Zaha Hadid’s Heydar Aliyev Center has beaten out seven shortlisted designs to win London Design Museum’s Designs of the Year Awards. The shortlisted proposals - from a portable eye examination kit to Volkswagen’s XL1 CAR – will remain on view at the museum through August 25.
Not only is Ms. Hadid the first woman recipient in the Awards’ seven year history, but the center is the first architecture project to be lauded: ”It’s beautiful, it’s inspiring, it’s the clear vision of a singular genius and we thought it was a remarkable piece of work,” jury member Ekow Eshun noted.
Other nominated architecture projects included: NLE Architects’ Makoko Floating School, The Turbulences FRAC Centre by Jakob + Macfarlane Architects, and the interior remodeling of the St. Moritz Church by John Pawson. See more stunning images of the Heydar Aliyev Center here.
Zaha Hadid has now officially signed a deal to design the Iraq Parliament building in Baghdad, despite only coming third in the original design competition. BD Online reports that Hadid attended a signing ceremony held at the Iraqi Embassy in London last month, finally bringing a close to the controversial process.
The original competition run by the Royal Institute of British Architects at the request of the Iraqi Government was won by Assemblage, however shortly after the win it became apparent that the Iraqi Council of Representatives had other ideas, as they remained in discussion with Hadid’s Practice. Under the rules of the competition, the client is under no obligation to follow through with the winning design.
More on the controversy after the break
Zaha Hadid Architects, SOM, Ian Simpson Architects, Manuelle Gautrand Architects, and Wingårdhs Arkitektkontor are all competing to design what will be the tallest tower in Scandinavia. Submitted anonymously, the five shortlisted proposals have just been unveiled by Serneke, who has envisioned the skyscraper as an integral piece to a larger 32,000 square meter mixed-use masterplan in Gothenburg that has been in the making for more than ten years.
Check out each shortlisted design, after the break…
Tokyo-based architect Edward Suzuki has launched another petition against Zaha Hadid‘s design for the 2020 Tokyo Olympic Stadium, claiming it is “overwhelmingly large for the context” and ”will desecrate the ‘sacred grounds’ of Meiji Shrine Outer Gardens”. This is the second petition against the design and is intended to support the earlier petition by Toyo Ito and Fumihiko Maki by providing an equivalent targeted primarily at English speakers, aiming to “pressure our government not only from within but also from outside of our country.” You can see the petition in full here.
Though it seemed a compromise was met last October, when Japan’s minister of education, Hakubun Shimomura announced plans to reduce the cost and scale of the Zaha Hadid-designed Tokyo Olympic Stadium, the debate rages on.
Pritzker laureates Toyo Ito and Fumihiko Maki have launched an online petition to “defend the ginko tree-lined landscape of blue sky and Jingu Outer Gardens” from the construction of Hadid’s “oversized” stadium.
The petition (now with more than 13,000 signatures) urges the Japan Sports Council, who hand selected Hadid’s winning design alongside Tadao Ando, to reconsider upgrading the existing Meiji Jingo Gaien Stadium and the gardens surrounding it. This solution, they believe, is a more affordable and sustainable alternative that would prevent the relocation of nearby residents.
Take a tour though Zaha Hadid’s 2020 Olympic Stadium and share your thoughts about the design (and petition), after the break…
Architects: Zaha Hadid Architects
Location: Hong Kong, Hung Hom, The Hong Kong Polytechnic University, Jockey Club Innovation Tower 賽馬會創新樓
Design: Zaha Hadid, Patrik Schumacher
Project Director : Woody K.T. Yao
Project Leader : Simon K.M. Yu
Area: 15000.0 sqm
Photographs: Virgile Simon Bertrand, Doublespace, Iwan Baan
Zaha Hadid’s Heydar Aliyev Center is among seven shortlisted designs being considered for this year’s Design of the Year award. As announced by London’s Design Museum, the undulating cultural center was pulled from 76 innovative nominations and placed first in the architecture category. The shortlisted proposals, ranging from a portable eye examination kit to Volkswagen’s XL1 CAR, will remain on view at the museum through August 25. A winner is expected to be announced June 30.
Zaha Hadid Architects has designed a 40-story luxury hotel for Macau’s premier leisure and entertainment destination known as “City of Dreams.” Perceived as a single “sculptural element” united by an exposed exoskeleton mesh structure, the “simple volume” was extruded from its rectangular site as two towers connected at the podium and roof levels, with two organically-shaped bridges punctuating the tower’s center external void. This central void is then celebrated by a 40-meter tall, “grandiose atrium” that greets visitors as they enter the hotel.
Take a digital tour through the building and into the atrium via a newly released video, after the break…
Zaha Hadid, Norman Foster and Richard Rogers are among seven international practices listed to compete for a 5,000 hectare expansion that hopes to “alleviate severe congestion” at the Mexico City airport. With each team led by Mexican firms, the shortlisted architects, which also include SOM, Gensler, Pascall+Watson and Teodoro González de León with Taller de Arquitectura X, have been asked to envision a 70-gate, phased expansion capable of hosting 40-million passengers per year. A schematic masterplan has been provided by Arup. Completion of the first phases is tentatively planned for 2018.
Fast Company has announced who they believe to be the most innovative practices in architecture for 2014. Topping this list is New York’s SHoP Architects who has gone from “boutique to big commissions in only a few years.” See who made the list after the break and let us know who you believe is the world’s most innovative firms in the comment section below.
Architects: Zaha Hadid Architects
Location: 281 Euljiro-dong, Jung-gu, Seoul, South Korea
Architect In Charge: Zaha Hadid Architects
Design Partners: Zaha Hadid with Patrik Schumacher
Zha Project Leader: Eddie Can Chiu-Fai
Zha Project Managers: Craig Kiner and Charles Walker
Zha Project Team: Kaloyan Erevinov, Hooman Talebi, Matthew Wong, Martin Self, Carlos S. Martinez, Camiel Weijenberg, Florian Goscheff, Maaike Hawinkels, Aditya Chandra, Andy Chang, Arianna Russo, Ayat Fadaifard, Josias Hamid, Shuojiong Zhang, Natalie Koerner, Jae Yoon Lee, Federico Rossi, John Klein, Chikara Inamura, Alan Lu
Zha Competition Team: Kaloyan Erevinov, Paloma Gormley, Hee Seung Lee, Kelly Lee, Andres Madrid, Deniz Manisali, Kevin McClellan, Claus Voigtmann, Maurits Fennis
Area: 89574.0 sqm
Photographs: Virgile Simon Bertrand
After an open competition that sought to attract “the very best British architecture can offer,” six architects – including Zaha Hadid and Richard Rogers – have been selected as the potential architects of the project to rebuild the Crystal Palace in south London. See the full shortlist after the break.
Zaha Hadid Architects, Adam Architecture, Hopkins Architects, Eric Parry Architects, Allford Hall Monaghan Morris and Studio Weave have all unveiled, what AJ describes as, six “jaw-dropping” proposals for new water kiosks planned for central London. As part of a competition, conducted by the British journal, the architect-designed drinking fountains will be on view at The Building Centre from February 20 through March 14. View them all and vote for your favorite here.
After the controversial lampooning of Zaha Hadid’s Al Wakrah Stadium in Qatar, Anthony Flint of the Atlantic Cities casts a critical eye over how the internet, and the swarms of would-be architecture critics that reside there, have changed the way that buildings are designed. Tracking the trend for this form of criticism from Le Corbusier’s “two pianos having sex” (aka the Carpenter Centre at Harvard) to the hyper-reactive culture of modern online criticism today, he looks at how architects – and PR companies – are responding. You can read the full article here.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.