Laboratory: The Latest Architecture and News

In 2021, a collaboration between the Italian architecture studio Mario Cucinella Architects and WASP, an Italian 3D-printing company, led to the development of TECLA: a house 3D-printed entirely from raw earth. Five years later, the technology behind it has grown, quietly spreading across several continents and design practices. By controlling the speed, angle, and path of the extruder nozzle, architects are able to create more than just walls. Throughout the years, they have been experimenting with how to shape the 3D-printed material into detailed surface motifs, reintroducing relief, texture, and intricate patterns directly into the structure. In this way, they are attempting to bridge earth-building traditions with digital computation, in an era where code is starting to influence form and material expression in architecture.

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Shamballa, an 8-hectare open-air laboratory and research site dedicated to sustainable living and advanced architectural 3D printing, was inaugurated on June 8, 2026, in the hills of the Emilia-Romagna region in northern Italy. The project is a collaboration between WASP, a 3D printing technology company, and Olfattiva, an aromatherapy and botanical perfumery company, hosting a makers laboratory, a medicinal botanical garden, and "Itaca," a self-sufficient farm built using 3D printing. The building was designed as a model for 3D-printed construction, representing a certified and replicable structure. The outdoor areas host research and development centers, forming an experimental "ecosystem" to develop new ideas in bio-construction and sustainable living, along with automated gardens, rainwater harvesting systems, and initiatives focused on micro circular economies.

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In architecture, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, how cities are changing, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: studios, collectives, and foundations that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.

The idea of a think tank is not new. Traditionally found in politics, economics, or science, think tanks bring together experts to study complex problems and propose solutions. In architecture, their rise reveals a tension at the heart of the discipline. If architecture is to remain socially and environmentally relevant, can it continue to rely only on client-driven practice? Or must it carve out space for slower, deeper inquiry?

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OMA / Chris van Duijn won the competition to design a new campus for Hongik University in Seoul, South Korea. The proposal introduces a cluster of low-rise buildings interconnected by a network of public spaces molded on the existing topography of the site. The design aims to reemphasize the university’s connection to the city and its neighboring areas and to introduce greenery and various open spaces creating a seamless connection between roof terraces, outdoor courtyards, and sunken plazas. The winning proposal was chosen from the entries from established international practices, including SANAA, Herzog & de Meuron, Renzo Piano Building Workshop, and David Chipperfield Architects.

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Perkins Eastman has released plans for a two-story expansion and redesign of the SOM-designed Laboratory for Astrophysics and Space Research at the University of Chicago campus in Chicago, Illinois. Construction on the 63,500 square foot building has just begun, and once completed, will serve as the renewed home of the University’s Department of Physics. The addition and renovation will create a new physics hub on campus that will allow students of different sub-disciplines to collaborate under the same roof for the first time.

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