Every year, the Concéntrico festival in Logroño, Spain, brings together architects and designers from all over the world with the hope of employing creativity to create a better city. During this year's event, a few overarching themes could be observed as critical points of interest for the participating architects and designers. Many urban installations hoped to help citizens rediscover places of interest in their city and beyond, while others challenged the often-fixed ideas of what a home can and should look and function. Many designers saw opportunities in the concept of unstructured play, as the exploratory activity can activate unused public spaces and engage people of all ages.
Since 2015, the Concéntrico festival has presented 91 installations and pavilions during its seven editions. The festival is primarily known for bringing together emerging architects and designers who are given the freedom to experiment with new fields of environmental design. The festival is organized by the Cultural Foundation of the Architects of La Rioja together with Javier Peña Ibáñez, promoter of the initiative, in collaboration with the Logroño City Council, the Government of La Rioja, Garnica and Bodegas LAN, and 30 other supporting institutions.
Chinese artist and activist Ai Weiwei unveiled the Arch, a cage-like sculpture in front of the National Museum of Stockholm. The 12-meter-tall stainless steel structure features at its center silhouettes of two people holding one another, appearing to break through the steel bars of the cage. The artwork was created to symbolize refugee stories and is seen as an ode to freedom. The sculpture is installed outside Nationalmuseum national gallery on the Blasienholmen peninsula in Stockholm’s archipelago. It will remain there for one year, after which, it will be moved to a yet undisclosed location in the city.
First Place - Federico Fiorino. Image Courtesy of The Outsider magazine and the City Municipality of Maribor
The Outsider magazine and the City Municipality of Maribor have announced the winners of the international competition “Floating Pavilion on the Drava River.” The purpose of the competition was to obtain an innovative design for a floating pavilion that would have two main functions: a space for smaller events during the Lent Festival and a space for contemplation by the river. The City Municipality of Maribor will invite the winning candidate to participate in the implementation of the project.
Only a few days left until the annual inauguration of Milan Design Week 2022, one of the biggest international design events which features the Fuorisalone and Salone del Mobile. From the 7th till the 12th of June 2022, the streets of Milan will be hosting an array of architectural interventions and exhibitions curated by local and international designers as part of the Fuorisalone. And at the Fiera Milano | Rho, Salone del Mobile 2022, the awaited furniture and interior design event of the year, will be celebrating its 60th anniversary with themes and projects that reflect on “inclusive” design, fostering "autonomy, comfort, movement, usability, interaction and safety for all".
Syrian architects Marwa Al-Sabouni and Ghassan Jansiz bring an Arabic-inspired architectural element to the seafront of Hove as part of this year’s Brighton Festival. The temporary pavilion is built in the shape of the traditional arcade called The Riwaq. Conceived as a place that brings people together, the installation will host free cultural and community events, all organized as part of England’s largest annual multi-arts festival. Established in 1967, the Brighton Festival celebrates music, theatre, dance, art, film, literature, debate, and outdoor events in various locations across Brighton, Hove, and East Sussex.
Architecture in its broadest sense concerns itself with the uprooting of structures that are permanent, cementing themselves within the greater cultural context and history of its humanity, however, where do we place the creation of structures that are designed with the intention to be disassembled. How much meaning and value can these structures hold, knowing they were never designed to last, but to simply take up space for a moment?
Babyn Yar Synagogue by Manuel Herz, image by Iwan Baan. Image Courtesy of BYHMC
Babyn Yar, a ravine in the Ukrainian capital Kyiv, witnessed the killing of more than 33,000 Jewish men, women, and children, on September 29 and 30, 1941. The site of one of the largest single massacres perpetrated by occupying German troops against Jews during World War II, Babyn Yar became a symbol of the Holocaust by Bullets.
While the main tragic event took place in 1941, throughout the occupation, the site was used as a killing location by the German forces. In fact, it is reported that 70 to 100 000 people lost their lives in Babyn Yar. With no architecture to the tragedy and only a remaining “broken” landscape, people struggled with achieving memorialization and public recognition.
Instant City - ICSID 1971. Image Cortesía de OAB Office of Architecture in Barcelona
André Ricard and Daniel Giralt-Miracle, the member responsible for ADI/FAD, proposed the island of Ibiza as the venue for the ICSID Biennial Congress in 1971. That's how the story began. At that time, the so-called "Urquinaona Open Design Group" already existed in Barcelona. From the group, and with Carlos Ferrater at the head, they offered their help to the organization of the congress. They refused, as everything seemed to have already been organised. Together with Fernando Bendito, Ferrater asks about accommodation for the students. They still had nothing. They get the opportunity they were waiting for. Thousands of invitations are sent out to students all over the world. The number of replies was greater than the number of registered students.
Chilean architect Smiljan Radic has designed and installed a perfectly transparent dome for Alexander McQueen's Spring / Summer 2022 fashion show earlier this week in London.
Andreas Ruby, Director of the Swiss Architecture Museum shares his thoughts on the wrapped Arc de Triomphe installation by Christo and Jeanne-Claude, in a 3 part essay, converting a monument glorifying war into a monument of decolonization. The temporary installation opened to the public on September 18, 2021, and will be dismantled starting October 3, 2021.
Architectural events like biennales, urban festivals or the World Expo provide a framework for research and experimentation, allowing architects to showcase their visions on an international stage, with the aim of advancing the practice and driving innovation. World Expos, in particular, allow for these lines of inquiry to unfold at an architectural scale rather than that of an installation. Within these platforms for discourse and knowledge exchange, temporary architecture becomes a medium for communicating ideas about architecture and the city, its challenges and possible lines of development.
Artists Christo and Jeanne-Claude’s temporary installation, the L’Arc de Triomphe, Wrapped, opened to the public on September 18th. Twenty-five thousand square meters of recyclable silvery-blue fabric held together by 3,000 meters of red rope currently cloak the Parisian landmark transforming the urban setting, and photographer Jad Sylla captured the completed installation.
Argentine environmental artist Tomás Saraceno has recently unveiled his latest venture at Moscow’s Garage Museum of Contemporary Art. On view and remaining until February 14, 2021, the installation entitled Moving Atmospheres, is a partially mirrored sphere suspended midair in the museum’s atrium, made from ETFE.
Little has been said about the contribution of scaffolding to the history of construction. These structures are generally treated as mere equipment and, as a result, their records are very scarce. Without scaffolding, however, it would be almost impossible to construct most of the buildings we know. Scaffolding allows workers to reach and move materials at difficult points in a construction, providing safety and comfort. But in addition to its role as a support structure for buildings, we have also seen that scaffolding can be used for mobile, temporary, and even permanent structures. Below, we explain its history and possibilities for use.
Stefano Boeri, together with a team of consultants, has created the architectural and communicative concept behind the anti-Covid-19 vaccination campaign. Under the slogan "With a flower, Italy comes back to life", the approved proposal, requested by the Italian Special Commissioner for the Covid-19 emergency Domenico Arcuri, includes the campaign logo, the temporary pavilions, and mobile information totem in public spaces.
Due to population growth and an increase in urban density and real estate prices, architects and urban planners have been pursuing alternatives for new spatial configurations for settling and housing in the cities. The multiplication of shared housing and workspaces is an example of how the field of architecture is adapting to new ways of living in society.
_2.jpg?1653224708)
.jpg?1653224549 "© Jim Stephenson")
.jpg?1653224741 "© Jim Stephenson")
.jpg?1653224579 "© Jim Stephenson")
.jpg?1653224564 "© Jim Stephenson")
_2.jpg?1653224708)
.jpg?1598379881 "Three Generation House / BETA office for architecture and the city. Image: © Ossip van Duivenbode")
