Zaha Hadid Architects has been announced as the winner of an international competition to design a new football stadium for the Forest Green Rovers in Stroud, UK. Following a seven month competition featuring over 50 entries from around the world, ZHA was selected over finalist Glenn Howells Architects for their all-wood proposal. When finished, the stadium will be the first in the world to be built entirely out of wood.
Zaha Hadid Architects' Competition-Winning Design for Forest Green Rovers Will Be World's First All-Wood Stadium
The BRIT Awards has announced that the statuettes that will be given during their 2017 awards ceremony have been designed by the late Zaha Hadid.
Hadid had accepted the project in January of this year and developed concepts for the design before her sudden passing in March of this year. The work has since been led by Zaha Hadid Design Director Maha Kutay and the BRIT Awards Niamh Byrne.
“Zaha was truly excited to be doing this,” recalled Kutay. “Her vision was, being an architect, to focus our efforts more on the 3D element, as the statue had previously been used as a canvas for artists to paint on for the last few years. Our design expresses Zaha’s unwavering belief in progress and optimism for the future and a break from the norm. The biggest challenge was to create something different within certain guidelines, yet achieving a result recognisable to the public. You have to respect the existing to create something new.”
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced with equal aplomb for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
The Royal Institute of British Architects (RIBA) has announced the shortlist of six finalist projects in the running for the inaugural RIBA International Prize. The first RIBA Award open to any qualified architect in the world, the International Prize seeks to name the world’s “most significant and inspirational” building. Criteria for consideration include the demonstration of “visionary, innovative thinking and excellence of execution, whilst making a distinct contribution to its users and to its physical context.”
The six finalists were named from a longlist of 30 buildings, from which a further selection of 21 projects have been recognized by the jury for the RIBA Award for International Excellence. The jury has also named the winner of the RIBA International Emerging Architect prize recognizing “the achievement of architects in the earlier stages of their career who are working on global projects.”
"Our panel of jurors have been particularly impressed by the way in which each building reacts to, resolves and assimilates into the varying geographies and contexts - from dense urban cities to a small town in the Arctic Circle," said RIBA President Jane Duncan on the naming of the finalists. "Each project resolves the complex demands of its context with ingenuity, exceptional detail and finishing and a sensitivity to the needs of the users and communities which will inhabit these spaces."
Zaha Hadid Architects has won a competition for the design of the Urban Heritage Museum Administration Centre in Diriyah, Saudi Arabia. The center will serve as the head office of the Heritage Museum, an educational institution established to preserve the historic UNESCO world heritage sites of Diriyah and the surrounding Wadi Hanifah valley.
Maksim Sodomovsky of iVision3D has created a virtual tour of the Dominion Office Building, designed by Zaha Hadid Architects, in Moscow, Russia. Completed in 2015, the project is among the new infrastructure being built to support the growing creative and IT industries in the southeast of the city. The design is organized as a series of stacked plates, connected with curving elements and surrounding a central atrium exposed to natural light.
Check out the virtual tour here:
Six exemplary projects have been announced as winners of the 2016 Aga Khan Award for Architecture. Presented once every three years, the award was established by the Aga Khan in 1977 to “identify and encourage building concepts that successfully addressed the needs and aspirations of communities in which Muslims have a significant presence.” To be considered for the award, projects must exhibit not only architectural excellence, but also the ability to improve users overall quality of life.
Selected from a shortlist of 19 candidates, the five winning projects will receive a $1 million dollar prize as they join an acclaimed list of previous winners, which includes buildings from Zaha Hadid, Norman Foster, Charles Correa, Frank Gehry, Jean Nouvel and Hassan Fathy.
Photographer Khoo Guo Jie of Béton Brut has provided us with some new images of Zaha Hadid Architects’ Nanjing International Youth Culture Centre, now nearing completion along the Yangtze river in Hexi New Town, Nanjing’s new central business district.
Occupying a 5.2 hectare site, the complex contains 465,000 square meters of floor space, which includes a hotel, conference center, offices and underground parking, and is part of a larger masterplan by ZHA that will feature a pedestrian bridge linking the plaza with the other side of the river.
Opening to much fanfare earlier this week, Zaha Hadid Architects' Port House holds a commanding presence over the port of Antwerp. The design combines a listed and formerly derelict fire station, which was restored as part of the project, with an eye-catching glass extension which rises out of the older building's courtyard and thrusts itself towards the water in a dramatic cantilever. In the context of the port, where large infrastructure and colossal machines form the backdrop to everyday functions, the building boldly stakes its claim as the operational centerpiece, providing a space for the Port of Antwerp's 500 employees. Photographer Thomas Mayer visited the building, capturing its striking external presence and investigating how its structural gymnastics translate to the building's internal space.
Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.
Weston Williamson + Partners has won an international competition for a 125,000 square meter “Science City” along the western edge of Cairo, Egypt, beating out entries from Ngiom Partnership and Zaha Hadid Architects. The project will be built from the ground up in the desert surrounding the city, and will serve as a 21st century science museum and new national institute for scientific innovation. The competition called for an integrated master plan and conceptual design that express “a particular vision of the quest for knowledge and the pursuit of science.”
The jury selected the winning design for its overall comprehensiveness and identity, as well as its ability to be intelligently constructed in phases.
“This project was the one that best responded to the challenges of the brief. The design is subtle but rich. It involves various levels of planning,” said the jury in a statement. “It displays a blending of aspects of several of the “types” that were so visible: the circle, the striation, the berm (or dune), the legible apparatus of sustainable performance, the complex of courtyards, the oasis, etc. But the overall impact is one of a unified composition of great elegance and finesse.”
Continue reading for more on Weston Williamson’s design and to see images from all of the winning entries.
This video, presented by the BBC, takes a look at the work of Zaha Hadid as inspired by her favorite artist: the Russian Suprematist painter Kazimir Malevich. Featuring interviews with the dame herself, the narrative looks all the way back to Hadid’s origins, including her time at the Architectural Association School in London. It was there that she designed “Malevich’s Tektonik,” a hotel along the Thames River based upon the works of Malevich. Hadid believed that this work radically drove the architectural outlook she would employ for the remainder of her career:
“I was very fascinated by abstraction and how it really could lead to abstracting plans, moving away from certain dogmas about what architecture is. That project really liberated me, freed me from all these rules.”
Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.
Zaha Hadid Architects has released new images and an animation of the firm’s “Stacked Vase” tower in Melbourne’s Central Business District to coincide with the building receiving approval from the Department of Environment, Land, Water and Planning, the City of Melbourne and the Office of Victorian Government Architect. The 54-story (178m) mixed-use skyscraper will be Zaha Hadid’s only tower in Melbourne, and upon completion will become an new emblem of “the most livable city in the world.”
Zaha Hadid Architects have released plans for a 70,000 square meter (750,000 square foot) hotel and residential tower in the Marina District of Lusail City, Qatar. The design is the first of two ZHA projects commissioned by H.H. Sheikh Mohammed Bin Khalifa Al Thani for Lusail City’s integrated community master plan, which when complete will become Qatar’s first and largest sustainable city, providing entertainment, employment and accommodation for up to 450,000 residents and visitors.
Zaha Hadid Architects’ (ZHA) 170-meter-tall Generali Tower has topped out at 44 stories in Milan, Italy. The Generali Tower, along with two other towers, forms the centerpiece for the CityLife masterplan to revitalize the old site of Milan’s International Fair, which closed in 2005.
Through the redevelopment, which began in 2004, the site will be open “to year-round public use, with the inclusion of new civic spaces, public parks, and residential buildings, in addition to shopping areas and corporate offices, all with direct transport connections via the Tre Torri station on the line 5 of the city’s metro system.”
Zaha Hadid’s exhibition design for Kurt Schwitters: Merz opened to the public earlier this week at Galerie Gmurzynska in Zurich. In an article about the exhibition in T Magazine, senior designer and director at Zaha Hadid Architects (ZHA), Patrik Schumacher said, “It’s literally the last project of Zaha, finished by her team.”
The exhibition, presenting seventy works – in all media – from each period of the artist’s career, honors five decades of the gallery showing Schwitter’s work. Hadid’s design is a reflection on the artist’s well-known, but destroyed, Merzbau, a sculpture that filled the artist’s workspace from 1923-1937. According to the Hadid’s office, “[Merzbau was] a living, inhabited collage, ever-shifting and expanding, and this was the starting point for [Zaha’s] exhibition design which pushes beyond mere random collage to embrace the unpredictable richness and the complex variegated order found in nature.” The design builds on an established relationship between Hadid and Galerie Gmurzynska; Merz following in the footsteps of an earlier exhibition space designed for another of the architect’s inspirations, Kasimir Malevich.
The Moinian Group announced that they had been collaborating with the late Zaha Hadid to develop a “visionary” new project for New York City. The project, at 220 Eleventh Avenue in West Chelsea, is a multi-residential apartment building with a cultural institution at street level.
This announcement comes after Zaha Hadid Architects pledged to complete all 36 projects that were in construction or design development at the time of her death, as her office continues her powerful legacy.