaiting the real spaces. "In Pacific Center," writes architect Silvia Escamilla, "he freezes this temporal lapse and the ephemeral elements that inhabit it, those that go unnoticed by us, granting them a new aesthetic value."

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What do the arrival of the Portuguese royal family, Brazil's largest slave trade market, the murder of student Edson Luís during the military dictatorship, and the R$52 million bribe received by Eduardo Cunha have in common? They all took place in Rio de Janeiro’s port area and can now be (re)discovered through the Museum of Yesterday (Museu do Ontem), an app launched by Agência Pública that aims to rescue these stories and foster a new relationship with this important urban territory.

One of São Paulo's primary historical and tourist landmarks, the Pateo do Collegio—the founding site of the state capital—awoke with its facade covered in graffiti. "Olhai por nois" [Look out for us] is the phrase that, in red letters, covers the facade of the Museum of Sacred Art and the chapel of the complex, which belongs to the Society of Jesus.

Under Brazil's environmental crimes law, defacing monuments is a crime, and perpetrators can face up to one year in prison. At the time of publication, those responsible for the act had not been identified by the Metropolitan Civil Guard.

It is another freezing night in Chucuito, and in the restaurant where all the participants of the XV TSL Puno are dining, Jhony Chaves—better known as "El Gato"—tells us stories about impossible places, like Cerro de Pasco, a Peruvian mining settlement even higher, colder, and harsher than Chucuito. He then recalls a village lost in the Peruvian jungle that can only be reached by boat, where the mosquitoes seem as large as birds. Next, he jumps to describing Andean villages that flood and freeze almost year-round, until the weather finally gives a few months of respite to the families who live there simply in houses made of mud.

As El Gato goes through his inventory of Peruvian towns, it is impossible not to think of the magical realism of Macondo. Is all of this real? Indeed, it fits perfectly that this is also a concept coined decades ago, before García Márquez, by a European, for whom his own continent's nature had been entirely domesticated. Of course, Latin America remains a landscape, and our great victory is that we manage to live within it, despite nature and its disasters. Thus, the villages El Gato evokes bring a certain comfort to our shared table, even as the cold and altitude threaten to take their toll on us. "It could be worse," we think before spooning the steaming soup in front of us.

How, then, can we intervene and propose public space in rural, predominantly Aymara settlements like Chucuito, where nature constantly reminds us that it is the main protagonist?