As construction continues on its new home across from the UC Berkeley campus, the Berkeley Art Museum/Pacific Film Archive (BAM/PFA) is finalizing plans for its first exhibition – Architecture of Life - in this location. The curvilinear structure, designed by Diller Scofidio + Renfro with EHDD as executive architect, fuses old and new, outfitting what was the UC Berkeley printing plant with modern exhibition space, offices, and theaters to make it a focal point in Berkeley’s downtown arts district.
More on the $112 million project after the break.
Perkins+Will‘s Centre for Interactive Research on Sustainability (CIRS) at the University of British Columbia has been announced as the recipient of the Royal Architectural Institute of Canada‘s 2015 Green Building Award. Granted by the RAIC and Canada Green Building Council, the award celebrates stellar architectural designs adhering to responsiveness to occupants’ well-being and environmental responsibility. The CIRS achieved LEED Platinum status and is a regenerative structure, implementing ingenious strategies to sustain net-positive energy, net-zero water, and net-zero carbon in both construction and operation.
Look & Listen, a new sound responsive exhibition at the recently opened Sto Werkstatt gallery in London, explores “the often unnoticed, yet vital role acoustics play in our experience of place.” Designed by The Klassnik Corporation, the exhibition offers a variety of “sonic experiences” which encourage the visitor to focus on the audible aspects of architecture. It creates a unique set of environments built using Sto’s range of acoustic systems, “utilising the perfect balance of design flexibility and technical leadership the acoustic materials offer.” The installation also demonstrates the materials‘ capabilities in reducing reverberation and promoting clearer sound.
Ever since last year, in response to the publication of Thomas Piketty’s Capital in the Twenty-First Century, the hot topic in the field of economics has been inequality. Piketty’s book, which argues that if left unchecked wealth will be increasingly concentrated into the already wealthy end of society, many saw the book as evidence for progressive taxes on the wealthiest members of a society. However, according to The Economist a new critique of Piketty’s work is making waves among economists. A paper by MIT graduate student Matthew Rognlie argues that, since the 1970s, the only form of capital that has demonstrably increased the wealth of the wealthy is housing. With this in mind, The Economist suggests that, instead of focusing on taxation, ”policy-makers should deal with the planning regulations and NIMBYism that inhibit housebuilding.” Read more about Rognlie’s paper at The Economist, or (for the more adventurous) read the paper for yourself here.
Stockholm’s City Museum (Stadsmuseet) has spoke out against David Chipperfield’s competition-winning Nobel Center, saying the design is good but not at its proposed location. The museum, whose mission is to “preserve the city’s cultural heritage,” does not believe the new center should be build along the city’s Blasieholmen, as its site is “one of the few parts of the city that still allows close interaction with the old port.”
Furthermore, the City Museum strongly urged against the Nobel Foundation’s plans to demolish the site’s three historic structures – an 1876 Axel Fredrik Nystrom-designed Customs House and the city’s last two remaining wooden harbor warehouses built in the early 1900s. Agreeing, the Liberal Party (Folkpartiet) has also spoke up, saying the proposal is “too big” and does not take “sufficient” consideration of the cultural environment and cultural heritage.
The Australian Institute of Architects (AIA) has revealed the five proposals shortlisted for exhibition at the Australian Pavilion at Venice’s 2016 Architecture Biennale. The announcement comes following a two-stage presentation and selection process judged by the Venice Biennale Commission, currently helmed by AIA Immediate Past President Paul Berkemeier.
Read more about the shortlisted projects after the break.
With “Protoceramics,” the Material Processes and Systems Group at the Harvard Graduate School of Design (MaP+S) sought to investigate the architectural possibilities of a material that might often be overlooked: thin, large-format ceramic tiles designed to act as interior finishes or exterior cladding. Instead of accepting the tiles’ designation as a surface finish, the team investigated three ways to use them as a self-supporting structural component as part of their ongoing experiment to produce “novel material formations with a special interest in tectonic performance.” The three techniques employed focused on the acts of cutting, folding and bending.
Update: As many readers guessed, this story is of course a prank for April Fools’ day. Thanks to everyone who played along, and a particular thanks to the seven readers (we won’t name any names!) who were convinced enough to email their expressions of interest. Your optimism and ambition are admirable, and we’re glad that you were able to take the joke in good humor. To anyone who dared to believe this story and had their heart broken: we’re sorry!
Last week, a little-known charity known as the Society for Atheistic Spirituality (SAS) announced a proposal which is sure to put them very much on the map: they plan to build Etienne-Louis Boullée’s design for a Cenotaph for Newton. The cenotaph, designed in the late 18th century as part of Boullée’s Architecture, essai sur l’art, is a sublime homage to the enlightenment thinking of Sir Isaac Newton, making it a perfect fit for the Society for Atheistic Spirituality’s mission to “endorse a rational understanding of our universe without abandoning the sense of wonder that makes life worth living.”
Though the plans are very much in their early stages – and in spite of the fact that the cenotaph was never really designed to be built in real life – the society is serious about their proposal, having earmarked a $500 million donation from a single donor, and are working to establish a “world class” team to realize the design. To find out more about their plan, ArchDaily spoke exclusively to the society’s director Zara Thustra, their construction projects leader Sidney Syfus, and their half-billion dollar donor, Dr Pang Luz. Read on after the break for the full interview.
Let’s face it: architects are savvy, design-minded beings who usually approach their gadgets and gizmos with the same level of discretion and attention to detail that they approach their architecture. They settle for nothing less than pure, honest, functional products (and you can be sure that any of their devices or accessories look great, too). In the spirit of architects’ impeccable taste, ArchDaily has curated a list of exceptional products for you to add to your wishlist.
Working since he was 16, Swiss architect Mario Botta (April 1, 1943) has become a prolific and well known crafter of space, designing a huge array of places of worship, private homes, and museums, perhaps most notably the San Francisco Museum of Modern Art and the Church of San Giovanni Battista in Mogno, Switzerland. His use of traditional masonry over the streamlined steel and glass of so much modern architecture creates strong, self-confident buildings that pull together the contrast between the weight of his materials and lightness of his designs.
After news of Frei Otto winning the 2015 Pritzker Prize broke, the internet was filled with comments on his influence on the profession over the past half a century of architecture. Of course, with the news of the Pritzker sadly packaged with news of his death, the impulse for many to offer some words in remembrance heightened the outpouring of opinion.
In addition, Otto was especially popular among some of architecture’s most established names; in a tweet, the New York Times architecture critic Michael Kimmelman revealed that among the prominent advocates pushing for him to be awarded the prize were past laureates Renzo Piano and Shigeru Ban. With that in mind, we collected the thoughts and reactions of some of the leading architects today, revealing the respect held for Otto within the profession.
Pratt Institute is presenting two architectural symposiums that are free and open to the public: “An Inventory of What’s Possible“ on April 10 and “The Language of Architecture and Trauma” on April 11, 2015. “An Inventory of What’s Possible” will focuse on the history of America’s affordable housing emerging from the research, architectural prototypes, and financing that occurred in New York, as well as the city’s future potential in response to Mayor de Blasio’s housing plan.
The second event, “The Language of Architecture and Trauma,” will observe modern responses to trauma including disaster relief, today’s “crisis culture,” and the role of writing in addressing trauma. Through the combined lenses of architecture, fine arts, anthropology, and poetics, the program will create a dialogue examining the role of writing in architectural production, and more broadly in affecting the world. For more information on either of these events, visit www.pratt.edu.
Álvaro Siza has been commissioned to design his first ever US project. Planned to rise 122-meters on the corner of West 56th Street and Eleventh Avenue in New York City, the Siza – designed condominium tower will be developed by Sumaida and Khurana – the same firm who just released designs for Tadao Ando’s first New York City tower: 152 Elizabeth Street. Stay tuned for more details.
GRAFT Architects has released the final designs for the APASSIONATA adventure park. The competition-winning proposal aims to become a hub for leisure and entertainment in Munich, Germany, featuring a year-round venue for relaxation, discovery, and interaction with horses.
Check out the design and watch a virtual tour of the park, after the break.
Page\Park Architects have been announced as winner of a competition to restore Charles Rennie Mackintosh’s Glasgow School of Art (GSA). The Scottish practice, chosen ahead of four other shortlisted architects, will now develop plans to restore the building’s library and all other areas devastated by fire in May of last year.
Highlighting Page\Park’s “extensive track record in both restoring and reinvigoration major historic buildings” and previous work on the Mac, GSA director Prof Tom Inns said: “The team assembled by Page\Park Architects impressed us not only with their deep knowledge of the building, but of the wider work of Charles Rennie Mackintosh… Page\Park have ongoing relationships with key crafts specialists and artists in Scotland and wider afield, and presented exciting proposals for expanding the legacy of the restoration by working with a new generation of creative talent.”
From 480 submitted projects from around the world, three winners and 15 honorable mentions have emerged at the top of eVolo’s 2015 Skyscraper Competition. Recognizing innovative highrise designs of the future, the competition emphasizes the role of technology, material, spatial organization, and their combined contribution to the natural and built environments. This year’s winners showed exceptional promise in adaptive vertical communities, and explored their ideas through imaginative and resourceful means.
Check out the winners and honorable mentions, after the break.
A total of eleven projects have been shortlisted for RIBA East Midlands 2015 Awards, featuring buildings by Evans Vettori, Make, Orms, and Studio Gedye. All shortlisted buildings will now be assessed by a regional jury. Regional winners will then be considered for a RIBA National Award in recognition of their architectural excellence, the results of which will place some projects in the running for the 2015 RIBA Stirling Prize.
See the complete list of shortlisted projects after the break.
Earlier today, Facebook founder and CEO Mark Zuckerberg posted an announcement onto his own Facebook page that the company had moved into its brand new, 430,000-square foot Frank Gehry-designed headquarters. In the post, Zuckerberg offers a photo of the building from above, showing off its 9 acre green roof, with a promise of interior images – of what is essentially the building’s giant, single room – “once we’re fully unpacked.”
That interior, big enough for 2,800 of Facebook employees plus room for growth, also played host to some of Instagram’s most popular photographers to preview the space – see a selection of their images after the break.