MVRDV and SYNRG have received approval to construct Schieblocks, a 47,000-square-metre office building in Rotterdam, the Netherlands. Designed for developer LSI, who markets the project as The Bluezone Offices, the building will occupy a narrow site along the railway line, reaching 61 metres in height and extending almost 150 metres in length. The programme includes commercial spaces at ground level, offices throughout, and a restaurant and event venue on the upper floors. Conceived as a "3D neighbourhood," the design breaks the large volume into a series of colourful, distinct blocks that incorporate numerous references to Rotterdam's architectural character.
Between the Andes, the coast, and the Amazon, Ecuador's architecture has evolved as a reflection of its layered geography, a place where climate, topography, and culture unite. Throughout the territory, architecture has been an act of adaptation: from vernacular traditions rooted in collective labor and local materials to the colonial and modernist influences that reshaped its cities. This diversity has produced distinct constructive systems, from bamboo and cane structures along the coast to earth and stone constructions in the Andes, forming an archive of adaptive design that continues to influence contemporary practice.
Yet in the past decade, Ecuadorian architecture has undergone a quiet but deep transformation. New academic programs and international references have encouraged a growing awareness of climate and social justice. Emerging architects are redefining practice through workshops, collective studios, and on-site experimentation that blurs the line between design and activism. No longer focused on architecture as an object, a new generation of architects is approaching design as a process. One focused on collaboration, sustainability, and cultural identity. Their questions have shifted the design language from what to build to with whom.
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ARCHISONIC® Cotton MOSAIC and ARCHISONIC® Felt CIRC shaping spaces with sustainable elegance. Image Courtesy of Impact Acoustic
What defines a space first when entering: the sound or the visual impression? Architecture is often communicated through structure and surfaces, yet one of its most essential components moves unseen through the air: sound. It shapes how a space feels long before a wall or ceiling is noticed. Computational design brings these dimensions together, allowing architects and designers to create unique structures where acoustics and aesthetics inform one another rather than exist in parallel. By leveraging advanced algorithms, complex design processes transform into intuitive, accessible solutions that shape bespoke acoustic and visual highlights for every project. This approach combines parametric logic with material innovation, balancing efficiency, sustainability, and expressive design in equal measure.
Architectural ornamentation has been a recurrent subject of debate across the industry for decades. A practice that was largely abandoned during the Modernist movement could now be standing on a platform that might, again, allow its resurgence, due to the current convergence of robotics, artificial intelligence (AI), and digital fabrication. Technology has seemingly removed the primary obstacle to decorative detail: the high cost of skilled manual labor. However, this new technical capacity demands a critical examination: What does ornamentation truly represent, and what do we gain or lose by resurrecting it through algorithmic design?
What does optimism feel like in cities that can no longer rely on perfection as their ultimate ambition? Across the world, urban environments bear the weight of overlapping pressures: climate volatility, spatial inequality, political fragmentation, public distrust, and chronic infrastructural disinvestment. These realities render the idea of an ideal city increasingly detached from lived experience. Yet the hope for building better systems persists. While utopian visions may seem like an escape from the growing complexities of the modern world, the greater challenge for contemporary city-making is to confront those complexities rather than avoid them.
The municipality of Cunha, located in the state of São Paulo, Brazil, is a region known for its inland landscape, hilly terrain, and, especially, a major production of nationally renowned ceramics. It is within this context that the office messina | rivas has been working since 2017, with a set of projects located on a farm. Their work, which integrates design and construction in an indissociable manner, results in interventions that reveal a sensitive approach to pre-existing conditions and their surrounding environment.
The relationship between the office, led by architects Francisco Rivas and Rodrigo Messina, and the site began with a small renovation of a guest house for hosting friends. The project resulted in the transformation of two existing bedrooms into suites and the creation of an external kitchen. Since then, growing demands and the need to adapt existing buildings have driven the design of other projects distributed across the same site.
Stern, at the Yale School of Architecture, via Dan’s Hampton. Image Courtesy of Common Edge
Robert A.M. Stern, the American architect, educator, and historian whose work shaped both the physical and intellectual landscape of contemporary architecture, has died at the age of 86. His passing was confirmed by Robert A.M. Stern Architects (RAMSA), the New York-based practice he led for more than five decades. Known for advancing a contextual, historically informed approach during decades dominated by modernist and high-tech architecture, Stern remained a prominent voice advocating for continuity, urban civility, and an understanding of architecture as part of a longer cultural lineage.
On November 20, 2025, the Mississippi Museum of Art (MMA) confirmed the purchase of Fountainhead, a house designed by Frank Lloyd Wright in 1948 and completed in 1954. The renowned modernist architect designed the residence and its furnishings for oil businessman J. Willis Hughes, who lived there with his family until 1980. Established in 1911, the MMA is the largest art museum in the state of Mississippi, offering exhibitions, public programs, artistic and community partnerships, educational initiatives, and opportunities for exchange year-round through a permanent collection of paintings, photography, multimedia works, and sculpture. The purchase is part of the Museum's goal to embed itself in neighborhoods across the city in ways that support its community-building priorities, making the architectural landmark available to the public for tours with reservations. The initiative is inspired by institutions such as the Crystal Bridges Museum of American Art, which acquired the Wright-designed Bachman-Wilson House in 2015.
Mishing traditional bamboo house, Majuli . Photo by Rumi Borah. License Creative Commons Attribution-Share Alike 4.0 International
Across India's varied geographies, from coastal backwaters to desert fortress cities, architecture evolved with a deep, instinctive connection to climate. These were not isolated craft traditions but complete ecological systems in which material cycles, thermal comfort, and community knowledge were interdependent. As COP30 turns global attention toward the links between heritage and climate resilience, India's vernacular practices appear less as historical artifacts and more as climate technologies refined over centuries.
In public restroom design, innovation goes far beyond aesthetics—it transforms the entire user experience. One of the most exciting trends today is integrating all functional elements—hand dryers, faucets, soap dispensers, and paper dispensers—behind the mirror.
This approach creates a cleaner, minimalist look while optimizing space and enhancing hygiene. All devices remain fully functional but hidden: users simply place their hands where indicated on the mirror, and the equipment activates automatically—no physical contact required.
Urban renewal is inherently fraught—financially complex, politically exposed, stakeholder-dense, and almost guaranteed to leave someone dissatisfied. Precisely for these reasons, many cities default to inertia rather than risk the upheaval that comes with reworking entrenched urban fabrics, their residences, and their dynamics; once the "sleeping bear" is prodded, unexpected complications tend to multiply.
Miyashita Park (Miyashita Kōen), located in Shibuya, Tokyo, crystallizes this dilemma. Its current form—a layered, mixed-use complex balancing commercial activity with a publicly accessible park—emerged from years of negotiation, critique, and recalibration. The result is a distinctive example of a public-private partnership that seeks to align urban amenity, everyday leisure, and economic viability, producing a new piece of city that hosts public life while underwriting its own upkeep.
Two 36-storey residential towers have been completed on Irwell Bank Road in Singapore, featuring a pixelated facade designed by MVRDV. The scheme builds on the modular system developed by ADDP Architects, who designed the buildings using Prefabricated Prefinished Volumetric Construction (PPVC). MVRDV's facade introduces variation across the elevations and marks the locations of the communal green spaces on the 24th floor and the rooftop. Irwell Hill Residences, developed by City Developments Limited (CDL), is MVRDV's debut collaboration on a building in Singapore's urban core.
Biblioteca dos Saberes by Kéré Architecture. Aerial view. Render. Image Courtesy of Kéré Architecture
Amid ongoing global discussions on climate adaptation and resilient urban development brought into sharper focus by the outcomes of COP30, this week's architecture news illustrates how cities worldwide are rethinking their built environments. From Venice, where the 19th Architecture Biennale concluded with debates on material use and long-term cultural impact, to international awards foregrounding regenerative and socially responsive design, the conversation around architecture is increasingly intertwined with planetary priorities. Major urban interventions, from Thessaloniki's seafront redevelopment and Rio de Janeiro's new public library, to Abu Dhabi's Natural History Museum and a civic stadium in Birmingham, demonstrate how multiple cities are addressing mobility, heritage, density, and climate resilience. Additional plans, such as Mantua's ecological urban strategy, Utrecht's elevated landscape above transport networks, and Amsterdam Airport Schiphol's redesigned landside mobility system, further reflect a transition toward integrated, people-centred urban frameworks that prioritize environmental performance, public space, and long-term territorial stewardship.
Modernism has a long history in Morocco. Being close to Europe and under French Protectorate rule, it kept pace with architectural developments in the movement. Its relative peace after the Second World War further strengthened its role as some European architects sought a hub for new ideas. Architects in independent Morocco adopted Modernism as they were tasked to build the infrastructure of a new nation. The architect Jean-François Zevaco, born in Morocco to French parents, practiced across these formative periods, developing his own expressive version of modern architecture.
Wang Shu and Lu Wenyu. Image Courtesy of Venice Architecture Biennale
La Biennale di Venezia has announced that architects Wang Shu and Lu Wenyu will curate the 20th International Architecture Exhibition, opening in May 2027. Founders of Amateur Architecture Studio and leading voices in contemporary practice, the duo is known for an approach rooted in craftsmanship, material reuse, and deep engagement with place. Their appointment brings renewed attention to vernacular knowledge, construction cultures, and the social realities shaping architecture today.
In a former 16th-century church in Vicenza, two stories come together: that of Italian Renaissance sacred architecture and that of marble, the ancient material by excellence, reinterpreted here in a contemporary key. In this dialogue between eras, Lithos Design presents Quinte, a double-sided partition wall that transforms marble into a design tool: not just a surface, but a rhythmic and modular element that defines and enhances spaces. An idea designed for interior architects looking for solutions that are both functional and decorative, capable of shaping interiors with precision, elegance, and personality.
Stretching along the Atlantic coast at the southern tip of Florida, Miami is often introduced through postcard views of beaches, palm trees, and glass towers facing the water. Yet, behind this familiar image lies a city shaped by migration, tourism, and real estate cycles, where architecture has repeatedly been used to project new identities and reinvent the urban landscape. From early resort hotels and the Art Deco façades of South Beach to experimental high-rises and cultural institutions on the bay, the built environment offers a way to read how Miami negotiates climate, economy, and everyday life.
Over the past century, the city has grown through successive layers of development that remain visible in its streets and skylines. The streamlined geometry and pastel colors of the historic Art Deco District coexist with the exuberant forms of Miami Modern (MiMo) motels and postwar infrastructure along Biscayne Boulevard. Downtown and Brickell have transformed from low-rise business districts into dense clusters of residential and office towers, many designed by international firms working alongside local practices. At the same time, neighborhoods such as Little Havana, Allapattah, and Wynwood reveal how diasporic communities, industrial heritage, and creative industries occupy and adapt existing fabrics, often in contrast with the image-driven waterfront.
Foster + Partners has developed a master plan for the redevelopment of the former FIX brewery in Thessaloniki, Greece. The proposal, commissioned by Dimand, outlines a mixed-use district that integrates public space, housing, hospitality, and cultural programs. Positioned along the western seafront and within walking distance of the city center, the site serves as a key point of connection between emerging neighborhoods and the waterfront. The project builds on the industrial history of the brewery complex while introducing new spatial configurations intended to support broader urban regeneration efforts across Thessaloniki.
Biblioteca dos Saberes by Kéré Architecture. Northern view. Render. Image Courtesy of Kéré Architecture
Kéré Architecture has unveiled its proposal for the 40,000-square-meter Biblioteca dos Saberes (House of Wisdom) in Rio de Janeiro's Cidade Nova neighborhood. Designed by Francis Kéré, Mariona Maeso Deitg, and Juan Carlos Zapata, the cultural complex is commissioned by the Rio de Janeiro City Hall and planned for a site near Valongo Wharf and the Little Africa area. The design was presented to members of the community on November 20, the National Day of Zumbi and Black Consciousness in Brazil. Important features include a perforated façade for sun protection, roof gardens, landscaped terraces, shaded courtyards, open-air areas, a canopied amphitheater, and a pedestrian bridge connecting the building to the nearby monument to Zumbi dos Palmares.
Spectrum Architecture, in collaboration with SOG and F&M, introduces the masterplan for Gonio Yachts and Marina—a significant waterfront development on the Black Sea coast designed to provide high-end residential and hospitality infrastructure for over 30,000 people.
The project is part of EMAAR's substantial investment in Georgian real estate under the Eagle Hills brand, which plans to develop two megaprojects in Tbilisi and Batumi. The total investment exceeds $6.5 billion and aims to attract $10 billion in foreign direct investment, generate 30,000 jobs across multiple sectors, and host 350,000 visitors annually.
Created by California surfers who wanted to bring the lines of surfing onto asphalt, skateboarding soon outgrew its role as a simple alternative for flat days. It established itself as a practice that reads the city through a different logic, reinterpreting steps, handrails, walls, and interstitial spaces as possible lines, challenges, and opportunities. Over time, it evolved into a global urban culture, a way of inhabiting and transforming public space through movement. What was once marginal has become a catalyst for urban activation, community building, and new uses for overlooked spaces. At its core, skateboarding reveals how many cities coexist within the same city, depending on who moves through them and how each person is able to reinterpret their surroundings.
The new headquarters for Cybernet Systems was designed around the Japanese architectural concept of flexibility, promoting well-being, collaboration, and productivity. As a global leader in Computer-Aided Engineering, supporting industrial production through advanced digital solutions, the headquarters, located in the Fuji Soft Akihabara Building in Tokyo, embodies the company's commitment to creating a dynamic, technology-driven community.
Developed by MB-AA (Matteo Belfiore Architect & Associates) and Shukoh, in collaboration with Cybernet Systems, the project translates corporate values into spatial design. Minimalism, natural light, and openness define the environment. Transparent partitions and adaptable layouts foster communication while allowing each employee to personalize their workspace. Well-being, creativity, flexibility, and technology form the core of the project.
