I arrived at the office in the early summer, not long after the dissolution of Stern & Hagmann and then Bob’s divorce. I found two young architects-to-be, a sweet but disorganized secretary-receptionist-bookkeeper, and Bob. The office grew during the summer and beyond—and today there are over 200 in the office, including 16 partners in Robert A.M. Stern Architects (aka RAMSA).
In this week's reprint, Metropolis editors have selected a variety of new and forthcoming architecture and design books, rounding up a compelling reading list for the season. The following titles range from monographs and theoretical inquires to essential knowledge works, from authors like Michael Sorkin, Robert A.M. Stern or Paul Dobraszczyk.
The hyperreal renderings predicting New York City’s skyline in 2018 are coming to life as the city’s wealth physically manifests into the next generation of skyscrapers. Just like millennials and their ability to kill whole industries singlehandedly, we are still fixated on the supertalls: how tall, how expensive, how record-breaking? Obsession with this typology centers around their excessive, bourgeois nature, but – at least among architects – rarely has much regard for the processes which enable the phenomenon.
The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
The world of architecture can be a serious place. Though the rest of the world holds quite a few stereotypes about architects, unfortunately none of them include us having a sense of humor—and perhaps that seriousness explains why one of the most popular memes involving architects isn't exactly favorable to the profession. Here at ArchDaily we thought we'd do just a little to correct that with some memes riffing on some of the profession's most beloved names—as our gift to the entire architectural profession. Read on to see what we've come up with, and don't forget to get involved with your own architecture funnies.
https://www.archdaily.com/802255/a-selection-of-name-based-architecture-memesAD Editorial Team
Reflections on Architecture, Society and Politics brings together a series of thirteen interview-articles by Graham Cairns in collaboration with some of the most prominent polemic thinkers and critical practitioners from the fields of architecture and the social sciences, including Noam Chomsky, Peggy Deamer, Robert A.M. Stern, Daniel Libeskind and Kenneth Frampton.
After serving as dean at the Yale School of Architecture for nearly two decades, Robert A.M. Stern is reportedly stepping down. According to Yale Daily News, faculty and administrative staff members have indicated that Stern will be retiring when his term as dean concludes in Spring 2016. “[Stern] took [the school] from a place where people were not paying attention to it many years ago — he has brought incredible international attention to the school,” Professor Michelle Addington stated in regards to Stern's widespread influence as dean. “He has given me the opportunity to rethink my subject, and that doesn’t happen at too many places.” More information, here.
As an architecture student at Yale editing Perspecta 9/10, I first met Charles Moore by telephone and through correspondence. I had come across his amazing early projects in the Italian magazine Casabella, and was intrigued by what I read about him and his partners — especially in a provocative essay by Donlyn Lyndon. I got in touch with Charles and he volunteered that he was interested in writing about Disneyland for the journal, leading to the publication of his justifiably famous article, "You Have to Pay for the Public Life," as well as a portfolio of projects by his firm Moore, Lyndon, Turnbull, Whitaker.
The modern suburb has become an unruly sprawl, homogenous in style and over-dependent on the automobile. However, according to Robert A. M. Stern's new manifesto “Paradise Planned: The Garden Suburb and the Modern City,” there is a superior alternative for suburban development that could attract millennials and preserve quality of life in terms of health, economic savings, and physical safety: the centrally planned, pedestrian-friendly garden suburb. You can learn more about Stern’s 1,072 page manifesto on the garden suburb in this article by the New York Times.
In this interview, originally published in Metropolis Magazine as "The Charms of Suburbia", Martin Pedersen interviews Robert A.M. Stern about his new book, "Paradise Planned: The Garden Suburb and the Modern City". Pedersen's interview delves into the history behind the Garden Suburb - a typology that is distinct from the stereotype of suburban sprawl.
Robert A.M. Stern is nothing if not counterintuitive. How else do you explain—in an increasingly digital and urban-centric world—his recently released book, a 1,072-page tome, containing more than 3,000 images, on the history of the garden suburb? Paradise Planned: The Garden Suburb and the Modern City (the Monacelli Press, 2013) was written with longtime, in-house collaborators David Fishman and Jacob Tilove, who also worked with Stern on the ﬁfth volume of the architect’s epic New York series.
Paradise Planned is similarly expansive. “The book grew like Topsy,” Stern says. “We’d think we had all the examples down, and a new one would pop up. So it just got bigger and bigger. And I thought: if we’re going to do this book, we really ought to do it as the deﬁnitive text. Now, it’s not forever text. People will always be adding things. But this is a pretty comprehensive view.” I recently talked to Stern about his new book, the folly of “landscape urbanism,” and the lessons learned from the garden suburb.
In the mutable world of architecture it's easy to get distracted by the trendy new thing, be it the tallest tower or the "blobbiest" form. Robert A. M. Stern (Dean of the Yale School of Architecture and a practicing architect in his own right), on the other hand, remains purposefully old-fashioned (to the point of becoming obsolete). In an exquisitely written article for the New York Magazine, Justin Davidson reports that, despite the mockery of his colleagues, Stern seems unfazed. If his architecture has the power to inspire, he says, then he's done his job. Read the full must-see article here.
We’re always excited to bring you news on the latest awarded architects for their contemporary achievements and advancement of the field – whether it be our coverage of the Pritzker, AIA Honor Awards, or the Aga Khan awards, to name a few. Yet, the Richard H. Driehaus Prize is one prize that recognizes architects whose work embraces the ideas and theories of the past. Specifically, the prize is bestowed upon those who work ”embodies the principals of traditional and classical architecture and urbanism in contemporary society.” Robert A. M. Stern, dean of Yale School of Architecture and principal of his firm, has been named the 2011 recipient of the Driehaus Prize for his commitment to incorporating classical theories into his projects of all scales. According to Stern, the firm is grounded in the belief of “…continuity of tradition and strive in our work to create order out of the often chaotic present by entering into a dialogue with the past and with the spirit of the places in which we build.”