On Thursday 17th of November, at the World Architecture Festival in Berlin, Patrik Schumacher gave a lecture offering his theory on how to address London’s Housing crisis. Given Schumacher’s well-known penchant for neoliberal economics, it was perhaps little surprise that his plan included a number of highly controversial ideas, such as the elimination of all forms of social housing and planning, and the privatization of all public space—with Schumacher highlighting Hyde Park as a particularly interesting opportunity.
Though ArchDaily was in attendance at the lecture, we chose not to cover Schumacher’s speech, at least in part because the audible boos from the crowd indicated that this was not a position that the wider architectural profession was interested in giving publicity to. However, the news was picked up by a number of other architectural publications including Dezeen; as a result, Schumacher’s speech became front page news on the London Evening Standard, prompting a response from London Mayor Sadiq Khan who said Schumacher’s ideas were “out of touch” and “just plain wrong.” These developments in turn have prompted an outcry from the architectural profession, causing Zaha Hadid Architects to write an open letter in response to the furore. Read on to see the full letter.
The Government of the United Kingdom and competition organizer Malcolm Reading Consultants have announced the ten architect teams selected to envision designs for the new National Memorial to the Holocaust, to be located next to the UK Parliament. Designs will encompass a “striking” new National Memorial in Victoria Gardens, as well as a possible below ground Learning Center.
Zaha Hadid Architects has unveiled the design of the Guangzhou Infinitus Plaza in Baiyun New Town, Guangzhou, China, coinciding with the project’s groundbreaking ceremony. The 167,000 square meter complex will consist of two building footprints, connected in the air through twin green-roofed skybridges to create a vertical campus for LKK Health Products Group (LKKHPG) and the Infinitus health products brand.
Employing ZHA’s trademark flowing forms, the building design follows the concept of the infinite, arranged as a series of endless rings that enhance connectivity and following the form of the symbol for infinity “∞”.
Since first launching in April 2013, d3 has become the region’s preeminent destination for artists, designers and creative types of all kinds to work and collaborate. So far, d3 has welcomed in over 30 architecture firms of medium to large size, including SSH and Viktor Udzenija, RMJM and Wanders Wagner.
Architectural photographer Marc Goodwin has recently shot the second collection of his "ultra-marathon of photoshoots" – in London. Following his unique insight into the spaces occupied by Nordic architectural offices (based in Oslo, Stockholm, Copenhagen and Helsinki), Goodwin has turned his lens to a broad collection of practices in the British capital, captured in just seven days. From Zaha Hadid Architects' former school to Foster + Partner's monumental studios on the banks of the River Thames, here are a series of surprising places that architectural offices call home.
http://www.archdaily.com/798521/look-inside-a-collection-of-london-based-architecture-offices-marc-goodwinAD Editorial Team
Zaha Hadid Architects has been announced as the winner of an international competition to design a new football stadium for the Forest Green Rovers in Stroud, UK. Following a seven month competition featuring over 50 entries from around the world, ZHA was selected over finalist Glenn Howells Architects for their all-wood proposal. When finished, the stadium will be the first in the world to be built entirely out of wood.
The BRIT Awards has announced that the statuettes that will be given during their 2017 awards ceremony have been designed by the late Zaha Hadid.
Hadid had accepted the project in January of this year and developed concepts for the design before her sudden passing in March of this year. The work has since been led by Zaha Hadid Design Director Maha Kutay and the BRIT Awards Niamh Byrne.
“Zaha was truly excited to be doing this,” recalled Kutay. “Her vision was, being an architect, to focus our efforts more on the 3D element, as the statue had previously been used as a canvas for artists to paint on for the last few years. Our design expresses Zaha’s unwavering belief in progress and optimism for the future and a break from the norm. The biggest challenge was to create something different within certain guidelines, yet achieving a result recognisable to the public. You have to respect the existing to create something new.”
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced with equal aplomb for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
The Royal Institute of British Architects (RIBA) has announced the shortlist of six finalist projects in the running for the inaugural RIBA International Prize. The first RIBA Award open to any qualified architect in the world, the International Prize seeks to name the world’s “most significant and inspirational” building. Criteria for consideration include the demonstration of “visionary, innovative thinking and excellence of execution, whilst making a distinct contribution to its users and to its physical context.”
The six finalists were named from a longlist of 30 buildings, from which a further selection of 21 projects have been recognized by the jury for the RIBA Award for International Excellence. The jury has also named the winner of the RIBA International Emerging Architect prize recognizing “the achievement of architects in the earlier stages of their career who are working on global projects.”
"Our panel of jurors have been particularly impressed by the way in which each building reacts to, resolves and assimilates into the varying geographies and contexts - from dense urban cities to a small town in the Arctic Circle," said RIBA President Jane Duncan on the naming of the finalists. "Each project resolves the complex demands of its context with ingenuity, exceptional detail and finishing and a sensitivity to the needs of the users and communities which will inhabit these spaces."
Zaha Hadid Architects has won a competition for the design of the Urban Heritage Museum Administration Centre in Diriyah, Saudi Arabia. The center will serve as the head office of the Heritage Museum, an educational institution established to preserve the historic UNESCO world heritage sites of Diriyah and the surrounding Wadi Hanifah valley.
Maksim Sodomovsky of iVision3D has created a virtual tour of the Dominion Office Building, designed by Zaha Hadid Architects, in Moscow, Russia. Completed in 2015, the project is among the new infrastructure being built to support the growing creative and IT industries in the southeast of the city. The design is organized as a series of stacked plates, connected with curving elements and surrounding a central atrium exposed to natural light.
Six exemplary projects have been announced as winners of the 2016 Aga Khan Award for Architecture. Presented once every three years, the award was established by the Aga Khan in 1977 to “identify and encourage building concepts that successfully addressed the needs and aspirations of communities in which Muslims have a significant presence.” To be considered for the award, projects must exhibit not only architectural excellence, but also the ability to improve users overall quality of life.
Occupying a 5.2 hectare site, the complex contains 465,000 square meters of floor space, which includes a hotel, conference center, offices and underground parking, and is part of a larger masterplan by ZHA that will feature a pedestrian bridge linking the plaza with the other side of the river.
Opening to much fanfare earlier this week, Zaha Hadid Architects' Port House holds a commanding presence over the port of Antwerp. The design combines a listed and formerly derelict fire station, which was restored as part of the project, with an eye-catching glass extension which rises out of the older building's courtyard and thrusts itself towards the water in a dramatic cantilever. In the context of the port, where large infrastructure and colossal machines form the backdrop to everyday functions, the building boldly stakes its claim as the operational centerpiece, providing a space for the Port of Antwerp's 500 employees. Photographer Thomas Mayer visited the building, capturing its striking external presence and investigating how its structural gymnastics translate to the building's internal space.
Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.
Weston Williamson + Partners has won an international competition for a 125,000 square meter “Science City” along the western edge of Cairo, Egypt, beating out entries from Ngiom Partnership and Zaha Hadid Architects. The project will be built from the ground up in the desert surrounding the city, and will serve as a 21st century science museum and new national institute for scientific innovation. The competition called for an integrated master plan and conceptual design that express “a particular vision of the quest for knowledge and the pursuit of science.”
The jury selected the winning design for its overall comprehensiveness and identity, as well as its ability to be intelligently constructed in phases.
“This project was the one that best responded to the challenges of the brief. The design is subtle but rich. It involves various levels of planning,” said the jury in a statement. “It displays a blending of aspects of several of the “types” that were so visible: the circle, the striation, the berm (or dune), the legible apparatus of sustainable performance, the complex of courtyards, the oasis, etc. But the overall impact is one of a unified composition of great elegance and finesse.”
Continue reading for more on Weston Williamson’s design and to see images from all of the winning entries.
This video, presented by the BBC, takes a look at the work of Zaha Hadid as inspired by her favorite artist: the Russian Suprematist painter Kazimir Malevich. Featuring interviews with the dame herself, the narrative looks all the way back to Hadid’s origins, including her time at the Architectural Association School in London. It was there that she designed “Malevich’s Tektonik,” a hotel along the Thames River based upon the works of Malevich. Hadid believed that this work radically drove the architectural outlook she would employ for the remainder of her career:
“I was very fascinated by abstraction and how it really could lead to abstracting plans, moving away from certain dogmas about what architecture is. That project really liberated me, freed me from all these rules.”
Check out the video, currently on display as part of the Zaha Hadid retrospective at the Venice Biennale, for more on how Hadid drew inspiration from the Russian artist.
http://www.archdaily.com/794495/video-zaha-hadid-discusses-the-influence-of-kazimir-malevich-on-her-workAD Editorial Team
Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.